This year, the Share festival in Turin shed its new media art skin and became a festival resolutely centered on design. The event was all about technology and creativity but this time in their most domesticated forms
The exhibition questions the underlying myths within design, deconstructs its emerging signs, and examines how technology determines the future landscape of design
Syuko Kato and Vincent Huyghe from the Interactive Architecture Lab have designed a robotic system that turns dance into architectural forms
Nova and Vacheron’s book explores the impact of algorithms in cultural production. Through a wide range of examples, the main essay, called “DADABOT: An Introduction to Machinic Creolization” presents the contemporary forms of hybridization in music, visual arts, literature, photography, etc.
The 11th edition of this festival of unconventional and radical art was anchored into the most banal manifestations of our networked society, one that is made of surveillance, social bullying, aesthetics of power, communication guerrilla and disintegration of the space of free speech and ideas that internet was meant to be
Designer Isaac Monté has used a pig heart as if it were a material that can be tattooed, coloured, and otherwise transformed. The work aims to explore how far a ghost organ can be manipulated for its creative potential, but it also questions whether biological interventions and aesthetic manipulation can be used as tools for the transformation of inner beauty
Age of Wonderland interrogated the sustainability of our food systems, looked at how they interconnect with the environment and searched for alternatives to feed communities. The festival basically did the job that the Expo Milan was supposed to do but with less fanfare and more sense