Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent
Artist Maria McKinney uses ‘semen straws’ to explore genetics in cattle breeding as well as the hidden systems beneath beef and milk production
Through an analysis of textual and media searches as well as extensive research on paid online advertising, Safiya Umoja Noble exposes a culture of racism and sexism in the way discoverability is created online
For their “Forensic Fantasies” trilogy, KairUs (Linda Kronman and Andreas Zingerle) used data recovered from hard-drives dumped in Agbogbloshie, Ghana to develop works that investigate the issue of data breaches of private information and ask: What happens to our data when we send a computer, an hard disk or any kind of other storage device to the garbage?
A resolutely nonanthropocentric take on the materiality of one of the most controversial mediums in art, this approach relentlessly questions past and present ideas of human separation from the animal kingdom. It situates taxidermy as a powerful interface between humans and animals, rooted in a shared ontological and physical vulnerability
The combination of the qualities of the positive photographic paper and the impossibility to fully control the oddly staged happenings evokes 19th century’s attempts to photographically capture paranormal activities
In 2005, a group of photographers took a stand alongside the people of the small town of Bil’in, and documented their fight to stop the Israeli government building the infamous West Bank Barrier. Inspired by what they had seen in Bil’in, the group went on to form Activestills, a collective whose work has become vital in documenting the struggle against Israeli occupation and everyday life in extraordinary situations