Designers Emily Hayes and Karen Mabon were fascinated by the work of neuropsychologist Chris Moulin who has recreated the sensation of Déjà Vu in a laboratory. One of his female patients suffers from chronic déjà vu. Moulin identified that the only method that enabled the patient to avoid the distressing illusion of familiarity was the paradox of repeating the same day and experiences over and over again. The designers have constructed a set for this chronic deja vu sufferer, complete with marks on the floors, visual instructions and specially-designed objects
A couple of years ago, Nils Völker built a robot out of Lego parts that replicates the way we look. The resulting large scale images demonstrate how differently the same objects have been perceived. The robot was the one work that attracted me to Nils Völker’s portfolio but it’s his creative path that started with communication design and moved to the use of physical computing in contexts as different as advertising and art exhibitions that kept my attention
The project is based on two opposing inspirations; research trips to learn about intentional communities like the Amish, who carefully select technologies for their community, and an extrapolation of current scientific research which embraces technological alteration of nature. The outcome of the project is a fantastical caravan, a nomadic module of illusionary freedom, which explores our belief in technological progress
Cost is still a major limiting factor for low-carbon energy technologies. The Energy Pilots research program develops hypothetical business models by borrowing proven techniques from other sectors, and adapts them to fit the financial difficulties of specific low-carbon technologies
I had a discussion with Julijonas Urbonas about his hypothetical euthanasia machine. Taking the form of a roller coaster, it subjects the rider to a series of intensive motion elements that induce various unique experiences: from euphoria to thrill, and from tunnel vision to loss of consciousness and eventually death
The book presents an international spectrum of interdisciplinary projects at the intersection of laboratory, trade show, and urban space that play with the new frontiers of perception, interaction, and staging created by current technology. The work reveals how technology is fundamentally changing and expanding strategies for the targeted use of architecture, art, communication, and design for the future
Sausage machine, chair-manufacturing robot, technology-free photobooth and scanner, tableware cast from bull testicles and so many lamps
None of the panelists could (or rather would) answer Marcus Fair’s request to give a clear-cut definition of open design. The practice, said Evers, is not fixed, it is in constant flux. Open design is more about a mentality than a strict definition. The book is indeed about what open design can be and what you can do with it, it is only the starting point of a discussion
Pulled stretches screen-printing in all directions, leaving no element untouched. This book is a survey and a how-to, a collection of prints and an idea bank. It brings together more than forty talented screen printers, including Aesthetic Apparatus, Deanne Cheuk, Steven Harrington, Maya Hayuk, Cody Hudson, Jeremyville, Andy Mueller, Rinzen, and Andy Smith, among many others. Pulled is for the creative person who wants to leave his mark on cotton, or anything else
So far, explaining children how babies were made involved storks, cabbages, bees and other fantasies. Science, however, has added new modes of reproductions to the discourse. From in vitro fertilization in the 1970s to today’s research into artificial gametes from stem cells or somatic cells that would allow sperm and eggs to be created from anyone’s cells, regardless of age, gender or sexuality. New Scientist called it male eggs and female sperm at the time.
How will the stories about human reproductions evolve as our methods of reproduction become increasingly more diversified?
The Muybridge installation is a study set out to capture temporal change in 3D. A three-step sequence of a bird spreading its wings is reconstructed and sculpted into T-Shirts. As the change in the wings’ position is a function of time, each wing’s plumage is reduced to polygonal form, modeled and rigged into successive arrangements to portray the spreading motion
For ‘Cook Me – Black Bile’, designer Tuur Van Balen used leeches and his own blood too cook a recipe for controlling the feeling of melancholy. Synthetic biology and the new interactions it can trigger within our body are proposed as a new form of cooking, guided by one’s personal metabolism
Interview with Arne Hendriks about The Incredible Shrinking Man, a speculative design research about the consequences of downsizing the human species to 50 centimeters. It has been a long established trend for people to grow taller. As a direct result we need more energy, more food and more space. But what if we decided to turn this trend around? What if we use our knowledge to shrink mankind?
”Love Ducking” looks at how technology can help reduce the gap between species. In an attempt to try and seduce a female Mallard duck, I try to export myself via technology into the ducks world. My aim is to virtually live like a male Mallard duck in order to find friendship and who knows, maybe love
Everything Ends in Chaos attempts to design, then reverse engineer a single, spectacular Black Swan event. Black Swan events are unpredicted but of such magnitude that they have an important impact on history. According to Nassim Nicholas Taleb who developed the theory, the rise of the Internet, World War I, and the September 11 attacks as examples of Black Swan Events
A couple of weeks ago, Rui Guerra answered one of my facebook rants (which usually target museum press people who refuse to give me access to press images because i’m a blogger therefore ‘images are not safe” with me!) with a comment so smart and informative that i wanted to know more about his opinion about online strategies for cultural spaces
With BACK, HERE BELOW, FORMIDABLE [ the rebirth of prehistoric creatures ], Marguerite Humeau, attempts to ressuscitate the sound of extinct animals by reconstructing their voicebox (lungs, trachea, larynx + vocal folds, mouth and nose). Made of soft tissue, the vocal tract does not fossilize. The only elements which have been preserved through time are their bones. By comparing them with the larynx CT scans of their closest modern relatives, Humeau hopes to bring back the vocal organs of the extinct animals. With the help of a specialist of each animal, the designer plans to remodel the soft tissues of the modern animals on the basis of the bone structure of the extinct one. The structure of the soft tissues will then be printed in 3D.
Steffen Fielder and Jonas Loh for example questions our relationship to randomness. The designers explored the importance of randomness in our daily life but also investigated whether randomness actually exists or if it is just a lack of knowledge which makes things appear random to us
The latest project by Demitrios Kargotis and Dash Macdonald is inspired by the exercises performed by members of Casualties Union, a charity organisation funded during the Second World War as a course where acting, made-up casualties were recreated to provide added ‘realism’ to civil defense and rescue training exercises. For over 60 years, their methodologies and exercises have been showing actors how to simulate ‘authentically’ both the emotional shock of disaster and physical trauma
Designer Maurizio Montalti is teaming up with the Kluyver Centre for Genomics of Industrial Fermentation in The Netherlands to work on an alternative to fossil fuels. He aims to build a transparent bioreactor in which one fungus breaks down plastic and the other fungus makes bio-ethanol out of it
Jean-Baptiste Labrune’s presentation at The Council meeting gave a provocative (and much welcome) twist to the discussion about ‘the internet of things.’ Labrune’s talk revolved around the idea of developing organic circuits and, more broadly, about an internet of thing which might one day be made of material that grow, evolve, decay and die just like us
4 design proposals were shown at the biennale: Foragers is a reflection on the future of food in an overpopulated planet; Stop and Scan and EM Listeners responds to the UK’s unique tolerance for extreme state intrusion which allows the police to use a lack of privacy laws to create a living laboratory; finally, Afterlife is a domestic product for a time when euthanasia is far more common than it is today
What new needs will arise as the climate of the Earth changes? This project examines a household of the future and ways these needs might be met through symbiotic relationships with modified insects
Prédiction was the biggest exhibition of the International Design Biennial in Saint Étienne. Its ambition was to reposition the boundaries of contemporary design, exploring in over 100 artefacts and 2000 m2 the new types, methods, and practices of the discipline
Having finally found some time to go through hundreds of pictures, notes and a decidedly chubby catalogue, i’m ready to start a series of reports from last month’s visit to International Design Biennial in Saint Étienne, France. The theme of this 6th edition was Teleportation. The biennale, the website says, intends to explore paths of discoveries that will tend in their extreme expression to lead to a possible teleportation as the dematerialization of movement which appears to be an incredibly revealing notion of our era
Should you be interested in accommodating a small volcano in your living room, designer Nelly Ben Hayoun has one ready to cover your interior with dust and erupt gloop on your carpet. While the first prototype is still a fairly modest and manageable size, The Other Volcano aims to build a series of semi-domesticated volcanoes that would almost reach the ceiling and provide you with all the discomfort you can expect from this new breed of geological pet
Featuring an extensive collection of work in which images and space meld seamlessly into a single narrative entity, Staging Space offers new solutions for exhibition and event architecture, scenography, media installations, interiors, and stage design as well as multimedia brand concepts. The book also presents an array of hybrid projects whose focus lies on using space to achieve pre-defined dramatic effects
Creative Characters is a collection of in-depth interviews with the most influential type designers in the business as well as up-and-coming young guns about the motives and methods behind the typefaces
One hundred posters, selected from amongst the thousands of works submitted each year for the most prestigious awards, representing the best of Japanese graphics over the last ten years
The book provides a detailed insight into the techniques of ten creative individuals (Jason Bruges Studio, Greyworld, HeHe, Crispin Jones, the Owl Project, the Pooch, Bengt Sjolen, Troika, and Moritz Waldemeyer.) and how they exploit the latest computing technologies in their work and the impact this will have for creative practice in the future
This year’s Future Exhibitions aims at highlighting the exhibition’s spatial relationship to the visitor. How can architecture, stage design and technical innovation enhance the visitor’s overall experience? In conversation with some of the leading actors in the field, Swedish Travelling Exhibitions examines innovative techniques and explores the exhibition medium of the future
Nille Svensson, former member of Sweden Graphics, is a designer/graphic artist/illustrator i met in Stockholm a few months ago and the guy is so absurdly talented he doesn’t even have a proper website. See for yourself:
Sitraka Rakotoniaina’s project explores a possible ‘Hyper-normal’ space on the edge of normality, whereby a distorted experience of reality is induced because of physical or psychological stress, injuries, conditioning or training
An explosion of architectural little magazines in the 1960s and 1970s instigated a radical transformation in architectural culture, in which the architecture of the magazines vied with buildings as the site of innovation and debate
The Nomadic Sound Systems is a wireless wearable sound system that frees electronic music from the restraints of immovable equipment, opening up possibilities for mobile performance and new forms of audience participation
If you are in the right place at the right time, you (may) experience something fantastic whether it’s a lightening strike, a sense of the paranormal activity around you or a perfectly dry space at the bottom of the ocean
An Elvis themed workshop hosted at primary schools throughout the UK with the purpose of addressing questions concerning the legal definition of impersonation and authenticity
Can airspaces be owned and activated by the public? What is the size of the airspace you can own? How can we employ wind farms in a way that disrupts conventional understandings of their use?
RGB features artists from highly diverse backgrounds, from household names to the newest young talents. RGB captures the UK’s explosively vibrant and unpredictable realm of graphic design, in 288 pages packed with exciting visual material
Performing space extends the theme of the exhibition to architecture. Architects are indeed increasingly interested in activating the spaces they are designing. Lawrence Malstaf and Laurent Liefooghe’s works interact with the gallery space and the visitors