The order of the book is based on necessity, for instance it is important to know what to do to avoid arrest immediately after breaking into a building. And how to get access to drinking water, heat and cook food before dealing with issues of public space and establishing a communal economy
Category Archive: activism
The Reposition Matrix is an investigation into the military-industrial production and trading networks of Unmanned Aerial Vehicles (also commonly referred to as Drones). The workshop aims to reterritorialise the drone as a physical, industrially-produced technology of war, and consequently explore how this affects our understanding of the covert drone campaigns in the Middle East
La Cosa Radiactiva is a “research on transparency and nuclear secrets. A performance to demystify radiation while building awareness of its risks. An imagination exercise to reflect on how it would be like to live with radiation and above all this, a call about the importance of citizens having their own tools to be able to verify public health data provided by governmental authorities.”
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Under the Shadow of the Drone is a life-size depiction of a Reaper drone, one of a number of such weapons in service with US and UK forces. The Reaper is used for surveillance and bombing missions, in the declared war zones of Afghanistan and Iraq, and in the illegal wars of assassination taking place in Pakistan, Yemen and elsewhere. Such wars are made possible by the invisibility of drones to most people
In the context of omnipresent telecommunications surveillance, “The Pirate Cinema” makes visible the invisible activity and geography of peer-to-peer file sharing. The project is presented as a control room that reflects P2P exchanges happening in real time on networks using BitTorrent protocol. The installation produces an improvised and syncopated arrangement of files currently in exchange
KLE – Kit de Libertad de Expresión (or Freedom of Speech Kit) is a portable digital device that allows people from all over the world to participate to remote protests by sending and displaying text messages in public space. The interactive banner is (unsurprisingly) inspired by the record number of social protests that took place in Spain in 2011. It is estimated that over 23.000 demonstrations have been organised that year around the country
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Cultural Hijack explores the role of art and the artist in contemporary society and offers the opportunity to rethink the growing field of intervention in relation to cultural activism and social change
Today is the last day to witness the week-long performance from Liberate Tate at the Tate Modern gallery. Filming devices strapped on to their bodies, performers are reading aloud sections of the transcripts of the trial which started in February in New Orleans and sees BP stand accused of gross negligence over the Deepwater Horizon disaster, the largest accidental marine oil spill in the history of the petroleum industry
From enhanced-CCTV surveillance to bench handles, various tracking and prevention systems are employed in controlling the users of public space. These systems are often neatly designed and seamlessly integrated in the existing architecture, acting in a persuasive way on its users. While preventing unwanted interactions between the authorities and citizens, these systems leave no space for discussion or disobedience
Our radio interview will focus on the Critical Engineering Manifesto that Julian wrote a year ago together with Gordan Savičić and Danja Vasiliev. Expect explanations about why Engineering is the most transformative language of our time, questions about how to adopt the critical engineering ethos if you have next to zero technical skills, and details about Julian Oliver’s upcoming projects
A handmade book project by Garnet Hertz in the field of critical technical practice and critically-engaged maker culture. Critical making is defined by Ratto as exploring how hands-on productive work – making – can supplement and extend critical reflection on the relations between digital technologies and society. It also can be thought of as an appeal to makers to be critically engaged with culture, history and society
Today in the radio show Neal White from The Office of Experiments will be talking declassified materials, underground bunker housing alternative Cabinet War rooms, cold war archive footage, Atomic Weapons Establishment, sites used by the UK Nuclear peace protestors, etc. I’d tune in if i were you
Between 1966 and the turn of the 1980s, APG negotiated approximately fifteen placements for artists lasting from a few weeks to several years; first within industries (often large corporations such as British Steel and ICI) and later within UK government departments such as the Department of Health and the Scottish Office
BPB12 explores how space is constructed, controlled and contested, how photography is implicated in these processes, and the tensions and possibilities this dialogue involves. This year’s Biennial provides a critical space to think about relationships between the political occupation of physical sites and the production and dissemination of images
Some artists comment on real estate, some real estate developers are interested in art but i doubt that many people can be both artists and real estate developers. Actually i only know of one: Theaster Gates. He is an urban planner, a visual artist, a musician, a curator and an activist
Our society is governed by all sorts of systems and structures that organise and steer life. No system, however, whether political, judicial, economical, socio-cultural or spatial, can comprise life in its entirety. Every system has gaps, leaks and ambiguities.
The artists in the exhibition Mind the System, Find the Gap seek out these gaps. They set forth from this intermediate position to unveil, circumvent or criticise ruling systems and structures
i’ll take the publication of the book “Weaponized Architecture: The Impossibility of Innocence” as an excuse to talk to Ethel Baraona Pohl and César Reyes Nájera who are both architects, bloggers and heads of the publishing house dpr-Barcelona
Alternative and Activist New Media provides a rich and accessible overview of the ways in which activists, artists, and citizen groups around the world use new media and information technologies to gain visibility and voice, present alternative or marginal views, share their own DIY information systems and content, and otherwise resist, talk back to, or confront dominant media culture. Today, a lively and contentious cycle of capture, cooptation, and subversion of information, content, and system design marks the relationship between the mainstream ‘center’ and the interactive, participatory ‘edges’ of media culture
Over the past twenty years, an abundance of art forms have emerged that use aesthetics to affect social dynamics. These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the texture of living, these art works often blur the line between art and life. This book offers the first global portrait of a complex and exciting mode of cultural production–one that has virtually redefined contemporary art practice
Jacobsen is a media artist based in Copenhagen and an Adjunct Professor in Digital Culture and Mobile Communication at IT University, Copenhagen. His artistic work either closely follows social, political and ethical questions or sabotages technology, by mix-matching new and old media or by inviting web users to subvert web banners
The lack of Corporate and Governmental transparency has been a topic of much controversy in recent years, yet our only tool for encouraging greater openness is the slow, tedious process of policy reform.
Presented in the form of a Soviet F1 Hand Grenade, the Transparency Grenade is an iconic cure for these frustrations, making the process of leaking information from closed meetings as easy as pulling a pin
The Finnish artist is the only person i’ve heard about who was actually arrested for pretending to guillotine a cheap Ronald Mc Donald statue. With the help of a friend, i got in touch with Jani Leinonen and bombarded him with questions about the beggars signs he’s been exhibiting at the Venice Biennale, his crazy sexed-up versions of cereal boxes for children, his successful attempts at selling contemporary art works by the bulk as if they were vegetables and of course i was curious about the aftermath of the Ronald affair
Yesterday evening i went to Foto8 in London again for the screening of How to Start a Revolution, a documentary tracing the global influence of Gene Sharp’s work. Sharp believes that non-violent struggle has a greater chance of success than violent resistance, because violence is typically the most powerful weapon used tyrannical regimes and they will always have the upper hand. His booklet From Dictatorship to Democracy provide a list of 198 “non-violent weapons”, including mock awards, alternative communication system, wearing of symbols, pray-in, boycott of elections, withdrawal of bank deposits, consumers’ boycott, renouncing honours, etc.
Weaponized Architecture is an examination of the inherent instrumentalization of architecture as a political weapon; research informs the development of a project which, rather than defusing these characteristics, attempts to integrate them within the scene of a political struggle. The proposed project dramatizes, through its architecture, a Palestinian disobedience to the colonial legislation imposed on its legal territory
What roles can art and activism play in a post-Fordist society of the spectacle? Can activist art effect real change? Art & Activism in the Age of Globalization asks these and other pressing questions facing contemporary activist art, through case studies by established artists and filmmakers as well as emerging voices. It investigates issues of urban activism and the activism of anonymous networks, giving special consideration to the effects of the War on Terror upon the activist agenda
Milica Tomic decided to produce the non-existing war image. The images would not only be fake, they would also be made in other locations and contexts. And with every reconstruction, Tomić came across new information linking host countries to various war zones or episodes of local violence
War veterans are homeless people too. They might go back to a house after the war, they might have a roof over their head but it doesn’t feel like home anymore. They are traumatized to various degrees and feel like they’ve become strangers to the place where they used to live. They don’t function like they used to. They have been conditioned to be constantly on alert, to react on the spot to any unexpected light, move, noise, etc. They can’t turn off that aggressive instinct when they go back to civilian life
I’ve seen Trevor Paglen’s fascinating photos in numerous contexts, from new media art festivals to activist conferences and contemporary art exhibitions. But i’m no different from most people: the more i see Paglen’s work, the more questions i want to ask him. I’ve finally decided to catch up with him and interviewed him via skype for the upcoming Z33 catalogue
Krzysztof Wodiczko covers 40 years of the artist’s extensive, and often controversial, body of work using contemporary technologies to form a commentary on politics, ethics, social responsibility and the urban experience. Comprising a collection of writing by some of the most critically acclaimed art historians, cultural theorists and commentators working today, along with both previously published and unpublished texts by Wodiczko himself, this book is the definitive study of the artist’s work
This morning i left London unimpressed by the Frieze art fair and took the train to Manchester. The lady at the hotel reception manages to wear two sets of fake eyelashes on top of each other, the weather is lovely and i’m following Creative Tourist’s recommendation to embark on a Manchester Weekender, three days of celebration of art, literature, music and performances. First stop, On the March – An exhibition of banners made by Ed Hall
Shaped like flying saucers, the Nanodrizas are floating autonomous robots which measure, in real time, the environmental conditions of polluted water surfaces. The data collected is then transmitted for interpretation and analysis. Once the level and nature of pollution has been identified, the nanodrizas directly intervene by emitting synthesized sound and releasing bacterial and enzymatic remedies in the eco-system that, ultimately, should regulate the quality of the water
Heathrow Heritage is a series of excursions run in cooperation with the activists, historians and residents living around the London airport. Lisa Ma also enrolled the complicity of the airport deacon who invites stranded passengers for bike tours around the ancient villages threatened by the expansion of the airport
This book explores the current interrelationship between art, activism, and politics. It presents new visual concepts and commentaries that are being used to represent and communicate emotionally charged topics, thereby bringing them onto local political and social agendas in a way far more powerful than words alone. It looks at how art is not only reflecting and setting agendas, but also how it is influencing political reaction
In October 2010, Simon Norfolk began a series of new photographs in Afghanistan, which takes its cue from the work of nineteenth-century British photographer John Burke. Norfolk’s photographs reimagine or respond to Burke’s Afghan war scenes in the context of the contemporary conflict
A few months ago, the Musée d’Orsay in Paris decided to ban photographs of the artworks and of the inside of the building, allegedly ‘to preserve the comfort of visitors and the safety of the artworks.’ OrsayCommons is a performance pro-photo, pro-remix and pro-public domain at the Musée d’Orsay that civilly and cheekily protests against what its participants call “a measure not only at odds with our times but also illegitimate since it concerns public heritage.”
Herman Joshua Wallace has spent the past 38 years in Solitary Confinement (or closed cell restriction) for a crime he probably didn’t commit. A few years ago, artist Jackie Sumell asked him: “What kind of house does a man who has lived in a 6′ X 9′ box for over 30 years dream of?”
Each day in September, Damián Ortega took inspiration from a newspaper and translated it into a physical interpretation, be it a sculpture, installation, proposition or prototype for a future project. The works made over this period have become both a sculptural chronicle of this period of time – and a dynamic reinterpretation of the notion of an art commission
To many of their fellow Israelis, they are traitors. They are attacked, arrested and demonised. Yet Israelis like Yehuda Shaul, leader of Breaking the Silence and Jonathan Pollack from Anarchists Against the Wall continue to struggle for a more peaceful Middle East. They believe that they can save their state by putting an end to the military occupation
The project explores the difference between the virtual freedoms experienced by a population and the physical constraints imposed upon it by the urban environment. It explores the effects of new technologies of urban sight and urban occupation on the social and political structure of a city. The resultant proposition is a series of physical interventions that subvert the urban landscape through its digital counterparts
In London of the seventies, a dynamic counterculture blossomed against a backdrop of unemployment, racism, and IRA bombings. This volume, a collage of texts and images, provides an overview of the radical political and cultural developments of the decade