A fictitious company called ENT International has filed for bankruptcy protection under Chapter 11 in the U.S. Bankruptcy Code.

Some of the items listed in the catalogue of the bankruptcy clearance auction are perfectly mundane, others are fictitious. Put together they offer a detailed insight into the inner workings of a large corporation closely inspired by the Enron scandal

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The artists brought together for this show reveal an imagery that has been inspired by the current mutations in our environment. They deal with diverse matters such as Chernobyl, global warming and the rise in oil rates. At times close to science-fiction, these artists imagine new stories which pay witness to the curiosity and fears derived from this changing reality

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The audio file of a lecture by Prof. Wendy Brown who explains how the building of walls around the world today is so starkly at odds with images of a world that is ever more connected & unbordered. Bonus! Videos of Shooting Back, the project of an Isreali NGO that gives Palestinian families across the West Bank video cameras to document how they are treated by Israeli soldiers and settlers

LOOP art fair understands the importance of the comfort factor for video art lovers. The fair took place inside the snug rooms of a 4 stars hotel right in the center of Barcelona during 3 afternoons. Videos were displayed on big screens inside bedrooms and some galleries added a smaller screen in the bathroom to show another piece. So here we were all cosying into armchairs, spreading over beds, taking notes in the dark and chatting in the corridors of the hotel

Leonardo Da Vinci was credited with sketching the world’s first self-propelled vehicle back in 1478. But da Vinci was a Renaissance Man, a man at ease in front of a religious scene to paint as much as in front of a technological challenge. There’s no artist from the Renaissance in the exhibition, the majority of the works exhibited come from the last two decades but they demonstrate that contemporary artists do not need to graduate as engineers to re-invent the car… even if the result of their experimentation has no ambition to compete with what comes out of a Porsche factory

At the beginning of the 20th century, cars were hand built by small teams of highly skilled craftsmen and women. Only a small elite could afford to buy one until Henry Ford developed a system of mass-producing automobiles that lowered the unit price and enabled the average consumer to buy a car.

Tobias Rehberger takes history backwards. In 1999, the artist embarked on a project that saw him sending simple sketches, composed essentially from memory, of iconic cars such as a Porsche 911 and a McLaren F1 to a workshop in Thailand

VASTAL is a temporary research and education institute that Adam Zaretsky has set up in Amsterdam following an invitation by the Waag Society. Zaretsky will give lectures and workshops on Art and Life Sciences. The School was born with the objective of showing what it means to work artistically and scientifically with living organisms and materials. It also aims to make this form of art-science accessible for a broader audience and invite them to discuss the ethical and aesthetic issues at stake.

Cars have shaped the 20th century probably more than any other product of technology. Ever since Carl Benz created the first “horseless carriage” (1885), the automobile has had a deep impact on almost every single aspect of our life: landscapes, architecture, geo-political relationships (necessity to gain control of the areas that produce its fuel), social and labour movements, even the air we breathe

Can the OS model be applied to artworks or even exhibitions? In how far does the open source model differ from other forms of artistic collaboration? Is there a new role model for both the artist and the curator in the future? Which (economic) value and impact has expertise in open source production? How could institutions and organisations respond to this trend and create public domains?

This panel looked at the geographical shift that media culture currently undergoes. Europe, North America and Japan used to be at the forefront of digital production, design, art and technological research. Now that technologies become available at lower prices and spread more widely on the globe, new initiatives and bottom-up organisations are burgeoning in East Europe, the Middle East, Africa and South America