Constructing Worlds: Photography and Architecture in the Modern Age

0i2basprincen1110b906-1020x817.jpgBas Princen, Cooling plant, Dubai, 2009

0cdavid42a69c-1020x680.jpgIwan Baan, Torre David #2, 2011 (Caracas)

Yesterday was the press view of Constructing Worlds: Photography and Architecture in the Modern Age at the Barbican Art Gallery. I eagerly go to those journalist tours because i’m allowed to take photos to my heart’s content. The day after it’s often strictly verboten.

Constructing Worlds looks at how photographers have documented key moments in the history of 20th and 21st century architecture: the skyscrapers rising up in New York, the remains of an industrial Europe well past its glory days, the glamorous Californian lifestyle of the 1940s, the unstoppable urbanisation of China, the traces of colonization in Africa, the aftermath of the war on Afghanistan, India’s enthusiasm for modernity as built in Chandigarh by Le Corbusier, etc.

I was particularly seduced by the photos from the 1930s to 1970s. Their authors looked for beauty and evidences of social changes where most people would have only registered dust and mortar.

Constructing Worlds exhibits the work of 18 photographers only. But that’s good enough for me as i’m no fan of those Barbican shows that asphyxiate you by their discouragingly high amount of images and information. I’m therefore going to follow suit and keep my comments short.

0i1parkinga8161023.jpgEd Ruscha, 5000 W Carling Way, 1967/1999 (Los Angeles)

ApaL00256_9.jpgEd Ruscha, Dodgers Stadium, 1000 Elysian Park Ave., 1967/1999

0Ed Ruscha, Constructing Worlds installation images1.jpgConstructing Worlds. Photography and Architecture in the Modern Age, Installation images at the Barbican Art Gallery. © Chris Jackson / Getty Images

Ed Ruscha’s views of Thirty-four Parking Lots in Los Angeles were taken from a helicopter. The series followed his iconic “Every Building on the Sunset Strip”. Probably my favourite room in the show.

0rockfeller-magazine.jpgBerenice Abbott, Rockefeller Center, New York City, 1932. © Berenice Abbott, Courtesy of Ron Kurtz and Howard Greenberg Gallery, New York

0Huts-and-unemployed-West-Houston-and-Mercer-Street-Manhattan-October-25-1935-03.jpgBerenice Abbott, Encampment of the unemployed, New York City, 1935

0barestaurant12-web.jpgBerenice Abbott, Blossom Restaurant, 103 Bowery, Manhattan, October 03, 1935

0batriborough18-web.jpgBerenice Abbott, Triborough Bridge #3, Manhattan, 1937

0columbus-circle-new-york-1936.jpgBerenice Abbott, Columbus Circle, 1936

0_StreetManhattan_by_Berenice_Abbott_March_26_1936.jpgBerenice Abbott, Manhattan Skyline: I. South Street and Jones Lane from East River Pier 11, 1936

In 1929, Berenice Abbott traveled to New York City after having spent eight years in Europe. In her absence, countless 19th-century buildings had been razed to make way for skyscrapers. She decided to stay in the country and document the changing face of the city. By 1940, the photographer had completed “Changing New York,” an invaluable historical testimony of a life in Manhattan that has disappeared.

0dmeteryUSA304835.jpgWalker Evans, Bethlehem graveyard and steel mill, Pennsylvania, November 1935

0abillbooorgd.jpgWalker Evans, Billboards and Frame Houses, Atlanta, GA 1936

0fren3market2580.jpgWalker Evans, Waterfront in New Orleans, French Market Sidewalk Scene, Louisiana, 1935

0equarter08106r.jpgWalker Evans, Negro house, New Orleans, Louisiana, 1936

0Walkerframe-Evans.jpgWalker Evans, Frame Houses. New Orleans, Louisiana, 1936. © Walker Evans Archive, The Metropolitan Museum of Art

Walker Evans is famous for the work he did for the Farm Security Administration documenting the effects of the Great Depression. I’ve seen these images several times before but i doubt i’ll ever get tired of them. The photos were taken at the same time as Berenice Abbott’s.

0aafriroof087c990-2060x1373.jpgGuy Tillim, Apartment Building, Avenue Bagamoyo, Beira, Mozambique, 2008

0cmozambiqu9aac680.jpgGuy Tillim, Apartment Building, Beira, Mozambique, 2007

Guy Tillim’s work examines modern history in Africa against the backdrop of its colonial and post-colonial architectural heritage.

0hensecondstreeetSh_05.jpgStephen Shore, Second Street and South Main Street, Kalispell,, Montana, 1974

0evmotelwigw.jpgStephen Shore, Wigwam Motel, Holbrook, AZ, August 10, 1973

0k0shore_church.jpgStephen Shore, Bellevue, Alberta, August 21, 1974

0daclintonroad716.jpgThomas Struth, Clinton Road, London, 1977

0i0ChryslerBuilding.jpgHiroshi Sugimoto, Chrysler Building (Architect: William van Alen), 1997

0cahdigarrhS-magazine.jpgLucien Hervé-High Court of Justice, Chandigarh, 1955

0Constructing Worlds installation images_detail.jpgConstructing Worlds. Photography and Architecture in the Modern Age, Installation images at the Barbican Art Gallery. © Chris Jackson / Getty Images

0Stephen Shore, Constructing Worlds installation images (2).jpgConstructing Worlds. Photography and Architecture in the Modern Age, Installation images at the Barbican Art Gallery. © Chris Jackson / Getty Images

0Berenice Abbott, Constructing Worlds installation images2.jpgConstructing Worlds. Photography and Architecture in the Modern Age, Installation images at the Barbican Art Gallery. © Chris Jackson / Getty Images

0Bernd & Hilla Becher, Constructing Worlds installation images1.jpgConstructing Worlds. Photography and Architecture in the Modern Age, Installation images at the Barbican Art Gallery. © Chris Jackson / Getty Images

0Iwan Baan, Constructing Worlds installation images (3).jpgConstructing Worlds. Photography and Architecture in the Modern Age, Installation images at the Barbican Art Gallery. © Chris Jackson / Getty Images

The exhibition is curated by Alona Pardo and Elias Redstone and designed by architecture firm, Office KGDVS, led by Kersten Geers and David Van Severen.

Constructing Worlds: Photography and Architecture in the Modern Age is at the Barbican Art Gallery until 11 January 2015.

Previously: Guy Tillim: Avenue Patrice Lumumba and Burke + Norfolk: Photographs From The War In Afghanistan.