In January 2017, artist Louise Ashcroft invited herself to be an artist in residency at Westfield Shopping Centre. That’s the mega mall in Stratford, East London. Because there’s nothing remotely boring, mass manufactured nor glittery about her work (and also because she is quietly plotting the demise of capitalism), Ashcroft spent her time there undercover, pretending she was only looking for a bit of shopping fun
Do artists using biotechnological materials and scientific processes have the same obligations, rights and responsibilities as scientists? Or should they enjoy more liberties and particular prerogatives?
In 1982, the French public telecommunications company launched a revolutionary system combining the telephone and information technology. It was a beige, plastic box and it was called the Minitel. In 2013, members of the Graffiti Research Lab France decided to explore the sonic and visual possibilities of the defunct technology
The work invites people on a tour of both metal music and metal materials in Helsinki. Participants get a metal detector that has been altered to play pre-recorded music from Helsinki metal bands. The group then wanders through the city historical sites, looks for the presence of iron, tin, steel, silver, copper and other metals in the ground and as soon as the device has spotted something, hard rock and metal will play through the headphones
The young designer uses radically different entertainment channels to explore questions of radicalisation, spying and UK government role in spreading a climate of suspicion
The triptych All About You is a ready-made that brings up several social and subject/object relations, such as money circulation, artwork status, identification and citizenship. We could say it represents a “self-portrait as a citizen” with the Republic of Slovenia used as a mirror
Syuko Kato and Vincent Huyghe from the Interactive Architecture Lab have designed a robotic system that turns dance into architectural forms