Fernando Gutiérrez draws images pulled from the mass-media in a sketchy manner on acetate and later superimposes them to others. His piece innovates the traditional technique of drawing from within, while redefining it and positioning it in the present by the use of new techniques and supports
One day, Daniel Eatock left his desk, found the car whose alarm had been interrupting his peace every five minutes, and waited for the siren to switch on. When the siren sounded, he started dancing like a madman. He made videos of several of his car alarm dances, never touching the car, only dancing to the sound pollutants
An uncanny installation currently on view at LABoral uses the strategies of the Electronic Voice Phenomenon, voice and pattern recognition, and face tracking to generate voices, and images from apparently closed, silent and empty spaces and systems
There is No Road consists of a range of artists’ projects that record or evoke a series of actual or imaginary journeys, either through the local landscape of Asturias, or through a comparably remote and mountainous terrain
Cultural Resistance, Psychological Exploration and Material Intervention are the key themes of an exhibition that the famous designer duo El Último Grito has curated at the LABoral Centro de Arte y Creación Industrial
PSJM acts as an trademark of happening art addressing issues of the artwork in the market, communication with consumers, or function as an artistic quality, using communication resources borrowed from capitalism of the spectacle to underscore the paradoxes produced by its unbridled development.
Or how Karl Marx made me buy a blue Summer dress
Banquete_nodos y redes presents more than 30 Spanish digital and interactive works that critically and creatively explore the notion of Network as a shared matrix, not just from a technological perspective but also from a socio-cultural perspective
Through artificial life graphics software, it visualizes the changing reticular self-organization of atoms and molecules. This project gives a visual form to the network as the structural, dynamic, and evolving basis for life
How to export the dynamics of Free Culture and the Copyleft philosophy to general processes of knowledge generation and transmission among citizens. The contents generated are Copyleft, and can be copied, redistributed or modified freely
An augmented reality device to visualize nodes of free access to wi-fi networks in the city but also the intimate links existing between urban space and virtual communication connections
also serve as the conceptual base for the interactive installation titled
Daphne Dragona about the relationship (or lack thereof) between commercial and art games, the distinction between game and play
I talked with the director of a documentary which explores the life of young people in China who earn a living by playing online games for 10 to 12 hours a day, and produce virtual goods which are sold to richer gamers all over the world for real money.
Wooden boxes that deliver Situation(ist) quotes, order you to bring them to their friends upstairs within 30 seconds, and treat you like delinquents or servants
Play is being reformed and reversed; it embodies social and political acts and issues; it becomes a tool for activism; it mingles the virtual and the real; it revitalizes other disciplines; play can be misused and exploited; while stereotypes are challenged, questions are raised and different understandings are offered
A video commentary on the banality of warfare, the fine line that separates authoritarian control from abuse of power and the ease with which society is incorporated into the mechanisms of institutional violence
Casastristes.org explores housing problems in Spain. Its objective is to serve as an information and resources exchange platform in line with the Web 2.0 spirit
LABoral in Gijon offers residencies for artists and curators and Medialab Prado is preparing the next edition of their successful Interactivos? workshops
A conversation with hackitectura.net about new ways of using “situation rooms” to empower the action of social networks, rather than central powers. “How could situation rooms enhance distributed control? How could they be used to generate socially useful knowledge and to increase coordination between social movements?”
Previously: Life Inside Bubbles, Emergentes – 10 projects by Latin American artists (part 1). Back to the Emergentes […]
After yesterday’s brief intro, here’s a heftier coverage of the Emergentes exhibition which opened last Friday at LABoral […]
I came back yesterday from the always gorgeous Asturias (nothern Spain) and gosh! it was great to see […]