Niklas is one of the most facetious characters of the ‘new media art’ world. His dance machine without ‘annoying Dj”, moving curtain, ‘distributed’ fountains, white cube gallery in a box, physical teapot inside a Commodore cabinet or his electromechanical version of the game Pong are certainly entertaining, absurd and at times, even hilarious. But don’t let the jesting fool you. Behind the playfulness of Roy’s machines, lay much irony and lucidity about the world of art & tech he belongs to
Seizing on strong iconographic symbols taken from the Nazi aesthetics and the worlds of childhood and cartoons, Zonder revisits these forms of narration and the innocence they carry (children drawings, clear lines) as well as the cruelty (realism, caricature) through mise-en-scenes with a gory tone where sex and barbarity are more than compatible
No matter how much I love exhibitions at new media art festivals, i often find myself suspecting that the curatorial vision behind many of them is little more than an after-thought. This was certainly not the case with Alles, was Sie über Chemie wissen müssen and i can’t praise the work of curators Hicham Khalidi and Suzanne Wallinga enough for their exquisite, intelligent contribution to Club Transmediale
Biomedia artist Paul Vanouse’s latest work, the Suspect Inversion Center, comments on the way genetic evidence is brandished as the ultimate evidence in courtrooms. He set up an operational laboratory at the Ernst Schering Foundation in Berlin where he creates identical “genetic fingerprints” of criminals and celebrities using his own DNA
The exhibition brought together Israeli artists who explore the daily struggle to define and stretch the boundaries of the territory. Obviously, the word ‘territory’ in Israel comes with tense references to occupied stretches of land such as the ones in the West Bank and the Gaza strip. The term also evokes Israeli settlements on Palestinian land, check points, separation walls, disputed borders, forced evictions, etc. The artists in the exhibition, however, approach territory in a more private context
Arnold van Bruggen and Rob Hornstra embarked on the Sochi Project, a five year enterprise to map out the area of and around Sochi (Krasnodar Krai, Russia), a small city on the Black Sea that will host the 2014 Winter Olympics. The duo will document the changes the city undergoes while it is getting ready for the Olympics. The choice of this location is surprising, to say the least. This subtropical coastal area exceptionally mild winters by Russian standards, it lacks any kind of facilities and infrastructure to host the event and it is located in Russia’s most unstable region
Landed in Berlin yesterday, almost lost the will to live when i understood that the cold wind which welcomed me with a slap in the face would be my companion for the rest of the week and started running around the city to find solace in art galleries. While i’m trying to put a simulacra of order in the photos and paper press materials i collected, here’s a one-photo peak at what i’ve seen today
Berlin in photography. The campy, the ostalgic, the decadent, the sexy and the never boring
The exhibition presents six international positions on the subject of computer games and electronic toys. The spectrum includes interactive computer games, developed by artists, a film collage of modified content of commercial games as well as small toy robots; furthermore four photos from a series showing male adolescents during a LAN-party
The illegal Israeli settlement Har Homa in the West Bank, the interior of the MIR space-station simulator in Moscow, the modernist monument in honour of WW II victims in Kosturnica, the bedsheet serving as an improvised cinema screen in a Chinese village – these are real Science Fiction scenarios, constructed man-made utopias, hurling their absurdities at the viewer
A troop of monkeys celebrate a feast, a panther wanders across a snowy Alpine landscape and a pack of white wolves surround a buffalo dripping blood in a manicured French garden. At first glance Walton Ford’s large-scale animal watercolour paintings evoke prints by French and British colonial-era illustrators from the 19th century. After closer examination however, they reveal a pictorial universe of complex and disturbing allusions
Who would have thought i’d end up blogging about a splatter movie on wmmna? I’m not talking about any horror movie, i’m talking “gay-porn zombie film”, a genre which i assume is under-represented in contemporary art. Written and directed by Bruce LaBruce and starring porn actor François Sagat, LA Zombie is on view at the Peres Projects gallery in Berlin, along with a dozen new works on canvas
30 black and white pictures from photographers who portrayed life at the time of the GDR, mostly in a way that steered away from the official GDR iconography
Scorpio’s Garden at Berlin’s Temporäre Kunsthalle was a very beautiful show. All by Berlin-related artists and curated by Danish artist Kirstine Roepstorff, an explicitly subjective snapshot of a certain scene.
Part of Thomas Demand’s show Nationalgalerie, Haltestelle is a large-scale photograph of a paper model resembling a nondescript rural German bus shelter, which happens to be the place just outside of Magdeburg where a teen pop band were waiting for their school bus every morning.
A selection of artistic time machines expands the notion of linear time, suggesting that the Western world might have become infected by Rumsfeldian knowns and unknowns
Dimly lit barrooms, shop windows long after the last client has gone, prostitutes tempting passersby and back alleys. These are moments and places that might sound darker than the night itself but the photographer managed to imbue sins and despair with some tenderness
An exhibition in Berlin examines how contemporary artists around the world re-invent the image we might have of Asia and the way in which the post-colonial production of knowledge is challenging Euro-centric concepts of art
Instead of hand-embroidered tapestries, sewed by skilled craftsmen/craftswomen, Margret Eicher’s tapestries are refined industrial products, woven by a computer
Both an exhibition and a workshop Beyond The Screen brings together artists and designers who explore code-based strategies for producing physical form
Aram Bartholl’s exploration of the way the network data space steps into our everyday life
In socialist Poland it was almost impossible to acquire a tractor. Farmers were thus forced to construct their own machines using bits and pieces from whatever machines they could find
Anime movie and paintings starring superheroes, grim warriors and elfish heroines
Parr’s photographies show the tasteless and the unpolished, the essence of “english-ness” and the garish effects of mass tourism. Yet, I found more tenderness than bitterness in his work
Monday, January 28, 2008 at c-base: electronic gadgets, flexible & washable circuitry and cheap beers.
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