Risk Landscape is inspired by new technologies that attempt to predict, simulate and monetise possible futures
32 artists and artist groups were challenged to contemplate their presumed significance for a future they will no longer experience and whose measures of value are still completely unknown to them
The installation uses ordinary objects to bring together the history of the museum, Tabet’s personal memories and the quick succession in Lebanon of a revolution, a pandemic, a massive explosion, a seemingly endless recession and increased tensions with Israel
The exhibition brings together experimental documentaries and artist films capturing the mechanics, manual routines and poetic experiences of labour in old and new sites of production, while they engage with the history of its representation through the moving image.
Post-Capital presents works by artists who explore the aesthetics, paradoxes, absurdities and ethical questions posed by post-industrial and perhaps post-capital economies
“Arriba!” is a cocoa plant shipped from the Ecuador Amazonian rainforest, enclosed inside a temperature-controlled container and displayed on top of an Antarctic glacier
V12 Laraki is a perfect copy of a Mercedes-Benz 6.2L V12 engine. Except that each of its 465 components was handcrafted by Moroccan artisans who used 53 materials traditional to the country. The artist bought a Mercedes engine, his team disassembled it and faithfully replicated each piece using brass, marble, bone, mother of pearl, malachite, agate, precious woods, ammonite fossils, terracotta enamel, and other local materials. Then they assembled the engine using 660 casted copper bolts and the 465 exquisitely reproduced parts
The exhibition unveils the singularity of universes developed by artists who are in turn thinkers, engineers and architects investigating the forces and flux that control and make up our universe, as well as the dynamics that animate it
Identity has always been a recurrent issue for human beings and it even becomes more important within a society where globalisation and standardisation gain the upper hand. Everyone tries to find his way among these blurred identities. Today more and more people decide to escape reality in order to make up a new identity
In a bold self-experiment aimed at blurring the boundaries between species, Marion Laval-Jeantet was injected with horse blood plasma. Over the course of several months, the artist prepared her body by gradually introducing into her bloodstream horse immunoglobulins, the glycoproteins that circulate in the blood serum, and which, for example, can function as antibodies in immune response. The artist called the process “mithridatization”, after Mithridates VI of Pontus who cultivated an immunity to poisons by regularly ingesting sub-lethal doses of the same
Enter the Casino art center and you will find video consoles, a trampoline, a pin-ball machine, games of dart, a billiard table, a playground, etc. Yet, every single work is playing with you rather than the opposite. You instantly loose every single game of Mortal Kombat, the ceiling of the room where a huge trampoline lies is far too low for you to even stand on your feet, the hula hoop is monopolized by a plastic cactus, the mohair bascketball net is 130 m long, fences deny any access to the playground, etc
Tomas Saraceno’s Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web was the ultimate photo-magnet at this year’s Venice Biennale. No doubt the work he’s exhibiting at ReThink: Contemporary Art and Climate Change in Copenhagen is meeting with the same fascination from the audience. I’ve seen his pieces in numerous group exhibition. They are always striking of course but i never really took the time to sit down and watch his work with enough attention
Yes, i had already seen sk-interfaces. Exploding Borders in Art, Technology and Society at FACT in Liverpool but the Luxembourg version, i was told by friends, is bigger, bolder and even better than the first one. They were right. A couple of pieces have been added to the show. The performances are well documented and there is a corner to watch videos. The space itself is kinder to the artworks. There’s extra drama as the poor Victimless Leather garments had caught some disease and were slowly eaten by decay
Mudam is Luxembourg’s very own and very classy museum of modern and contemporary art. I’ve been following their always exciting and bold programme for a couple of years and was very eager to see it but then you need a rock solid motive to spend a day in Luxembourg. The other day i woke up and decided that MUDAM would be mine
A visit to the Cloaca retrospective at the Casino de Luxembourg. How works of art can mechanically produce other works of art that some might want to flush down the loo