Medals are supposed to celebrate important figures or heroic deeds, but the stars of this exhibition are medals that condemn their subjects. The last section of the show features medals commissioned from contemporary artists. The most thought-provoking is the Olympic gold-style medal that Michael Landy created to honour English hooligan Dean Rowbotham “for breaking his ASBO on more than 20 occasions”
I met dear dear Betty at the Parrworld exhibition, she was dancing the night away
A selection of artistic time machines expands the notion of linear time, suggesting that the Western world might have become infected by Rumsfeldian knowns and unknowns
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The exhibition wishes to reflect upon the concept and meaning of ‘work’ in our present society. The artworks selected deal with issues such as flexibility, mobility, motivation, significance, and the work-life balance
While visiting the Work Now exhibition at Z33 in Hasselt, i got pretty excited by the work of young Belgian artist Helmut Stallaerts
The book compiles over 400 pages of exciting ideas, never before seen experiments, self initiated projects and commercial work from Germans working and studying at home and abroad, as well as non-Germans working and studying in Germany
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The artworks question in some way or another the existence of ghosts, they explore the integration of new media and technologies in spiritualist contexts, make visible or perceptible the invisible and trace the political implications as well as the aesthetics of such contemporary trans-communication phenomena
Whether it’s from a hotel room in Vegas, secret prisons in Kabul, buried CIA aircraft in Central American jungles, Washington, D.C., suburbs, or a trailer in Shoshone Indian territory, Paglen’s reporting is impassioned, rigorous, relentless–and eye-opening. Blank Spots on the Map is an exposé of a world that, officially, isn’t even there
20 years after the fall of the Berlin Wall, the biennial for Moving Image advocates the importance of history (in relation to what the curator calls our “culture of present-ism”) and revolves around questions of historical representation and historiography
Photojournalist Geert Van Kesteren shows the disorienting reality of war-torn Iraq as he chronicles the lives of ordinary Iraqi people living in Baghdad, Jordan, Syria, and Turkey during 2006 and 2007. The book and exhibition combines Van Kesteren’s professionally photographed images with the stories of Iraqis in their own words and hundreds of cell phone pictures and digital snap shots taken by the Iraqis themselves. Some reveal places that journalists dare not tread
Waag Society and Adam Zaretsky’s series of workshops and lectures are back in Amsterdam and this time the focus will be biology and bacterial transformation
Volume 20 is dedicated to the art of storytelling. It presents the storylines of current events and architecture to show that while the truth is important, so is the ability of fiction to elevate fact. Perhaps the best way to understand our era is through narratives that distort, pervert and animate reality?
What logic lies behind major technological pushes of the past and how could it apply to future projects and what could we learn from the visions of an American past that never happened?
A photo of a secret CIA prison. A map designed to help visitors reach Malibu’s notoriously inaccessible public beaches. Guidebooks to factories, prisons, and power plants in upstate New York. These are some of the more than one hundred projects represented in Experimental Geography, a collection of visual research and mapmaking from the past ten years
Photographer Danny Treacy recovers discarded clothing he finds lying around in streets, car parks and waste ground. He then stitches the garments together into spooky suits, which he wears in life-sized portraits to become Them
Going beyond the phenomenon of number stations, the exhibition explores forms of art that elude any wistful desire for fixed interpretations, they include mathematical encoding, the production of aurora borealis, archiving contact lenses, seismic sensors, the disappearance of hanged men and mountain summits
In fast and witty episodes, Filmmaker Ben Lewis meets some of the most discussed contemporary artists and challenges their work with the kind of provoking questions you can expect from someone who recently penned an article titled ‘Who Put the Con on Contemporary Art?’
The exhibition reveals how what sociologist Avery F. Gordon calls “the ghosts of memory” reach out from the past through the present, influencing how we understand and construct it. More precisely, the show investigates the mutual influence between this phantom of memory and the territory
This volume includes a monumental stash of documentary photographs, ephemera, documents, transcripts and original writings on all things related to the oil crisis–from Jimmy Carter to underground utopias. Reproductions cover everything from impossible traffic jams leading up to empty gas stations to board games with names like Energy Quest and Petrol
Oron Catts, Director of SymbioticA, Centre of Excellence in Biological Arts at The University of Western Australia, presented the project he and his team are currently working on. Adaptation is radically different from what you would expect. No victimless leather jacket, no banquet of frog steak. This one invites us to take a peak into the broader issue of ecology and life itself
The Moon Goose Experiment (MGE) is based on an excerpt from the book The Man in the Moone, written by Francis Godwin in 1603. Godwin was the first person ever to describe weightlessness – long before Newton’s theory of gravity. The protagonist in the book flies to the moon in a chariot towed by geese. These special moon geese migrate every year from the earth to the Moon
Let’s get this straight first: the Earth is hollow and other societies live in there. Andy brought us to the cave in order to be closer to them
The second edition of Biorama was a workshop and symposium (set inside a cave) that explored the biology of the underground through the notion of umwelt developed by biologist Jakob von Uexküll and its influence on the development of biosemiotics by Thomas Sebeok.
The guide offers a concise, up-to-date- and insightful presentation of European museums, art institutions, galleries, art fairs, biennials, and works of art in public space. It focuses on giving both the knowledgeable insider and the casual novice a brief and easy-to-use synopsis of European art highlights that are musts on the itinerary of anyone interested in contemporary art
Sarah Pickering’s b&w photographs document the interiors of purposely-designed buildings have been repeatedly set on fire then extinguished for training exercises at the UK Fire Service College
In what has come to be called Gravity Art by some, there is actually a couple of artists who have chosen to use gravity it as their medium, often in somewhat beautiful yet futile actions, heroic failures.
Rather than answering questions–such as, How can technological advances be controlled? On what ethical bases can its purposes be chosen? Who is entitled to decide on the ultimate mission of machines? Can machines destroy us?–this installation, on the contrary, is about reformulating those modern philosophical questions through the use of images associated with the popular culture of science fiction
Ever since its opening in 2007, the museum had to face accusations of reinforcing colonial stereotypes. An exhibition about the famous Ape-Man, created by an author who had never set foot in Africa, was unlikely to tame detractors. But the curators are smart. Their perspective is to help visitors understand how Westerners’ misconceptions of Africa, its noble savages, untamed jungles and scantily clad women, came about. All i cared about was a couple of statues representing Leopard Men
The publication is concerned with searching the world for signs of what is to come. Given the visitor’s experiences, life choices and dreams, what is the probable future of the exhibition as a medium, a voice, experience and contemporary fountain of knowledge? And what future do we who are working in the field hope to see?
As part of the exhibition Radical Nature, an urban mill designed by architects EXYZT and the re-staging of Agnes Denes’ 1982 Wheatfield form a temporary functional ensemble in the North-East London district of Dalston .
The Cloud Project takes the shape of a retro van selling ice-cream flavored clouds. An industrial-strength water spray mounted on top of the ice cream van would shoot a mix of liquid nitrogen and ice-cream into the atmosphere as a fine spray, leading to flavored condensation nuclei that will seed ice-cream clouds and give them the flavour of your choice
Nick Hannes traveled across the former Soviet Union by bus and train in search of remnants of the region’s Communist past and signs of recent social transition and evolutions
A dark and intelligent exhibition that attempts to address the overall ecological problem not only in environmental terms but also with respect to its philosophical, psychological, economic and social implications
When/if fully developed, My Sunshine will reflect the sunlight and provide extra hours of lights in urban areas around the Arctic Circle, a region that receives no sunlight in Winter time due to the rotation of the Earth’s axis
When Norwegian artist Kjersti Andvig initiated a collaboration with someone called Carlton A. Turner, who at the time was on death row in Texas, she aimed to expose a system which she perceived as a unjust mix-up of right wing politics, strange religious beliefs and cruelty. After their artistic work had ended, they fell in love.
In the Winter of 2001/02, Michele Dantini traveled to Cameroon to photograph and document what is still the biggest private sector investment in sub-Sahara Africa: the construction of the controversial Chad-Cameroon oil pipeline
A speedy glimpse of the exhibition Green Platform which is running until July 19 at the Strozzina cultural center in Florence so that you know what to do if you’re in Tuscany this week
If you can’t afford Space Adventures’s multi-million ticket to fly into space and if you don’t want to wait till 2011 to hop on one of Richard Branson’s upcoming Virgin Galactic flights, then the Soyuz Chair, designed by Design Interactions graduate Nelly Ben Hayoun is the best you can hope for right now
How can 300 cheapo copies of the same profile of a fourth century Christian saint originally painted by an artist most of us have never heard about be interesting? I don’t really know the answer to that but i know that the magic is there. Seen from afar, the effect of these paintings is stunning. Seen from up close, the portraits are equally fascinating
You do remember The Toaster Project, don’t you? Thomas Thwaites has spent the past 9 months crafting his own toaster from scratch. I went to see the progress of his kitchen appliance last week at the Royal College of Art show and all i can say is: What a beauty!