Based on Lauren-Brooke Eisen’s work as a prosecutor, journalist, and attorney at policy think tanks, Inside Private Prisons blends investigative reportage and quantitative and historical research to analyze privatized corrections in America
Part 2 of my cursory review of the Artissima art fair which took place in Turin back in early November. Yesterday, i talked photos, today will be a rapid fire of paintings, drawings, installations, etc. In no particular order and with as little commentary as possible
I don’t normally write about art fairs but Artissima usually introduces me to so many new ideas, artists and way of representing the world that i can’t resist sharing some of the images of the event on the blog
Some 100 contributors document around 120 key buildings from this period, including many previously unpublished discoveries that are in acute danger of loss through neglect of intended demolition. Moreover, the book features overviews of brutalism in architecture in twelve regions around the world
I was expecting the curator’s ideas of transience, instability and uncertainties to be translated into powerful works that directly engage with some of today’s most pressing and depressing concerns. I got very little of that. I got plenty of clouds (including a couple of atomic ones), foam, puddles, waves and fountains though.
Fortunately, the biennale also features a surprisingly high number of sound works, extraordinary visual and emotional experiences and, here and there, a couple of more politically-minded artworks
Gambiologia is the Brazilian art and science of kludging. Someone with gambiarrá displays a cunning ability to improvise, kludge, hack and make do with whatever is available. Gambiologia, however, is far more than a demonstration of one’s own resourcefulness, it is also a political and ethical gesture. It questions industrial processes and mechanisms, rejects consumerism and postulates the need for greater autonomy
Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public space in the age of digital media, vast ecological crises, and civic uprisings