During the conversation, we talked about her adventures with the Dutch secret service, with the New York City Police Department, CCTV operators in Liverpool and the art historian who hid Luis Barragán’s professional archives in a Swiss bunker. But we also discussed surveillance, censorship and the privatisation of culture
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The Net.art pioneers and media hackers talk about auctioning the votes of U.S. citizens, making DICK NFT and never suffering from nostalgia about the olden days of internet
The photo festival looked at topics that ranged from ufology to gender transition, from family abuse to Albania’s search for a new identity, from gay porn magazines to environmental crisis
In this episode, Nora Al-Badri talks about decolonisation, repatriation of cultural artefacts and why she used deepfake to make the directors of important Western museums admit “the truth about imperial plunder—confessing their crimes, speaking about healing, restitution, shame, or art as critical knowledge”
Gender identities, tensions between natural and artificial, confusion between real and virtual, climate anxieties, transhumanism, etc. The BIP biennial portrays the world entering unchartered, unruly but often exciting territories
The book outlines new approaches to understand scientific practice in general and art-science in particular, showcasing how art can provide a unique perspective on the meaning and potential of collaboration
32 artists and artist groups were challenged to contemplate their presumed significance for a future they will no longer experience and whose measures of value are still completely unknown to them
Photographer Max Pinckers collaborated with Mau Mau war veterans and Kenyans who survived colonial atrocities to give a visual existence to the fight for independence from British colonial rule in the 1950s
From the art of photoprompting to the fact that many of the “godfathers” of the VR industry were in fact women
Inspired by the Dieselgate scandal, the work recontextualizes the industry’s own visual marketing tools to reveal the stark contrast between its professed environmental narrative and actual practices
War does not only manifest itself as a military conflict on battlefields with clear physical fronts, but it also appears more abstractly in our society in various places. I Died 22 Times shows and questions the way our culture deals with warfare outside real battlefields
What role do public spaces play in the “reputation economy”? How does your experience of a place change when you check only 1 star reviews on Google Maps?
Alana Hunt’s work makes visible the manifestations of Australia’s colonial mindset
15 years of investigation by the Center for PostNatural History. Featuring essays and photography by founder Rich Pell, and a catalog of PostNatural organisms
The theatre performance is played for an ultra niche audience of 5 chickens. Humans are tolerated, but they are relegated to the periphery of the stage
How do artists, designers and activists use performance, biohacking, robotics, synthetic biology, photography or gaming to probe and challenge the capitalistic abuses of plants, soils and the communities that take care of them?
The series combines speculative elements with rigorous scientific material to explore the impact that biotechnology, commercial logic, legislation and socio-political values can have on our concept of “nature”
The installation uses ordinary objects to bring together the history of the museum, Tabet’s personal memories and the quick succession in Lebanon of a revolution, a pandemic, a massive explosion, a seemingly endless recession and increased tensions with Israel
Photography and video games are products of the industrial, military and ideological apparatus of the West and embody its cultural biases. Both are characterised by the presence of a code, which conditions the user’s freedom, and by the link with exploitation processes typical of late capitalism that monetise the investment of time and energy of players/photographers. Playing then becomes an act of exploration, deconstruction and negotiation…
The exhibition brings together experimental documentaries and artist films capturing the mechanics, manual routines and poetic experiences of labour in old and new sites of production, while they engage with the history of its representation through the moving image.
Whether they are deployed in artistic performances or used as a tool to broadcast political messages, Kisic Aguirre’s works challenge the boundaries of our common understanding of the city and the spaces we share in it
“Rather than producing a meaningful order, design might be just about inhabiting chaos”
How do you document, with honesty and integrity, a country where the wrong colour combination or the wrong friends can get you into trouble?
Interest for shamanism is expanding faster than for any other spiritual practices in the Western world. The art world is taking notes…
Across twelve case studies, this book charts the emergence of diverse forms of artistic practice and brings together accounts of how artists, scholars and activists are creatively responding to environmental destruction
Jumana Manna’s film exposes how Israel is weaponising conservation laws to alienate Palestinians from their histories, land and traditions
Queer theory, co-dependency, desire, hierarchies, possessiveness, vulnerability or feminism… Everything you wanted to know about the close connection between mother and son
An exhibition about contemporary art in Argentina presents different approaches to the representation of a culture often characterised by forms of violence
Ressler takes a stand on the problem of increasing carbon emissions and accompanies civil disobedience activities that illuminate the inseparability of environmental issues and sociopolitical as well as economic conditions
The film explores the boom in data centre construction near the Arctic Circle through the fictional story of a surveyor who has travelled north to survey a site for the building of a server farm…
Foto/Industria examines specific aspects of the relationship between games and industry, investigating the implications and repercussions in the fields of psychology, architecture, economics, history, ecology, politics, and even the deepest drives of the human soul
A systematic theory of DIY electronic culture, drawn from a century of artists who have independently built creative technologies
Over the past few years, Vladan Joler has been collaborating with data analysts, media theorists and cyber forensic experts to bring to light some of the hidden layers of digital infrastructures
Whether they make the sky cry or celebrate the Constellation of Taurus, Nadal’s performances and sculptures play with atmospheric events and everything that is elusive and ethereal
The book considers such topics as the presence of plants in the history of philosophy, the shifting status of plants in various traditions, what it means to make art with growing life-forms and whether or not plants have moral standing
The works exhibited suggest a new era of planetary and geological consciousness where we are asked to read, feel and listen to rocks in new ways
Wherever you look, money is being replaced by tokens. Digital platforms are issuing new kinds of money-like things: phone credit, shares, gift vouchers, game tokens, customer data, etc. But what does it mean when online platforms become the new banks?
the research project explores the affective meanings and implications of drone technologies on warfare, surveillance and protest
“The project contests the myths that sanitise the secondhand clothing trade – with its reassuring claims to charity, sustainability and reuse. In their place, it sets out to reveal the racist ideology that treats the Global South as a waste management solution”
How the pervasively used notion “green” is used to symbolically mask the increasing technical manipulations of nature and the environment