A couple of years ago, Nils Völker built a robot out of Lego parts that replicates the way we look. The resulting large scale images demonstrate how differently the same objects have been perceived. The robot was the one work that attracted me to Nils Völker’s portfolio but it’s his creative path that started with communication design and moved to the use of physical computing in contexts as different as advertising and art exhibitions that kept my attention
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French nanny Vivian Maier relentlessly photographed New York and Chicago. She didn’t show her work to anyone, died in poverty, and left behind 100,000 negatives. Her work was discovered when a young estate agent bought the content of her storage locker. Now, with some 90% of the archive reconstructed, Maier’s work is part of a renaissance in interest in street photography
Trucks, Containers, Collectives is an initiative by Santiago Cirugeda (Recetas Urbanas) which has inspired more than a dozen collectives to get involved in creating a network for spaces that are self-managed by the entire Spanish territory. This is no longer a matter of experimenting with individual, isolated situations, a process which Cirugeda initiated fourteen years ago and, in any case, is being reassessed during these times of recession. Rather it’s a self-organised and joint action taken by small citizen groups who unite their efforts
The accelerating crisis in climate change and the realization that humans are the primary cause of this change has raised questions about ownership and responsibility. Who “owns” the climate change crisis and who is responsible for mitigating and reversing it if possible? One overwhelming response by governments on an international level has been to propose a market solution, in essence, to sell the atmosphere. Is the commercial marketplace the only answer? How can art, technology and media offer alternative cultural practices and open new forms of understanding the air?
Just back from London where i managed to catch up with up to 7 exhibitions in a day. Btw, there’s only a few more days to enjoy Parreno’s magnificent videos at the Serpentine and i urge you to run there if you haven’t seen the show yet. Another exhibition i liked a lot is Matthias Schaller’s series of Disportraits at Ben Brown Fine Arts
Prédiction was the biggest exhibition of the International Design Biennial in Saint Étienne. Its ambition was to reposition the boundaries of contemporary design, exploring in over 100 artefacts and 2000 m2 the new types, methods, and practices of the discipline
The exhibition showcase the work of young photographers, gifted amateurs, alongside that of established professionals. This year’s selection is as heavy as ever with its documentation of prostitution, childhood obesity, prison and hunting
The exhibition explores portraiture and the representation of political, economical and social power in the contemporary world through the works of contemporary artists. Portraits of famous political figures, investigations into the lifestyle of the social elite, as well as inquiries into the power structures of international institutions
I tend to avoid blogging about the most well-known galleries. I doubt they need my posts to attract the crowds. On Thursday however, i went to Tate Britain to see Fiona Banner’s sculptures and realized i would not be able to keep the excitement out of my website
Architect Caruso St John and artist Thomas Demand are paying homage to the famous Chongqing nail house with a project that involves reconstructing the Nail House under a road viaduct in Zurich, and to open it to the public as a 24/7 restaurant
This book is not only visually inspiring. Because it documents plans, describes associated costs, and suggests concrete solutions for common problems, it is a practical reference for architects, planners, and cultural activists as well as event and marketing managers, to guide them in deciding what types of containers are best suited to their upcoming projects
Can airspaces be owned and activated by the public? What is the size of the airspace you can own? How can we employ wind farms in a way that disrupts conventional understandings of their use?
RGB features artists from highly diverse backgrounds, from household names to the newest young talents. RGB captures the UK’s explosively vibrant and unpredictable realm of graphic design, in 288 pages packed with exciting visual material
The stars of the 28th edition of the contemporary art fair for me were paintings and more paintings
Poltergeists are on the agenda at PERGOLA. Against the background of a haunted modernity, silhouettes of erased lives demand restitution: Swiss tavern lanterns cast a gloom over the museum space, the ventilation shafts bring back good memories of monumental architecture, the melancholy of the Renaissance seeps into this no man’s land, pneumatic dispatch breaches communication….
Change, the buzzword of the last U.S. presidential campaign, is the order of the day, and the task of AGENDA is to explore what kind of change will be needed if architects are to assume a political and social agency in this new landscape. Bringing together diverse forms of content, AGENDA is a product of vigilant observation, introspection, and engagement with outside thinkers and collaborators – artists, curators, politicians, authors, economists, journalists, developers, educators, and architects
The exhibition showcase the work of young photographers, gifted amateurs, alongside that of established professionals. This year’s selection is as heavy as ever with its documentation of prostitution, childhood obesity, prison and hunting
Xiong Wenyun’s “Moving Rainbow” series incorporates the colors of Tibetan prayer flags into landscape photography, and engages with environmental and social issues related to China’s development in its western provinces
Artissima never disappoints. It is decidedly the edgiest and most exciting contemporary art fair in the country. In fact, you’d almost think that people come here because they love art, not just because they want to buy, invest and speculate
The installation echoes the artist’s concern for the relentless threats against Iran made by many countries in recent years. Sentences that include “attack Iran” are scavenged from Google News and spoken using a text-to-speech synthesizer. The voice is then picked up by a microphone, analyzed, and translated into rhythmically corresponding smoke rings from a quartet of smoke ring makers
Ever since its opening in 2007, the museum had to face accusations of reinforcing colonial stereotypes. An exhibition about the famous Ape-Man, created by an author who had never set foot in Africa, was unlikely to tame detractors. But the curators are smart. Their perspective is to help visitors understand how Westerners’ misconceptions of Africa, its noble savages, untamed jungles and scantily clad women, came about. All i cared about was a couple of statues representing Leopard Men
When Norwegian artist Kjersti Andvig initiated a collaboration with someone called Carlton A. Turner, who at the time was on death row in Texas, she aimed to expose a system which she perceived as a unjust mix-up of right wing politics, strange religious beliefs and cruelty. After their artistic work had ended, they fell in love.
If you can’t afford Space Adventures’s multi-million ticket to fly into space and if you don’t want to wait till 2011 to hop on one of Richard Branson’s upcoming Virgin Galactic flights, then the Soyuz Chair, designed by Design Interactions graduate Nelly Ben Hayoun is the best you can hope for right now
Jen Hui Liao’s Self-Portrait Machine is a device that takes a picture of the sitter and draws it but with the model’s help. The wrists of the individual are tied to the machine and it is his or her hands that are guided to draw the lines that will eventually form the portrait
Danish artist and environmentalist Tue Greenfort’s photo series, Daimlerstrasse 38 lured foxes living in the industrial area in eastern Frankfurt with frankfurter sausages towards a hidden camera
LOOP art fair understands the importance of the comfort factor for video art lovers. The fair took place inside the snug rooms of a 4 stars hotel right in the center of Barcelona during 3 afternoons. Videos were displayed on big screens inside bedrooms and some galleries added a smaller screen in the bathroom to show another piece. So here we were all cosying into armchairs, spreading over beds, taking notes in the dark and chatting in the corridors of the hotel
Just back from LOOP video art festival and fair in Barcelona. The event is for video art lovers only. So what was a video art sceptic like me doing there? Well, i was busy becoming a convert. I’ll come back with the why and how in a lengthier post. In the meantime, here’s an example of an artwork i discovered (and unsurprisingly liked) at LOOP
The latest exhibition at Laboral, AUTO. DREAM AND MATERIAL, showcases 100 artworks which, each in their own way, explore the relationship between car culture and art creation in recent decades
The exhibition is set under the aegis of Nikola Tesla and its name refers to a village in Alaska. Little more than 200 inhabitants live in Gakona. There’s a service station, a small school, a post office, a couple of diners and a scientific research base: the High-frequency Active Auroral Research Program
I’ve never had any interest in football (that’s soccer for you, American friendz.) Never ever. I come from a country that never won any championship (and if they ever did, well… i still don’t care), i find men in shorts a rather pathetic affair and i just don’t get sport on tv anyway. There’s been just one exception to this until last week and it was Eric Cantona, his sardines, his iced tea commercials
Together with a team of 14 people and the help of a whole range of experts, Cesar Harada is currently busy developing the Open Sailing project, a floating architecture that evolves like a living organism, a laboratory for techno-social experiments
Ericailcane’s bestiaries depict this as an awakening after a dream. Anthropomorphic creatures are an allegory of human weakness, wondrous animals that re-emerge from our childhood memories to illustrate fairy tales that are morally crude and disenchanted
Castellon’s Contemporary Art Space has recently opened a delightful exhibition that re-invents architectural space through the most intangible strategies: mist, light, colour and sound
Postmodernism is dead and a new form of art is taking over. Nicolas Bourriaud christens it Altermodern! This ‘alternative modern’ is the product on non-stop communication, globalization and new forces that shape the way artists operate today
Last Summer, curatorial research group Capsula embarked on the first of its Curated Expeditions, a series of research trips that engage with earthly phenomena through artistic investigation.
3 artists were invited to the scientific Zoo in Novosibirsk, the capital of Siberia, in order to collaborate with scientists and other experts and study the impact of a total solar eclipse on animals and human beings
The first monography is the one of a painter who portrays contemporary life through cables, joysticks, feet and routers. The second book is a delightfully designed bible of a font which was highly popular in the Middle Ages and then got to bear the stigma of being associated with nazi propaganda
The Transgenic Pheasant Embryology Art and Science Laboratory taught by Adam Zaretsky at the University of Leiden was a hands-on perfomance art wet-lab aimed at stimulating a debate about the use of new biological methods for permanent alteration of genetic inheritance
How about talking money for a change? Rhizome, Turbulence and Art Fag City have given us a lot throughout 2008. Now is the time to give a little back
The exhibition assumes that innovation of the architecture of dwelling can only be based on the interaction between ‘container’ and ‘contained’, that is, between architectural invention and changes in living ideals
I am going to be miss the broadband during the 20+ hours of a trip to Brazil for the arte.mov festival so, please, do me a favour and broadsurf for me