Everyone knows about cybercrime and how owning networked computers and mobile devices makes you a potential victim of bank fraud, identity theft, extortion, theft of confidential information, etc. Data stored on your computer is never safe and its ghosts can come back and haunt you long after you’ve discarded your electronic device, long after even you’ve erased the data it contained
In a world where scientific rationalism rules, interest is on the rise for alternative forms of relating to the world and to others.
The objects, books, artifacts, gadgets and artworks offer a contemplation on autonomy as a disappearing modus operandi of political action, while workshops, discussions and demos focus on the devices we use every day: How do they work? What individual data traces do they capture? Where do these go, and what kind of control can one regain?
Authors Brunton and Nissenbaum provide tools and a rationale for evasion, noncompliance, refusal, even sabotage—especially for average users, those of us not in a position to opt out or exert control over data about ourselves. Obfuscation will teach users to push back, software developers to keep their user data safe, and policy makers to gather data without misusing it
Visit the scene of a crime by live webcam or inform the police of an offense. In Sheriff Software, media artist Dries Depoorter allows us to peer over the police’s shoulder – or even play traffic cop ourselves
Annie Machon is an intelligence expert and author who worked for 6 years as an intelligence officer for MI5, the UK domestic counter-intelligence and security agency. Together with her ex-partner, David Shayler, she resigned in the late 1990s to blow the whistle on the spies’ incompetence and crimes
Next week, NOME, one of those too rare galleries exploring art, politics, and technology, is going to open Jacob Appelbaum’s first solo show in Germany. There will be stuffed pandas, portraits of political dissidents and far too many secrets