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Expanding upon early 20th-century techno-utopian visions, Heba Y. Amin’s project to sink the Mediterranean and relocate it within the African continent instigates a new vision for Africa and the Middle East by pinpointing what could be attained by and for those most affected by the wars waged for oil, resources and power

An analysis of the different contexts in which artists, museums and curators face restrictions today, investigating political censorship in China, Cuba and the Middle East; the suppression of LGBTQ+ artists in ‘illiberal democracies’; the algorithms policing art online; Western museums and ‘cancel culture’; and the narratives around ‘problematic’ monuments