A group exhibition at the Haunch of Venison in London focuses on images and invocations of landscape which explore contemporary South Africa. As its curator writes, ‘The particular historical trajectory of South Africa and the politics of race and place have left their mark upon the landscape through monuments, structures, maps and borders. These, in turn, have found their way into pictures, often providing the keys to the identification and interpretation of events, legacies and locations.’

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Modernist public spaces are in decline in our cities. The privatisation of the analogue commons has been blamed for this process, victim of a form of capitalism in which markets are understood as strategies for seizing and remaining in power by pressure groups. Freire’s brilliant talk sees beyond the current situation and deals with the reinvention of public spaces, the “hyper-realistic” culture of the network society and the re-birth of the notion of the commons