Looking beyond the form given to buildings by architects, the curators of the pavilion question the durability of edifices. Their project tries and forecasts how the passage of time, the changes in social or environmental conditions will affect and slowly modify buildings
The movie engages with the Biennale’s theme ‘Out there – architecture beyond buildings’ by trying to uncover what happens after a house that has been plastered all over the glossy magazines is left in the hands of the owners
The pavilion revolves around the idea that the motor that drives architecture is not to be exhibited, but to be built. Models, 3D renderings and plans are therefore not welcome. Instead, the pavilion displays architecture as a reality that can be experienced physically
The bold and unescapable installation, inspired by a controversial enterprise of a Gazprom initiative to build a direct gas pipe from Russia to Germany, highlights a series of political issues that impact architecture
One of the most popular pavilions this year is probably the Japanese one, surrounded as it is by greenhouses, little wooden benches and tea tables for visitors to have a rest. Designed by the edgy and young architect Junya Ishigami, the pavilion is a hybrid between an artificial environment or an element of topography
Vicente Guallart’s contribution to the biennale is a research project that explores the potential of information technology to reorganize the habitability of the world. From a single small object to the planet itself
Matthew Ritchie’s structure is ‘a ruin from the future’. The project combines science, art, architecture, music and film into the first semasiographic building, an architectural language that directly expresses its content through its structure
In the view of the Curator, ‘architecture is not building. Architecture must go beyond buildings because buildings are not enough. They are big and wasteful accumulations of natural resources that are difficult to adapt to the continually changing conditions of modern life.’