Suohpanterror is an anonymous group of Sami artists who use wit, iconic images and humour as weapons to comment on the issues their people have to face on a daily basis: discrimination, racism, marginalisation, colonialism, dam building, logging, military bombing ranges, as well as exploitation by the tourism and energy industries. And of course, climate change
Make+ is a Shanghai-based programme that stimulates collaborations between art and science. Its main motivation is to ‘make ideas happen’.
The recipe is quite simple: an individual comes with an idea, a team forms around it, mentors join in and guide the team along the way. At the end of the process, the idea is made reality. Participants come with all types of backgrounds, experiences and perspectives. They can be fashion designers, hardware engineers or painters
The artist has worked with media as diverse as fetal calf cells, human blood, maggots, multi-component 3D Human Skin Equivalent models or taxidermied insects. She is currently participating to Experimenta Recharge biennial of media art with an ever-changing face mask that uses Saos-2, a cell line that originally came from the bone cancer lesion of an 11 year old girl who died in 1973
The art that Berglin masters to perfection is the good old art of appropriation. He picks up an image, modifies it or not, brings it into a new contexts and gives it a new meaning. The result is a portfolio full of humour, poetry, and absurd comments on our absurd society
For the past few years, CAA’s founders Steve Lambert and Stephen Duncombe have been traveling around America (and increasingly Europe) to train grassroot activists to think more like artists and artists to think more like activists. The objective isn’t to replace traditional strategies with unbridled inventiveness but to use creativity as an additional tool that will help them gain more attention, make activism more approachable and that will, ultimately, make their campaigns more effective
Frederik de Wilde’s investigations don’t stop at nanotechnology and ultra black paintings, he also explores biotechnology, data networks, or any other scientific fields of research to uncover new frontiers of the intangible, inaudible, invisible.
That might sound highly conceptual but as the interview with the artist demonstrates research into elusive energy measurements and other barely perceptible phenomena quickly gives rise to reflections about politics, art history, economic emergency, universe hacking and very practical innovations in ‘clean’ energy
The artist uses live art, interventions and new media to investigate social and political systems; and to find his position in and to these larger systems.
Some of his projects involved outsourcing the production of a written constitution for the UK to China and having 1,000 dolls voice it, using the price of an African financial index to control lightning in a Berlin art center, testing certain hypotheses about social behaviour in a dinner party. And building an outdoors spiral staircase for cats.