None of the panelists could (or rather would) answer Marcus Fair’s request to give a clear-cut definition of open design. The practice, said Evers, is not fixed, it is in constant flux. Open design is more about a mentality than a strict definition. The book is indeed about what open design can be and what you can do with it, it is only the starting point of a discussion

Pulled stretches screen-printing in all directions, leaving no element untouched. This book is a survey and a how-to, a collection of prints and an idea bank. It brings together more than forty talented screen printers, including Aesthetic Apparatus, Deanne Cheuk, Steven Harrington, Maya Hayuk, Cody Hudson, Jeremyville, Andy Mueller, Rinzen, and Andy Smith, among many others. Pulled is for the creative person who wants to leave his mark on cotton, or anything else

So far, explaining children how babies were made involved storks, cabbages, bees and other fantasies. Science, however, has added new modes of reproductions to the discourse. From in vitro fertilization in the 1970s to today’s research into artificial gametes from stem cells or somatic cells that would allow sperm and eggs to be created from anyone’s cells, regardless of age, gender or sexuality. New Scientist called it male eggs and female sperm at the time.

How will the stories about human reproductions evolve as our methods of reproduction become increasingly more diversified?

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The Muybridge installation is a study set out to capture temporal change in 3D. A three-step sequence of a bird spreading its wings is reconstructed and sculpted into T-Shirts. As the change in the wings’ position is a function of time, each wing’s plumage is reduced to polygonal form, modeled and rigged into successive arrangements to portray the spreading motion

Interview with Arne Hendriks about The Incredible Shrinking Man, a speculative design research about the consequences of downsizing the human species to 50 centimeters. It has been a long established trend for people to grow taller. As a direct result we need more energy, more food and more space. But what if we decided to turn this trend around? What if we use our knowledge to shrink mankind?

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Everything Ends in Chaos attempts to design, then reverse engineer a single, spectacular Black Swan event. Black Swan events are unpredicted but of such magnitude that they have an important impact on history. According to Nassim Nicholas Taleb who developed the theory, the rise of the Internet, World War I, and the September 11 attacks as examples of Black Swan Events

A couple of weeks ago, Rui Guerra answered one of my facebook rants (which usually target museum press people who refuse to give me access to press images because i’m a blogger therefore ‘images are not safe” with me!) with a comment so smart and informative that i wanted to know more about his opinion about online strategies for cultural spaces

With BACK, HERE BELOW, FORMIDABLE [ the rebirth of prehistoric creatures ], Marguerite Humeau, attempts to ressuscitate the sound of extinct animals by reconstructing their voicebox (lungs, trachea, larynx + vocal folds, mouth and nose). Made of soft tissue, the vocal tract does not fossilize. The only elements which have been preserved through time are their bones. By comparing them with the larynx CT scans of their closest modern relatives, Humeau hopes to bring back the vocal organs of the extinct animals. With the help of a specialist of each animal, the designer plans to remodel the soft tissues of the modern animals on the basis of the bone structure of the extinct one. The structure of the soft tissues will then be printed in 3D.

Steffen Fielder and Jonas Loh for example questions our relationship to randomness. The designers explored the importance of randomness in our daily life but also investigated whether randomness actually exists or if it is just a lack of knowledge which makes things appear random to us

The latest project by Demitrios Kargotis and Dash Macdonald is inspired by the exercises performed by members of Casualties Union, a charity organisation funded during the Second World War as a course where acting, made-up casualties were recreated to provide added ‘realism’ to civil defense and rescue training exercises. For over 60 years, their methodologies and exercises have been showing actors how to simulate ‘authentically’ both the emotional shock of disaster and physical trauma

Designer Maurizio Montalti is teaming up with the Kluyver Centre for Genomics of Industrial Fermentation in The Netherlands to work on an alternative to fossil fuels. He aims to build a transparent bioreactor in which one fungus breaks down plastic and the other fungus makes bio-ethanol out of it

Jean-Baptiste Labrune’s presentation at The Council meeting gave a provocative (and much welcome) twist to the discussion about ‘the internet of things.’ Labrune’s talk revolved around the idea of developing organic circuits and, more broadly, about an internet of thing which might one day be made of material that grow, evolve, decay and die just like us

4 design proposals were shown at the biennale: Foragers is a reflection on the future of food in an overpopulated planet; Stop and Scan and EM Listeners responds to the UK’s unique tolerance for extreme state intrusion which allows the police to use a lack of privacy laws to create a living laboratory; finally, Afterlife is a domestic product for a time when euthanasia is far more common than it is today

Having finally found some time to go through hundreds of pictures, notes and a decidedly chubby catalogue, i’m ready to start a series of reports from last month’s visit to International Design Biennial in Saint Étienne, France. The theme of this 6th edition was Teleportation. The biennale, the website says, intends to explore paths of discoveries that will tend in their extreme expression to lead to a possible teleportation as the dematerialization of movement which appears to be an incredibly revealing notion of our era

Should you be interested in accommodating a small volcano in your living room, designer Nelly Ben Hayoun has one ready to cover your interior with dust and erupt gloop on your carpet. While the first prototype is still a fairly modest and manageable size, The Other Volcano aims to build a series of semi-domesticated volcanoes that would almost reach the ceiling and provide you with all the discomfort you can expect from this new breed of geological pet

Featuring an extensive collection of work in which images and space meld seamlessly into a single narrative entity, Staging Space offers new solutions for exhibition and event architecture, scenography, media installations, interiors, and stage design as well as multimedia brand concepts. The book also presents an array of hybrid projects whose focus lies on using space to achieve pre-defined dramatic effects

The book provides a detailed insight into the techniques of ten creative individuals (Jason Bruges Studio, Greyworld, HeHe, Crispin Jones, the Owl Project, the Pooch, Bengt Sjolen, Troika, and Moritz Waldemeyer.) and how they exploit the latest computing technologies in their work and the impact this will have for creative practice in the future

This year’s Future Exhibitions aims at highlighting the exhibition’s spatial relationship to the visitor. How can architecture, stage design and technical innovation enhance the visitor’s overall experience? In conversation with some of the leading actors in the field, Swedish Travelling Exhibitions examines innovative techniques and explores the exhibition medium of the future

The Phantom Recorder system projects a cold and damp sensation onto the skin surface, triggering the brain to hallucinate a phantom. As the phantom movement stimulates the peripheral nerves, its activity is captured by the neural implant and external wireless machinery

Among Daisy Ginsberg’s latest activities are a residency at SymbioticA, a collaboration with James King and Cambridge University’s iGEM 2009 grand-prizewinning team and then there’s Synthetic Aesthetics. The project investigates shared territory between design and synthetic biology, invites exchange of existing skills and approaches, and enables the development of new forms of craft and collaboration