Socially engaged artists need not be aligned (and may often be opposed) to the public sector and to institutionalized systems. In many countries, structures of democratic governance and public responsibility are shifting, eroding, and being remade in profound ways—driven by radical economic, political, and global forces. According to what terms and through what means can art engage with these changes?
Greiner’s works involve buying 40 litres of maggots and bringing them to the exhibition space until they turn into flies, composing music based on the luminous skin of a squid, convincing the Director of the Neue Nationalgalerie in Berlin to consider a fly as a living artwork, photographing portraits of algae, carefully orchestrating explosions around Berlin
Albedo suits are designed to increase the solar energy reflectivity (albedo value) in the forests; this way cooling the climate and mitigating the climate change. The work plays with the notion of geoengineering and forest management as a geoengineering project
“The Condition” might look like standard (media) art installation but don’t let its playful appearance fool you. The deeper you dig, the more you realize how many thought-provoking ideas and issues the work raises: new forms of ‘natural selection’ where it’s the prettiest -not the fittest- that survives, novel ecology in which salmons and tulips are grown à la carte, and intersection between the design of biological organisms and capitalistic values
Björn Wallsten explores subsurface infrastructure systems and in particular the no longer functioning cables and pipes that are continuously disconnected and left behind. These hibernating quantities form a metal deposit below the cityscape and are evidence of society’s persistently wasteful handling of mineral resources. He calls them urks…
A series of panels at the Science Gallery in Dublin explores impending global catastrophes: cosmic bullets, climate change and machines that might one day decide to make us redundant
INHERITANCE consists of a set of precious jewellery artefacts which are radioactive and therefore rendered practically and symbolically unwearable for deep time, until the radionuclide transmute naturally into a stable and non radioactive isotope of lead