Among Daisy Ginsberg’s latest activities are a residency at SymbioticA, a collaboration with James King and Cambridge University’s iGEM 2009 grand-prizewinning team and then there’s Synthetic Aesthetics. The project investigates shared territory between design and synthetic biology, invites exchange of existing skills and approaches, and enables the development of new forms of craft and collaboration
This project for a “genetically engineered sound garden” seeks to find new ways of imagining the nature of tomorrow where engineered species of plants, insects and animals interact within a composed ecosystem and create new forms of musical performance
The ‘Herbologies/Foraging Networks’ programme of events, focused in Helsinki (Finland) and Kurzeme region of Latvia, explores the cultural traditions and knowledge of herbs, edible and medicinal plants, within the contemporary context of online networks, open information-sharing, biological and hydroponic technologies
The VivoArts School for Transgenic Aesthetics Ltd., Adam Zaretsky and Waag Society’s temporary research and education institute on Art and Life Sciences, will be focusing this month on body art
What does it mean to work with living, semi-living or formely living beings? What’s the meaning of tissue culture for artistic purposes versus health application? Or the development of a new weapon? What are the dilemmas that come with tissue culture technology?
Notes i wrote down during a talk that Oron Catts gave to kick off the TIssue Culture workshop. His presentation, which put our wet lab into a historical narrative, was titled ‘An alternative timeline for regenerative medicine – A biased history’
I discovered this one during a talk that Oron Catts from Symbiotica was giving at the VivoArts School for Transgenic Aesthetics Ltd in Amsterdam. His lecture was entitled “An alternative timeline for regenerative medicine – A biased history”
Waag Society and Adam Zaretsky’s series of workshops and lectures are back in Amsterdam and this time the focus will be biology and bacterial transformation
Let’s get this straight first: the Earth is hollow and other societies live in there. Andy brought us to the cave in order to be closer to them
The second edition of Biorama was a workshop and symposium (set inside a cave) that explored the biology of the underground through the notion of umwelt developed by biologist Jakob von Uexküll and its influence on the development of biosemiotics by Thomas Sebeok.
The artists brought together for this show reveal an imagery that has been inspired by the current mutations in our environment. They deal with diverse matters such as Chernobyl, global warming and the rise in oil rates. At times close to science-fiction, these artists imagine new stories which pay witness to the curiosity and fears derived from this changing reality
VASTAL is a temporary research and education institute that Adam Zaretsky has set up in Amsterdam following an invitation by the Waag Society. Zaretsky will give lectures and workshops on Art and Life Sciences. The School was born with the objective of showing what it means to work artistically and scientifically with living organisms and materials. It also aims to make this form of art-science accessible for a broader audience and invite them to discuss the ethical and aesthetic issues at stake.
Using some DIY laboratory equipment, Andy Gracie’s team developed a system of variable strength magnetic field generators and related apparatus which allowed them to observe living micro-organisms as they were exposed and responded to various magnetic fields
Last Summer, curatorial research group Capsula embarked on the first of its Curated Expeditions, a series of research trips that engage with earthly phenomena through artistic investigation.
3 artists were invited to the scientific Zoo in Novosibirsk, the capital of Siberia, in order to collaborate with scientists and other experts and study the impact of a total solar eclipse on animals and human beings
The Transgenic Pheasant Embryology Art and Science Laboratory taught by Adam Zaretsky at the University of Leiden was a hands-on perfomance art wet-lab aimed at stimulating a debate about the use of new biological methods for permanent alteration of genetic inheritance
Material Beliefs takes emerging biomedical and cybernetic technology out of labs and into public spaces. Its members use design as a tool for public engagement, a mean to stimulate discussion about the value and impact of these new technologies which blur the boundaries between our bodies and materials
Call for the presentation of projects where science, technology and art converge into prototypes and installations that use software, hardware and biology
A robot engraves a habitat for fungi while a team of architectural conservators trap dust and dirt in latex in order to preserve and display it like a precious shroud
Beer and lemonade, shampoo, medicine, munitions, cardiac valves, car paint and brake discs, matches, desserts and bubblegum, pills, bread, etc. Over three years, Christien Meindertsma tracked the products made from parts or even tiny particles of pigs. Her quest provided her with 187 products and led her to a tattoo artist, dentist, farmer and weapon specialist
Part of the pharmaceuticals, chemicals and food we ingest eventually end up in waste water. As treatment plants haven’t been designed to filter them, the content of our medicine cabinets are eventually passed into the water supply. In London, tap water comes from surface water which implies that traces of our medicine can end up in our drinking water. This results in local differences in tap water which reveals potential local city-body ecologies or biotopes
A project presented at the Royal College of Art graduation show wonders whether a transgenic animal could function as a whole mechanism for external organ replacement and not simply supply the parts. Could humans become parasites and live off another organism’s bodily functions?
In her installation and book, Ines Doujak criticizes the way multinational corporations reap profits by taking out patents on indigenous plants, food, knowledge, even human tissues from developing countries and turn them into lucrative products. Without sharing the benefits with the country of origin
12 minutes packed with DIY kits to turn pee into fertilizer, vending machines for crows and the dark sides of social networks
What can a map of London made of urine samples and postcodes teach us about the way we will interact with each other and our environment in the near future?
Endy campaigns for a more open culture of biological technology, where biological engineering would not have to be confined to the laboratories of high-end industry laboratories.
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