Simon Farid is a visual artist interested in the relationship between administrative identity and the body it purports to codify and represent. In practice, this means that the artist is ‘squatting’ identities that have been constructed by other people for surveillance, marketing or institutional purposes and then discarded.
He notoriously ‘inhabited’ the identity of an undercover police officer and the one of a politician who moonlighted as a web marketing guru
Next week, NOME, one of those too rare galleries exploring art, politics, and technology, is going to open Jacob Appelbaum’s first solo show in Germany. There will be stuffed pandas, portraits of political dissidents and far too many secrets
James Bridle’s exhibition presents a series of works that use computer code, investigative journalism, and visualization to explore hidden spaces and classified information
Drone crews, analysts, intelligence officials and military commanders all speak frankly to the author about how armed drones revolutionized warfare–and the unexpected costs to some of those involved
Two of the presentations i enjoyed covered the representation of intelligence agencies in films and tv fiction, another was about the influence that new forms of surveillance are having on the rise of home-grown (‘home’ being the U.S.A., the symposium was organised by the Institute of North American Studies) white extremist groups. And a fourth talk commented on the delusory quest to control State information
In the wake of the Snowden revelations about the surveillance capabilities of intelligence agencies, this interdisciplinary symposium gathers experts to discuss the place and implications of secrecy in contemporary culture and politics
With his public intervention Overexposed, artist Paolo Cirio disseminates unauthorized pictures of high-ranking U.S. intelligence officials throughout major cities. Cirio obtained snapshots of NSA, CIA, and FBI officers through social media hacks. Then, using his HD Stencils graffiti technique, he spray-paints high-resolution reproductions of the misappropriated photos onto public walls