“The Condition” might look like standard (media) art installation but don’t let its playful appearance fool you. The deeper you dig, the more you realize how many thought-provoking ideas and issues the work raises: new forms of ‘natural selection’ where it’s the prettiest -not the fittest- that survives, novel ecology in which salmons and tulips are grown à la carte, and intersection between the design of biological organisms and capitalistic values

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What these works have in common is that their design and violence are ambiguous. They start with what looks like a laudable impulse, only in the most ruthless context possible: rice that feeds hungry populations but pollutes the environment with pesticides, a brutal weapon that causes pain but not so much pain that it will kill, animal welfare in slaughterhouses, and other oxymoron.

The work invites people on a tour of both metal music and metal materials in Helsinki. Participants get a metal detector that has been altered to play pre-recorded music from Helsinki metal bands. The group then wanders through the city historical sites, looks for the presence of iron, tin, steel, silver, copper and other metals in the ground and as soon as the device has spotted something, hard rock and metal will play through the headphones

Good Luck, Archaeologists! reflects on the 10 years of OTTO-Prod‘s programme of shows, concerts, art residencies and performance in Maribor. You might have never been to Maribor, it’s Slovenia’s second-largest city, it’s charming and it’s actually not that large. And maybe you haven’t heard much about OTTO-Prod but i love what these young artists from Marseille have been doing, quietly and with far more talent than money, in Maribor and elsewhere for a decade

The newly commissioned works investigate repetition through works as diverse as an improvised performance based on the sounds of war, the exploration of the traces left by an UFO seen over the village of Bir-Nabala, a patchwork blanket that is knitted and then unravelled in echo of the Palestinian-Syrian refugees who have to rebuild their life with each displacement, the reviving of an archival photo of a 1970s Palestinian female fighter through various moments in the history of post-Nakba Palestinian art, etc.