In his b&w series Demonstrations, Caleb Charland used everyday objects to explore the laws and wonders of physics. The wonderful images are the only traces left of the many exposures, the long trials and errors the artist had to go through before he managed to make the perfect portrait of a physical phenomenon. The admiration for his tenacity and curiosity increases tenfold when you remember that we live in the age of photoshop


Der Lauf der Dinge (The Way Things Go) is a 1987 film by Peter Fischli and David Weiss following a 30 minute long, uninterrupted chain of physical and chemical experiments. One explosion leads to a fire that heats up a teakettle until its steam whistle flies away and hits a bottle that falls and pour its content over a… It goes on and on. One chemical trigger leads to another or sparks a physical phenomenon. The film watches like a thriller (even if you’ve seen it twice already) because every single step can go wrong

A couple of weeks ago, Rui Guerra answered one of my facebook rants (which usually target museum press people who refuse to give me access to press images because i’m a blogger therefore ‘images are not safe” with me!) with a comment so smart and informative that i wanted to know more about his opinion about online strategies for cultural spaces

Passages. Travels in Hyperspace is a selection of works drawn from the collection of Thyssen-Bornemisza Art Contemporary. Consisting primarily of large-scale sculptural or installation work, the exhibition was designed so as to foster a contemplative stroll, making the body central to the visitor’s experience of art and offering a journey into a perceptual dimension that activates the physical, the sensory, and the cerebral

To discover M10, you have to open a very mundane door. Then another one on your right. And another one in front of you. There are ten of them, each leading to a plain, beige room so claustrophobic you quickly look for more doors that will take you out of there as the art critics mayhem pictured here demonstrates