In the exhibition JULIE NORD – XENOGLOSSY we are invited into a strange home, where nothing looks as usual. Doll-like girls with shiny, almond eyes, bunches of flowers and cute little animals tempt us to take a closer look at the pictures. It all looks enchanting, but a closer look at them confronts us with an abundance of grotesque hybrid creatures, sculls and meat-eating plant

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Among Daisy Ginsberg’s latest activities are a residency at SymbioticA, a collaboration with James King and Cambridge University’s iGEM 2009 grand-prizewinning team and then there’s Synthetic Aesthetics. The project investigates shared territory between design and synthetic biology, invites exchange of existing skills and approaches, and enables the development of new forms of craft and collaboration

In a series of symbiotic encounters and parasitic relationships, the solo presentations are often interrupted by incongruous presences or perturbed by unusual juxtapositions: drawings by Kara Walker surround a tomb by Urs Fischer; Maurizio Cattelan’s homeless man kneels down in front of Kiki Smith’s Bat Woman; Robert Gober’s haunted rooms incorporate Gregor Schneider’s architectural fragments, etc.

Nathalie Djurberg makes candy-coloured plasticine puppets who have have orgies, who torture each other and suffer alien, abusive relationships. Djurberg, who won the Silver Lion award for best young artist at the Biennale, was the super star of Venice. I went to see her video installation 3 times and the room was always jam-packed with people drooling over her animations and taking photos of her monstruous flowers as if their lives depended on it. Not that i acted any differently