Critical Exploits showed how a new generation of artists, designers and engineers are taking a highly critical approach to the development and use of the engineered systems and infrastructures that we increasingly rely on for daily life
The artist uses live art, interventions and new media to investigate social and political systems; and to find his position in and to these larger systems.
Some of his projects involved outsourcing the production of a written constitution for the UK to China and having 1,000 dolls voice it, using the price of an African financial index to control lightning in a Berlin art center, testing certain hypotheses about social behaviour in a dinner party. And building an outdoors spiral staircase for cats.
The Reposition Matrix is an investigation into the military-industrial production and trading networks of Unmanned Aerial Vehicles (also commonly referred to as Drones). The workshop aims to reterritorialise the drone as a physical, industrially-produced technology of war, and consequently explore how this affects our understanding of the covert drone campaigns in the Middle East
Jacobsen is a media artist based in Copenhagen and an Adjunct Professor in Digital Culture and Mobile Communication at IT University, Copenhagen. His artistic work either closely follows social, political and ethical questions or sabotages technology, by mix-matching new and old media or by inviting web users to subvert web banners
‘The Intel – Cyprus Merger’ showed how the world’s first merger of a country and a corporation might be possible, and advantageous for both parties. Moreover through the execution of due diligence, stakeholder engagement and communication, how such a merger could be enacted responsibly, and in the best interests of both, or how at least it might appear so
The Lufttransa bus arrives in Brussels to denounce the practice of deporting refugees and immigrants living illegally in Germany and examine it in the context of the process of European integration
The exhibition ‘Artur Żmijewski: The Social Studio’ reflects the artist’s conviction that in order for art to regain its value in society, it has to expose societal conflict and disclose the conditions in which social antagonisms are cultivated and maintained by the powers that be