Under the Shadow of the Drone by James Bridle, Brighton seafront. Photo by Roberta Mataityte
I closed my report of the exhibition The Air Itself is One Vast Library on the promise that i’d come back to my last visit to Brighton with a few words about the crime scene-style outline of a drone that James Bridle painted on the city seafront.
Under the Shadow of the Drone, commissioned by The Lighthouse, is a one-to-one representation of one of the military drones piloted remotely to strike targets in distant areas of the world. The aerial attacks they conduct leave hundreds of people dead, many of them innocent civilians.
The controversy surrounding unmanned aerial vehicles has been recently intensified in the UK with the news that pilots at Waddington (Lincolnshire) are now working in relay with the military in the US to remotely operate American Reaper drones in Afghanistan.
For Bridle, what matters is not so much the drone in itself but the ‘black box’ side of contemporary warfare technology. “I have a political interest in drones as well, but beyond that, they stand for all aspects of these invisible technologies that have a great effect on the world but are kind of largely hidden from view,” he told the Creatorsproject.
Installing Under the Shadow of the Drone by James Bridle. Photo by Roberta Mataityte
Installing Under the Shadow of the Drone by James Bridle. Photo by Roberta Mataityte
We might read about drones, get horrified by the way they monitor, gather intelligence, destroy and kill but we still cannot fully understand them, simply because we don’t see them properly, even people who are directly affected by them hardly ever get a chance to see UAVs. Under the Shadow of the Drone suddenly brings drones into our daily life.
I had intended to write down the notes i took during a talk that James Bridle gave last month in Brussels for The Digital Now series of events but The Lighthouse has recently uploaded on youtube a similar talk that the designer gave to the Brighton audience. I highly recommend it. It is both entertaining and chilling. Bridle explains in detail his research into drones and more generally his investigation into the way we perceive and understand technology. He analyzes how the most reproduced ‘photo’ of a Reaper drone is actually a photoshopped image that first emerged in a forum for 3D modeling hobbyists, he discusses the Disposition Matrix and the escalating assassination program which tracks and kills suspects militant terrorists in other part of the world, etc. He also illustrates his research by explaining briefly some of his own projects such as Dronestagram: A Drone’s Eye View which collects images of locations of drone attacks along with a description of the carnage they incur and A Quiet Disposition, a software system that is constantly scanning the web for news reports on Disposition Matrix and drones and finding links between them.
James Bridle – Meet The Artist presentation on 9 May at The Lighthouse in Brighton
This much shorter video brings the spotlight on Under the Shadow of the Drone:
The most reproduced image of a drone firing a missile is actually the work of a 3D modelling hobbyist
Protesters hold up a burning mock drone aircraft during a rally against drone attacks in Pakistan (Credit: Reuters/K. Pervez)
Under the Shadow of the Drone by James Bridle, Brighton seafront. Photo by Roberta Mataityte
Installing Under the Shadow of the Drone by James Bridle. Photo by Roberta Mataityte
Installing Under the Shadow of the Drone by James Bridle. Photo by Roberta Mataityte
Under the Shadow of the Drone remains on view on the Brighton seafront, five minutes’ walk east from the Brighton Wheel (do stop by The Lighthouse, they’ll hand you a map with the location of the shadow) until May 26, 2013. The work was produced by Lighthouse and Brighton Festival.
Previously: The Digital Now – ‘Drones / Birds: Princes of Ubiquity’, The Air Itself is One Vast Library.