The newly commissioned works investigate repetition through works as diverse as an improvised performance based on the sounds of war, the exploration of the traces left by an UFO seen over the village of Bir-Nabala, a patchwork blanket that is knitted and then unravelled in echo of the Palestinian-Syrian refugees who have to rebuild their life with each displacement, the reviving of an archival photo of a 1970s Palestinian female fighter through various moments in the history of post-Nakba Palestinian art, etc.
Marvin Gaye Chetwynd, Bat Opera, 2013 Marvin Gaye Chetwynd, Bat Opera, 2005 Marvin Gaye Chetwynd, who used to […]
Perry can be a bit rude but he’s never vulgar. He observes and satirizes British society, its classes, tastes and rituals but he does so with kindness. His vases look traditional but as you go nearer, you realize that they bear crude images and cheap tabloid headlines
From painting to digital technologies to crowdsourcing, over the last few decades the means of making artworks have become more extraordinary and diverse. Yet we rarely consider the implications of how art is made
With an emphasis on the ‘now’ and the most recent exhibitions, this book examines the variety and richness of curating practices today, from public commissions by Art Angel to experimental projects such as the ‘Ghetto Biennale’ in Haiti or the Rhizome digital archive
The piece is made of Exxon, Shell, BP, and Mobil oil cans, but overnight, the local gallery staff had them secretly changed to Petronas labels. Though this violates the contract, I decided to keep the piece in the show because of the strange situation this tampering creates–a nationally owned oil company rushing to put its logo on a piece of art that is highly critical of the oil industry and what it appropriates and extracts
Over the past 45 years, the members of the collective have been documenting the industrial communities living along the river Tyne, the fishermen, the shipbuilders, the people working in the coal and steel industry, but also their families, the unemployed and the marginalized communities. The result is a vast archive of photos and films that present both both artistic and historical value