EE #2 moves Beyond Nature, investigating experimental and emerging ways of understanding as well as making art/nature. This issue visits not just hybrid, but also parasitical ways of doing art in times of danger and apocalyptic visions. In the current ecological and socio-political crisis, the function of the artist emerges as more critical than ever
The short films, animations and documentaries screened at the festival exposed the world of finance under the most human perspectives: from the bank robbery that goes terribly wrong to an economic system so complex they become incomprehensible for humans, from the bankers trying in vain to avoid massive troubles to people forming endless queues in order to receive free soup and bread, etc.
Why not start by treating economics like any other technology? Play with it, hack, use input from other disciplines, unleash science fiction on it, approach it in an artistic manner
Karolina Sobecka’s video game reverses the logic of First Person Shooter games. In her work, the gun is AI-assisted. It fires automatically when a ‘target’ enters its field of view and guides the player’s hand to aim more effectively. The player cannot drop the weapon or stop it from firing, but he/she can obstruct it (and the gun’s) vision. The object of the game is to shoot as few people as possible
The case studies in this volume include the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere
Taking as their central subject the self-driving car, the works in the exhibition test the limits of human knowing and machine perception, strategize modes of resistance to algorithmic regimes, and devise new myths and poetic possibilities for an age of computation
The Socle du Monde biennale in Herning is currently showing Koen Vanmechelen’s Planetary Community Chicken, a cross between his now iconic Cosmopolitan roosters and commercial hens