Machine Wilderness explores what our technologies could look like if they are native to our landscapes, part of material flows, foodchains and layers of communication. In particular it looks at environmental robotics, designing ‘pseudo-organisms’ that relate to specific habitats
Maja devises equipment enabling biological survival in apocalyptic situations, built an installation ‘infused’ with the serotonin of the both herself and her dog Byron and explored the problem of invasive species with the help of native and tropical crayfish.
Media artist and beekeeper Annemarie Maes has been monitoring and working with urban bee colonies since 2009, not only to develop novel art works but also to better understand the connections between city honeybees and urban ecosystems, to raise awareness among citizens about the plight of the pollinating bees and to call for ecological activism
In an era of fast-paced technological progress and with the impact of humans on the environment increasing, the concept of “nature” itself seems called into question. Bio Art explores the work of “bio artists,” those who work with living organisms and life processes to address the possibilities and dangers posed by biotechnological advancement
With ‘A simple line’, Essaïdi attempts to merge the abstract idea of a line with its most tangible reality by having a zebra finch look at its own brain cells in the form of a line
On the interplay between a snail (a messy biological entity under scientific observation and the subject of experimentation) and an algorithm (dating back to 1887 and the development of tabulating machines) that sorts and orders data sets
A Guide to the Flora and Fauna of the World is a catalogue of 55 curious creatures and life-forms that have evolved in often unexpected ways to cope with the stresses and pressures of a changed world. Other organisms documented iare the results of human intervention, mutations engineered to serve various interests and purposes ranging from scientific research to the desire for ornamentation