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    <updated>2009-11-19T22:24:25Z</updated>
    
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<entry>
    <title>Shelter of the day</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/11/shelter-of-the-day.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10409</id>

    <published>2009-11-19T18:42:33Z</published>
    <updated>2009-11-19T22:24:25Z</updated>

   
    <author>
        <name>Sascha Pohflepp</name>
        <uri>http://www.pohflepp.com</uri>
    </author>
    
        <category term="art in Berlin" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="photography" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/haltestellecover-640.jpg"
width="640"
height="475"
alt="97k"
title="Shelter of the day"
border="0" >


</a>
</span>
<div class="wow_exc">Part of Thomas Demand's show Nationalgalerie, Haltestelle is a large-scale photograph of a paper model resembling a nondescript rural German bus shelter, which happens to be the place just outside of Magdeburg where a teen pop band were waiting for their school bus every morning. <a href="http://www.we-make-money-not-art.com/archives/2009/11/shelter-of-the-day.php">continue</a> 
     


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</entry>

<entry>
    <title>Feedforward. The Angel of History. Part 1: Wreckage and countermeasures</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/11/feedforward-the-angel-of-histo.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10407</id>

    <published>2009-11-17T14:48:50Z</published>
    <updated>2009-11-20T07:44:17Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="LABoral" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/0abarc5556-640.jpg"
width="640"
height="836"
alt="270k"
title="Feedforward. The Angel of History. Part 1: Wreckage and countermeasures"
border="0" >


</a>
</span>
<div class="wow_exc">The exhibition addresses the current moment in history where the wreckage of political conflict and economic inequality is piling up, while globalized forces--largely enabled by the "progress" of digital information technologies--inexorably feed us forward <a href="http://www.we-make-money-not-art.com/archives/2009/11/feedforward-the-angel-of-histo.php">continue</a> 
     


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</entry>

<entry>
    <title>Book Review - Art and Electronic Media</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/11/book-review-art-and-electronic.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10307</id>

    <published>2009-11-15T09:10:20Z</published>
    <updated>2009-11-17T17:50:11Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="book reviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/0accaoncertforananchy-640.jpg"
width="640"
height="763"
alt="79k"
title="Book Review - Art and Electronic Media"
border="0" >


</a>
</span>
<div class="wow_exc">A comprehensive, timely international survey that addresses the relationship between art and electronic technology, this volume explores the presence and meanings of mechanics, light, graphics, robots, virtual reality and the Web in the art and visual culture of the last hundred years. It also considers the reaction, development and future of artistic practice in the face of new technology <a href="http://www.we-make-money-not-art.com/archives/2009/11/book-review-art-and-electronic.php">continue</a> 
     


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</entry>

<entry>
    <title>Mark Amerika retrospective at the National Museum of Contemporary Art in Athens</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/11/mark-amerika-until-january-3.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10408</id>

    <published>2009-11-13T12:43:05Z</published>
    <updated>2009-11-16T10:42:42Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="events" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="video" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/0aasocietyofg2pl-640.jpg"
width="640"
height="456"
alt="74k"
title="Mark Amerika retrospective at the National Museum of Contemporary Art in Athens"
border="0" >


</a>
</span>
<div class="wow_exc">Developing projects on the net, filming with mobile phones, remixing common moments and figures of today`s culture in an VJ-like audiovisual rhythm, Amerika redifines the characteristics of today's culture and opens up the possibilities for new interpretations and thoughts from the audience itself  <a href="http://www.we-make-money-not-art.com/archives/2009/11/mark-amerika-until-january-3.php">continue</a> 
     


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</entry>

<entry>
    <title>Venice Biennale: Juan Burgos at the pavilion of Uruguay</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/11/-detail-larger-version-of.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10402</id>

    <published>2009-11-11T07:22:02Z</published>
    <updated>2009-11-13T10:59:20Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="Venice Biennale 2009" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="latin america" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/0aaburgos9o-640.jpg"
width="640"
height="958"
alt="237k"
title="Venice Biennale: Juan Burgos at the pavilion of Uruguay"
border="0" >


</a>
</span>
<div class="wow_exc">Burgos expands urban apocalyptic visions which proliferate in daily life. His starting point is a children's storybook, from which he constructs a delirious collage. Anything is possible in his productions. With amazing dexterity he cuts, pastes, digitally photocopies and photocopies again, the result of which he fits into a fascinating stage design. Within these metaphors, there are, mingled with a large cast of characters, iconic elements of national images  <a href="http://www.we-make-money-not-art.com/archives/2009/11/-detail-larger-version-of.php">continue</a> 
     


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</entry>

<entry>
    <title>Venice Biennale: Danish and Nordic Pavilion</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/11/venice-biennale-danish-and-nor.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10404</id>

    <published>2009-11-11T06:40:54Z</published>
    <updated>2009-11-11T14:44:12Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="Venice Biennale 2009" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/0aromanellleo0-640.jpg"
width="640"
height="827"
alt="196k"
title="Venice Biennale: Danish and Nordic Pavilion"
border="0" >


</a>
</span>
<div class="wow_exc">The curators approach the topic of collecting, and the psychology behind the practice of expressing oneself through physical objects. Why do we gather items and surround ourselves with them in our every day lives? Which mechanisms of desire trigger our selection?  <a href="http://www.we-make-money-not-art.com/archives/2009/11/venice-biennale-danish-and-nor.php">continue</a> 
     


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<entry>
    <title>East of Nowhere - Contemporary Art from post-Soviet Central Asia </title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/11/no-matter-how-hard-i.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10406</id>

    <published>2009-11-10T14:03:13Z</published>
    <updated>2009-11-11T14:47:40Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="Art in Turin and Milan" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/0aaromaromanell-640.jpg"
width="640"
height="954"
alt="160k"
title="East of Nowhere - Contemporary Art from post-Soviet Central Asia "
border="0" >


</a>
</span>
<div class="wow_exc">The exhibition, located in the beautiful but cruelly un-heated Fondazione 107, uses photographic works, videos, installations and sculptures to document a moment of extraordinary transformation for an area that is five times bigger than Europe. The result is bold and exciting with its mix of "globalization", acceleration, pre-soviet and islamic traditions  <a href="http://www.we-make-money-not-art.com/archives/2009/11/no-matter-how-hard-i.php">continue</a> 
     


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</entry>

<entry>
    <title>Portraying the mafia</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/11/two-photographers-letizia-batt.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10405</id>

    <published>2009-11-08T06:24:03Z</published>
    <updated>2009-11-10T16:35:05Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="Art in Turin and Milan" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="artissima" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="photography" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="vintage" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/0aanomafiazi-640.jpg"
width="640"
height="966"
alt="127k"
title="Portraying the mafia"
border="0" >


</a>
</span>
<div class="wow_exc">Letizia Battaglia's pictures, because of the corruption, silence, violence and suffering they laid bare, played a crucial role in the anti-mafia campaign. They show anti-mafia Judge Cesare Terranova shot in his car, corpses of mafiosi found by the road, tears of the wives and mothers when they discover the scene of the crime, arrests of the mafia boss, teenagers pretending to be though guys with attitude and guns  <a href="http://www.we-make-money-not-art.com/archives/2009/11/two-photographers-letizia-batt.php">continue</a> 
     


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</entry>

<entry>
    <title>A Guest + A Host = A Ghost - Works from the Dakis Joannou Collection at DESTE Foundation in Athens</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/11/deste-foundation-in-athens.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10400</id>

    <published>2009-11-04T19:01:22Z</published>
    <updated>2009-11-09T14:00:31Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="art" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="other reports" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/0aa2ellejenemveru-640.jpg"
width="640"
height="655"
alt="70k"
title="A Guest + A Host = A Ghost - Works from the Dakis Joannou Collection at DESTE Foundation in Athens"
border="0" >


</a>
</span>
<div class="wow_exc">In a series of symbiotic encounters and parasitic relationships, the solo presentations are often interrupted by incongruous presences or perturbed by unusual juxtapositions: drawings by Kara Walker surround a tomb by Urs Fischer; Maurizio Cattelan's homeless man kneels down in front of Kiki Smith's Bat Woman; Robert Gober's haunted rooms incorporate Gregor Schneider's architectural fragments, etc.  <a href="http://www.we-make-money-not-art.com/archives/2009/11/deste-foundation-in-athens.php">continue</a> 
     


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<entry>
    <title>Rechnender Raum (Calculating Space) at the Share Festival in Turin</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/11/i-just-had-a-quick.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10403</id>

    <published>2009-11-04T17:43:00Z</published>
    <updated>2009-11-04T21:43:25Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="Art in Turin and Milan" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="installation" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/0sassituentendmapir-640.jpg"
width="640"
height="483"
alt="76k"
title="Rechnender Raum (Calculating Space) at the Share Festival in Turin"
border="0" >


</a>
</span>
<div class="wow_exc">Calculating Space is a delicate sculpture made of sticks, strings and little plumbs. The fragility and transparency of its structure reveals as much as it hides the logic and functioning of the machine. Its units operate like a very basic artifical neural network <a href="http://www.we-make-money-not-art.com/archives/2009/11/i-just-had-a-quick.php">continue</a> 
     


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<entry>
    <title>November programme for the VivoArts School for Transgenic Aesthetics</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/11/17-november-2009-public-lab.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10401</id>

    <published>2009-11-02T08:59:35Z</published>
    <updated>2009-11-03T19:50:56Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="amsterdam" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="bio" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="bioart" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="biotech art" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="body" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/0akkkoooenpoli-640.jpg"
width="640"
height="428"
alt="87k"
title="November programme for the VivoArts School for Transgenic Aesthetics"
border="0" >


</a>
</span>
<div class="wow_exc">The VivoArts School for Transgenic Aesthetics Ltd., Adam Zaretsky and Waag Society's temporary research and education institute on Art and Life Sciences, will be focusing this month on body art  <a href="http://www.we-make-money-not-art.com/archives/2009/11/17-november-2009-public-lab.php">continue</a> 
     


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</entry>

<entry>
    <title>Venice Biennale: the Finnish pavilion</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/11/finnish-pavilion.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10395</id>

    <published>2009-11-02T08:13:04Z</published>
    <updated>2009-11-05T16:49:13Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="Venice Biennale 2009" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/0aa0pooklfachhj-640.jpg"
width="640"
height="908"
alt="244k"
title="Venice Biennale: the Finnish pavilion"
border="0" >


</a>
</span>
<div class="wow_exc">This year the wooden pavilion, designed by architect Alvar Aalto in 1956, hosts a collection of Fire & Rescue Museum by Jussi Kivi. The artist's museum project is based on his long-term passion of collecting every imaginable item that ever has had something to do with firefighting  <a href="http://www.we-make-money-not-art.com/archives/2009/11/finnish-pavilion.php">continue</a> 
     


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<entry>
    <title>Smoke and Hot Air</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/10/i-missed-it-when-it.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10399</id>

    <published>2009-10-29T08:37:24Z</published>
    <updated>2009-11-02T08:36:34Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="LABoral" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="installation" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="politics" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<img src="http://www.we-make-money-not-art.com/wow/0aaaliamoneu89i-640.jpg"
width="640"
height="457"
alt="65k"
title="Smoke and Hot Air"
border="0" >


</a>
</span>
<div class="wow_exc">The installation echoes the artist's concern for the relentless threats against Iran made by many countries in recent years. Sentences that include "attack Iran" are scavenged from Google News and spoken using a text-to-speech synthesizer. The voice is then picked up by a microphone, analyzed, and translated into rhythmically corresponding smoke rings from a quartet of smoke ring makers  <a href="http://www.we-make-money-not-art.com/archives/2009/10/i-missed-it-when-it.php">continue</a> 
     


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<entry>
    <title>Book Review -  Installations by Architects: Experiments in Building and Design</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/10/book-review-installations-by-a.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10335</id>

    <published>2009-10-28T16:14:50Z</published>
    <updated>2009-10-29T09:51:37Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="architecture" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="book reviews" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="installation" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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<div class="wow_exc">Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives  <a href="http://www.we-make-money-not-art.com/archives/2009/10/book-review-installations-by-a.php">continue</a> 
     


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<entry>
    <title>The pavilion i wish i hadn&apos;t missed at the Venice Biennale</title>
    <link rel="alternate" type="text/html" href="http://www.we-make-money-not-art.com/archives/2009/10/things-i-missed-at-the-venice.php" />
    <id>tag:www.we-make-money-not-art.com,2009://2.10397</id>

    <published>2009-10-26T14:25:14Z</published>
    <updated>2009-10-28T06:31:39Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="Venice Biennale 2009" scheme="http://www.sixapart.com/ns/types#category" />
    
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<div class="wow_exc">Everyday, someone cleans the marble floors of the Palazzo with a mop dipped in water mixed with the blood found on the site of murders committed during the drug wars in Northern Mexico. How long will traces of it remain on the sole of your shoes? <a href="http://www.we-make-money-not-art.com/archives/2009/10/things-i-missed-at-the-venice.php">continue</a> 
     


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