By cutting thousands of little pieces of polarization filter and putting a rotating polarization filter in front of them, Wim Janssen succeeds in imitating television static by using an almost banal technique
Fifty years after The Americans of Robert Frank, and practically at the same time as the reconstruction of the then pioneering exhibition “New Topographics: Photographs of a Man-Altered Landscape”, FotoMuseum, through the exhibition American Documents, offers a comprehensive overview of the documentary trends in American photography from the 1970 until now
Allan Sekula’s portraits of seafarers, dock workers, port cities and their industrial hinterland register the affects of globalisation on people’s lives. With these works, the artist counters the myth that underpins neoliberal ideology of painless flows of goods and capital that constitute international trade
The sound exhibition ambitions to go beyond the auditory system and uses echoes, vibrations, timbres, resonances, waves to put the body of the visitor to the test
The term ‘hacking’ refers to the guerrilla-like nature of some actions on the internet and at the same time to equally clandestine ‘squatting’ in the physical public space
For Electrified02, the young artist decided to ‘hack’ the harbour of Ghent with a sound installation that turned twelve rusty, gigantic metal pipes stored there into didgeridoo-like sound cylinders
Performing space extends the theme of the exhibition to architecture. Architects are indeed increasingly interested in activating the spaces they are designing. Lawrence Malstaf and Laurent Liefooghe’s works interact with the gallery space and the visitors
The ongoing exhibition at Z33 puts the spotlight on performative trends in contemporary design. In Design by Performance the production process that leads to a product matters as much as -if not more than- the final product itself
The exhibition tells the story of a pro skateboarder, a photographer, a draftsman, a painter, etc. A story which, although it focuses on his own life and those of the people around him, transcends the autobiographical and exposes social and societal phenomena unhesitatingly but without pointing a finger
This is probably the best exhibition of sound art i’ve ever seen. Musik für Barbaren und Klassiker breaks the traditional boundaries between concerts, sound installations, sculpture and music. The exhibition creates as such a place where the dynamic of exchange between performance and spatiality
The theme of this edition of the biennale is borders, an issue at heart of many tensions and conversations in Africa.. Some of the photographers embraced the theme very literally, others adopted a more metaphorical approach
On June 30, the Democratic Republic of Congo will celebrate the 50th anniversary of its independence from Belgium. Photographer Carl de Keyzer traveled through the country following the “Guide Du Voyageur du Congo Belge”. Published in 1954, the touristic guide presented Congo as the ideal holiday destination with stunning scenery, brand new roads, musement parks for white people only, missions, factories, etc. These places have now lost much of their former glory, they are either ruins or used for identical or different purposes
While visiting the Work Now exhibition at Z33 in Hasselt, i got pretty excited by the work of young Belgian artist Helmut Stallaerts
20 years after the fall of the Berlin Wall, the biennial for Moving Image advocates the importance of history (in relation to what the curator calls our “culture of present-ism”) and revolves around questions of historical representation and historiography