Niklas is one of the most facetious characters of the ‘new media art’ world. His dance machine without ‘annoying Dj”, moving curtain, ‘distributed’ fountains, white cube gallery in a box, physical teapot inside a Commodore cabinet or his electromechanical version of the game Pong are certainly entertaining, absurd and at times, even hilarious. But don’t let the jesting fool you. Behind the playfulness of Roy’s machines, lay much irony and lucidity about the world of art & tech he belongs to

No matter how much I love exhibitions at new media art festivals, i often find myself suspecting that the curatorial vision behind many of them is little more than an after-thought. This was certainly not the case with Alles, was Sie über Chemie wissen müssen and i can’t praise the work of curators Hicham Khalidi and Suzanne Wallinga enough for their exquisite, intelligent contribution to Club Transmediale

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The exhibition brought together Israeli artists who explore the daily struggle to define and stretch the boundaries of the territory. Obviously, the word ‘territory’ in Israel comes with tense references to occupied stretches of land such as the ones in the West Bank and the Gaza strip. The term also evokes Israeli settlements on Palestinian land, check points, separation walls, disputed borders, forced evictions, etc. The artists in the exhibition, however, approach territory in a more private context

Arnold van Bruggen and Rob Hornstra embarked on the Sochi Project, a five year enterprise to map out the area of and around Sochi (Krasnodar Krai, Russia), a small city on the Black Sea that will host the 2014 Winter Olympics. The duo will document the changes the city undergoes while it is getting ready for the Olympics. The choice of this location is surprising, to say the least. This subtropical coastal area exceptionally mild winters by Russian standards, it lacks any kind of facilities and infrastructure to host the event and it is located in Russia’s most unstable region

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Landed in Berlin yesterday, almost lost the will to live when i understood that the cold wind which welcomed me with a slap in the face would be my companion for the rest of the week and started running around the city to find solace in art galleries. While i’m trying to put a simulacra of order in the photos and paper press materials i collected, here’s a one-photo peak at what i’ve seen today

The illegal Israeli settlement Har Homa in the West Bank, the interior of the MIR space-station simulator in Moscow, the modernist monument in honour of WW II victims in Kosturnica, the bedsheet serving as an improvised cinema screen in a Chinese village – these are real Science Fiction scenarios, constructed man-made utopias, hurling their absurdities at the viewer

A troop of monkeys celebrate a feast, a panther wanders across a snowy Alpine landscape and a pack of white wolves surround a buffalo dripping blood in a manicured French garden. At first glance Walton Ford’s large-scale animal watercolour paintings evoke prints by French and British colonial-era illustrators from the 19th century. After closer examination however, they reveal a pictorial universe of complex and disturbing allusions

Who would have thought i’d end up blogging about a splatter movie on wmmna? I’m not talking about any horror movie, i’m talking “gay-porn zombie film”, a genre which i assume is under-represented in contemporary art. Written and directed by Bruce LaBruce and starring porn actor François Sagat, LA Zombie is on view at the Peres Projects gallery in Berlin, along with a dozen new works on canvas