In this book, Alessandro Ludovico re-reads the history of the avant-garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art
While highlighting established artists such as Gerhard Richter, the book also includes emerging and mid-career artists whose work ranges widely. Artists such as Jeremy Wood who plots his movement across the globe through GPS tracking, Tatsuo Miyajima who does digital light displays, Eduardo Kac who does transgenic bio-art or Santiago Sierra who paid workers to shift a heavy rock back and forth are among the international artists included in this book. Often controversial, these artists push the boundaries of what would traditionally be considered art
The industrial revolution was a revolution for engineers. Now designers are at the forefront of a new revolution. They are part of networks that enable them to develop new materials and systems, build their own machines, and seek new tools for production and distribution. These developments offer an alternative to mass production and open paths to a new economy and society
Does the American dream still exist? What is its future in an era in which the promise of happiness and economic prosperity seems to clash with an increasingly complex and difficult scenario?
There is nowhere else in the world quite like Chungking Mansions, a dilapidated seventeen-story commercial and residential structure in the heart of Hong Kong’s tourist district. A remarkably motley group of people call the building home; Pakistani phone stall operators, Chinese guesthouse workers, Nepalese heroin addicts, Indonesian sex workers, and traders and asylum seekers from all over Asia and Africa live and work there–even backpacking tourists rent rooms. In short, it is possibly the most globalized spot on the planet
The project that Shing-Tat Chung was showing at the work in progress show of Design Interactions, explores a world in which beliefs and rituals emerge from the seemingly harmless private sphere to infect larger and more complex public systems. In times of uncertainty will the population demand an alternative logic to be implemented? This project imagines a stock market in which superstitions abound, producing uncanny algorithms and illogical bankers attired in green suit and Feng-Shui briefcases
“People who are comfortable with eating meat, should be equally comfortable with killing animals.”
Because he is interested in the ethics and dilemmas of eating meat, John O’Shea is looking into schemes to achieve a more compassionate meat consumption. Since 2008, the artist has been working on Meat Licence Proposal. Under this law proposal, citizens willing to buy or consume a certain type of meat would need to obtain a licence to do so first. The only way to acquire the licence is to slaughter the animal yourself
Architecture of Fear explores how feelings of fear pervade daily life in the contemporary media society. The cause of fear seems interchangeable and constantly fluctuating. Shifting from one thing to the next, often relating to invisible or indirect phenomena’s (terrorism, viral diseases, pollution, financial crisis), anything has the ability to become a potential threat. Rather than an immediate emotional strategy for survival fear is becoming a constant low level feeling in the background that gives rise to a new global infrastructure based on security, prevention and risk-management
A new exhibition celebrates the role of making in our lives by presenting an eclectic selection of over 100 exquisitely crafted objects, ranging from a life-size crochet bear to a ceramic eye patch, a fine metal flute to dry stone walling. Power of Making is a cabinet of curiosities showing works by both amateurs and leading makers from around the world to present a snapshot of making in our time
n design(ing) there is a revolution ongoing that is triggered by an emerging networked community that is sharing digital information about physical products and the ubiquitous availability of production tools and facilities. It transforms design into an open discipline, in which designs are shared and innovation of a large diversity of products is a collaborative and world spanning process
The exhibition “Gambiólogos – Kludging in a Digital Era” gathered objects, sculptures and installations that explore the concept of technological gambiarra: they adapt, reinvent recycled and found materials using electronic technologies and much improvisation
rep.licants.org is a web service allowing users to install an artificial intelligence (bot) on their Facebook and/or Twitter account. From keywords, content analysis and activity analysis, the bot attempts to simulate the activity of the user, to improve it by feeding his account and to create new contacts with other users. Quick Q&A with the artist
This book investigates this urge for the pure, but also advocates a much deeper need for the impure, not to reinstate a new organicism or back-to-nature movement, but to trace progression to a point where all modernist values reverse, where technology becomes an agent for the impure and the imperfect. Technology, long an agent for homogeneity and purity, is now turning into one for heterogeneity and global contingency
Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it’s headed. He takes a unique look at the globalization of the art world and the changing face of the business, offering the clearest analysis yet of how investors speculate in the market and how emerging art forms such as video and installation have been drawn into the commercial sphere
Everything Ends in Chaos attempts to design, then reverse engineer a single, spectacular Black Swan event. Black Swan events are unpredicted but of such magnitude that they have an important impact on history. According to Nassim Nicholas Taleb who developed the theory, the rise of the Internet, World War I, and the September 11 attacks as examples of Black Swan Events
The nuclear renaissance offers a clean, near limitless energy solution that could allow us to meet CO2 emission targets (without going short as consumers).
What if we ask for protective barrage balloons, establish concrete emergency services and resign ourselves to the perceived ‘hazards’? What if we embrace pet polar bears and pineapple ice cream along with other benefits that nuclear energy could bring? And what if not; are we prepared for blackouts instead?
This year’s Future Exhibitions aims at highlighting the exhibition’s spatial relationship to the visitor. How can architecture, stage design and technical innovation enhance the visitor’s overall experience? In conversation with some of the leading actors in the field, Swedish Travelling Exhibitions examines innovative techniques and explores the exhibition medium of the future
In the controversial contemporary reality the online platform “Esse, Nosse, Posse: Common Wealth for Common People” focuses on “posse”, on the mode of production and being not only of the creators presented within this context but of all the contributors of today’s common wealth , as well as on the possibilities of re-appropriation of knowledge that may occur only through knowledge itself
A global overview of the ways in which contemporary artists are drawing on kinetics, biology, robotics and information technologies to explore new forms of creative expression
Acknowledging that each of us is inclined to give, this illuminating publication reveals how a beneficent deed contributes to an environment of increasing generosity in addition to enhancing the capabilities of its recipient. As a shared value, giving can grow to be a meaningful collective force that affects the world in surprising ways
The symposium ‘Positions in flux’ focused on some of the major parameters for the current and future development of contemporary art. In particular it aimed to reflect on the aspect of cultural sustainability of art projects, art and technology initiatives and art curating
What happens when we are “tagging” , “posting” and “sharing” our experiences and opinions in platforms such as those of Facebook, YouTube, flickr or del.icio.us? Are we really connecting and interacting or are we also forming the content and the structure of the social web itself?
The exhibition at the CCCS in Florence features the work of contemporary artists which throws light on the mechanisms of the international art system. The selection explores different points of view, ranging from complete conformity to the prevailing rules of the market, to irony and sarcasm and even to an “anti-market” stance, taken by those anxious to avoid the commercial aspects of the art market entirely
This provocative collection of photography, essays, and maps looks at infrastructure as a way of mapping our place in the city and affecting change through architecture
The conference and exhibition present a selection of visionary projects anticipating future developments in design process and technologies. What happens when design, creative coding and digital fabrication meet mass-customization?
Campanella’s book examines the forces behind China’s urban revolution. It traces both the historical precedents and the increasingly globalized information, ideas, and trends that have combined to create a new Chinese landscape
Modernist public spaces are in decline in our cities. The privatisation of the analogue commons has been blamed for this process, victim of a form of capitalism in which markets are understood as strategies for seizing and remaining in power by pressure groups. Freire’s brilliant talk sees beyond the current situation and deals with the reinvention of public spaces, the “hyper-realistic” culture of the network society and the re-birth of the notion of the commons
Jose Luis de Vicente invited Manuel Lima from Visual Complexity as well as the ueber-talented Santiago Ortiz and Aaron Koblin to discuss the beauty of data
Sightseeing of an exhibition which presents works from 30 artists depicting and commenting on various phenomena influenced by the continually growing tourist industry
Goth – Reality of the Departed World introduced goth / gothic in contemporary art through approximately 250 works. Vicente Gutierrez reports
Kazys Varnelis, Richard Saul Wurman, Charles Renfro from Diller, Scofidio + Renfro and Patrik Schumacher from Zaha Hadid Architects discuss the impact of the new media on cities and architecture
and USA.) Editors‘ blurb: A new breed of public interactive installations is taking root that overturns the traditional […]
Global Cities at the Tate Modern in London. It’s a pocket version of an exhibition that was running […]
As Innovationsforum Interaktionsdesign was trying to reflect the whole spectrum of interaction design and innovation, they needed the […]
– UK). Editors‘ blurb: “Hidden Track” shows how contemporary visual culture is breaking out of the second dimension […]
Little Brinkland explores the way we might work in 2012 when emerging technologies rethink the rhythms of working […]
Notes from Quinn Norton‘s talk at the 23rd Chaos Communication Congress which took place in Berlin last week: […]
New media art is usually a lot of fun. So much fun that i sometimes forget the beauty […]
I came back from Ci’Num yesterday. The event, held in Margaux (very very small French town too far […]