I was expecting the curator’s ideas of transience, instability and uncertainties to be translated into powerful works that directly engage with some of today’s most pressing and depressing concerns. I got very little of that. I got plenty of clouds (including a couple of atomic ones), foam, puddles, waves and fountains though.

Fortunately, the biennale also features a surprisingly high number of sound works, extraordinary visual and emotional experiences and, here and there, a couple of more politically-minded artworks

Gambiologia is the Brazilian art and science of kludging. Someone with gambiarrá displays a cunning ability to improvise, kludge, hack and make do with whatever is available. Gambiologia, however, is far more than a demonstration of one’s own resourcefulness, it is also a political and ethical gesture. It questions industrial processes and mechanisms, rejects consumerism and postulates the need for greater autonomy

Exploitation Forensics is a collection of maps and documents created as a result of investigations conducted in the last few years by the SHARE Lab. The maps will help visitors explore the invisible layers of contemporary technological black boxes and their fractal supply chains, exposing various forms of hidden labour and the exploitation of material resources and data