I knew about Bitcoin, i had heard of the Tor software that enables online anonymity but other than that, i felt that there was precious little i knew about the Deep Web, the vast submersed side of the World Wide Web that countless people are using in perfect anonymity every day to buy goods that neither ebay nor amazon will ever sell you and to exchange services that never appear when you do a google search. The more i looked into online black markets, the more intrigued i was. I thought that the easiest and fastest way to get a better understanding of the issue would be to interview Arthur Heist
The Reposition Matrix is an investigation into the military-industrial production and trading networks of Unmanned Aerial Vehicles (also commonly referred to as Drones). The workshop aims to reterritorialise the drone as a physical, industrially-produced technology of war, and consequently explore how this affects our understanding of the covert drone campaigns in the Middle East
Under the Shadow of the Drone is a life-size depiction of a Reaper drone, one of a number of such weapons in service with US and UK forces. The Reaper is used for surveillance and bombing missions, in the declared war zones of Afghanistan and Iraq, and in the illegal wars of assassination taking place in Pakistan, Yemen and elsewhere. Such wars are made possible by the invisibility of drones to most people
In the context of omnipresent telecommunications surveillance, “The Pirate Cinema” makes visible the invisible activity and geography of peer-to-peer file sharing. The project is presented as a control room that reflects P2P exchanges happening in real time on networks using BitTorrent protocol. The installation produces an improvised and syncopated arrangement of files currently in exchange
Our radio interview will focus on the Critical Engineering Manifesto that Julian wrote a year ago together with Gordan Savičić and Danja Vasiliev. Expect explanations about why Engineering is the most transformative language of our time, questions about how to adopt the critical engineering ethos if you have next to zero technical skills, and details about Julian Oliver’s upcoming projects
Today i’m talking to Tom Keene, an artist whose work investigates technological objects and attempts to understand their agency and how they act as mechanisms of control within contemporary society. Our conversation will focus on topics such as the social impact of the Viterbi algorithm (with a previous explanation on what the algorithm does exactly) and wireless infrastructures, the loss of public space in cities, in particular in London and in the area surrounding the Olympic sites.
The film that inspires you to google your name again….
My name is Janez Janša is a documentary film about names and name changes, focusing on one particular and rather unique name change that took place 5 years ago, when three artists officially changed their names into the name of the Prime Minister of Slovenia, Janez Janša
Heath Bunting gives insight into the networks at play that constitute an identity, like banks, health care and education. By using these different networks Bunting creates new synthetic identities. In his ‘Identity Bureau’ one can purchase official and legal UK identities
4 design proposals were shown at the biennale: Foragers is a reflection on the future of food in an overpopulated planet; Stop and Scan and EM Listeners responds to the UK’s unique tolerance for extreme state intrusion which allows the police to use a lack of privacy laws to create a living laboratory; finally, Afterlife is a domestic product for a time when euthanasia is far more common than it is today
Could we envision that one day surveillance technology will have a role in healthcare? Could it provide some help in the fight against obesity? What would then be the potential uses (misuses?) of this data by others?
The gallery asked Santiago Sierra, Alicia Framis, Elmgreen and Dragset and James Casebere to reflect on the issue and be as caustic as ever
A traveling exhibition featuring thirteen recent artworks that use private information as raw material and subject matter
Modernist public spaces are in decline in our cities. The privatisation of the analogue commons has been blamed for this process, victim of a form of capitalism in which markets are understood as strategies for seizing and remaining in power by pressure groups. Freire’s brilliant talk sees beyond the current situation and deals with the reinvention of public spaces, the “hyper-realistic” culture of the network society and the re-birth of the notion of the commons
10 maps and 10 essays about social issues from globalization to garbage; surveillance to extraordinary rendition; statelessness to visibility; deportation to migration
The uses of satellite technologies that emerge from state-sponsored espionage but also media art & activism
One of the highlights of the Goodbye Privacy symposium at ars electronica was a talk given by Graham […]
Marisa Olson set up and moderated a fantastic panel yesterday afternoon at Conflux about Souveillance Culture. The panel […]
Filmmaker Manu Luksch had a talk about and an installation of her project Manifesto for CCTV Filmmakers at […]
Camera Silens (1994) is an installation for one user at a time a completely sealed-off chamber equipped with […]
Bonjour les enfants, here’s another project seen at the RCA’s Great Exhibition in London. With IDPS (IDentity Protection […]
More speculative products from The Science of Spying (see report Part 1 and Part 2). Like the precedents, […]
The Science of Spying, an exhibition currently running at the Science Museum in London. Part 1 of my […]
While i was in London last week, Fiona Romeo gave me a tour of The Science of Spying, […]
My Google Search History: Disturbing. By Albertine Meunier.
William Betts‘s intriguing paintings View from the Panopticon will be exhibited April 13 – May 25, 2007 at […]
Evidence Locker, a work i was dying to see since 2004, is currently on view at Sparwasser HQ […]
We all wish their work was obsolete… The Surveillance Camera Players (famous for manifesting their opposition to the […]
Whether it’s to get away from a personal crisis or from universal threats, from time to time we […]
Now, this is really worrying: Councils in London, West Yorkshire, Northumberland and Dundee are supplying householders with covert […]
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The Super Vision performance (via Grand Text Auto), by the Builders Association and dbox, was presented last week […]
Mexican-born Rafael Lozano-Hemmer‘s Homographies combines twisted modernist aesthetics and surveillance technology. The huge installation features 144 robotic fluorescent […]
The Cell Atlantic CellBooth, by Jenny L Chowdhury (one of the authors of Mobile Assassins), allows the chatty […]
Troy, created for the Experimental Gameplay Competition, is a game about invasion of privacy on the internet. As […]
Jessica Fridrich, a researcher at Binghamton University (and the inventor of speed cubing!) has reportedly filed two patents […]
Gun Control, by Scott Kildall, explores issues of both security and surveillance. Each of the four units incorporates […]
The US Department of Defense is looking for ways to develop a lie detector that can be used […]
New Home Office figures estimate that by 2008, the samples of some 4.2 million people – 7% of […]
Video Networks is teaming with UK government-funded community association, The Shoreditch Trust, to bring IPTV services to residents […]
From 2006 Britain will be the first country where every journey by every car will be monitored. Using […]