When Jonáš Gruska is not busy giving workshops on urban sonification, creating his own recording instruments, making electromagnetic fields audible or organizing a solar-powered (experimental) music festival called SVUK, you’ll find him under bridges, inside bridges, in ventilation systems or near oil refineries exploring the psychoacoustic properties of sound in industrial spaces

This piece of sound equipment emits low frequency infrasound waves, which causes those in its path to release the contents of their bowels—or more colloquially, to “shit themselves”. This kind of sound cannon has its roots in sonic weapons first developed by the Nazis for the purposes of crowd control, and purportedly also by the French authorities during the Paris riots of 1968

advertising

There is a surprising similarity in the way neural networks and analogue modular synthesizers function, in that for both, voltages are passed through components to produce data or sound. The neural interface we developed juxtaposes these two networks and in a sense creates a continuum that creates one unified network. With CellF, the musician and musical instrument become one entity to create a cybernetic musician, a rock star in a petri dish.

Moritz Simon Geist is a classical musician and a robotics engineer who builds his own musical instruments. The most famous of them is the MR-808, an oversized replica of the TR-808 produced by Roland to reproduce drum sounds. This 1980s electronic drum machine imitated the drum so inadequately that it actually created its own sound. The distinctive ‘thump thump’ became an integral part of hip hop music, gained iconic status with Marvin Gaye’s Sexual Healing and reached such a cult position within the music industry that even Kayne West paid tribute to the machine in one of his hit albums