The artist’s work investigates issues as different from each other as perception, international power networks, religion, changes in the human condition through technology, surveillance and electronic and physical warfare
The book and exhibition ‘Networked Disruption’ highlights the mutual interferences between business, art and disruption. Because it brings together the heterogeneous practices of hackers, artists, networkers, whistleblowers, activists and entrepreneurs, the concept is dense in reflections, provocations and references to contemporary society
KLE – Kit de Libertad de Expresión (or Freedom of Speech Kit) is a portable digital device that allows people from all over the world to participate to remote protests by sending and displaying text messages in public space. The interactive banner is (unsurprisingly) inspired by the record number of social protests that took place in Spain in 2011. It is estimated that over 23.000 demonstrations have been organised that year around the country
This year’s edition of the FutureEverything festival in Manchester brought a well-known and much discussed phenomenon to the fore: participatory culture. From Wikileaks to Iceland’s crowd-sourced constitution, to the Arab Spring, participatory technologies have demonstrated their powerful political potential. The world of culture is harnessing the same connected energies with projects that involve citizen scientists cataloging celestial bodies in the Milky Way galaxy, crowd-curated photo exhibitions and of course the many projects created by artists and designers who either directly use collective action or bring it under a new light
rep.licants.org is a web service allowing users to install an artificial intelligence (bot) on their Facebook and/or Twitter account. From keywords, content analysis and activity analysis, the bot attempts to simulate the activity of the user, to improve it by feeding his account and to create new contacts with other users. Quick Q&A with the artist
What happens when we are “tagging” , “posting” and “sharing” our experiences and opinions in platforms such as those of Facebook, YouTube, flickr or del.icio.us? Are we really connecting and interacting or are we also forming the content and the structure of the social web itself?
Two site-specific projects at the Contemporary Art Space in Castellon engage with the theme of ‘remodeled spaces and minimal interventions.’ One is a semi-transparent space for mediation, the other is a community of plants