Biomedia artist Paul Vanouse’s latest work, the Suspect Inversion Center, comments on the way genetic evidence is brandished as the ultimate evidence in courtrooms. He set up an operational laboratory at the Ernst Schering Foundation in Berlin where he creates identical “genetic fingerprints” of criminals and celebrities using his own DNA
The latest project by Demitrios Kargotis and Dash Macdonald is inspired by the exercises performed by members of Casualties Union, a charity organisation funded during the Second World War as a course where acting, made-up casualties were recreated to provide added ‘realism’ to civil defense and rescue training exercises. For over 60 years, their methodologies and exercises have been showing actors how to simulate ‘authentically’ both the emotional shock of disaster and physical trauma
The last edition of STRP attracted almost 30,000 visitors. They came for the concerts and parties of course, but also for the performances, exhibitions, conferences, workshops and associated events that were taking place in the city of Eindhoven. The exhibition was particularly exciting with its mix of no tech and high tech
Another winning project from the Designers & Artists 4 Genomics Award, 2.6g 329m/s is a project aimed at building a bullet proof skin by providing transgenic human skin with cast-iron spiders’ web. The work expressly asks the question if this technological innovation is socially desirable.
From ancient Egyptian poppy tinctures to Victorian cocaine eye drops, Native American peyote rites to the salons of the French Romantics, mind-altering drugs have a rich history. ‘High Society’ explores the paths by which these drugs were first discovered – from apothecaries’ workshops to state-of-the-art laboratories – and how they came to be simultaneously fetishised and demonised in today’s culture
Large amounts of sugar are excreted on a daily basis by type-two diabetic patients especially amongst the upper end of our aging population. Is it plausible to suggest that we start utilizing our water purification systems in order to harvest the biological resources that our elderly already process in abundance? In James Gilpin’s scenario, sugar heavy urine excreted by patients with diabetes would be used for the fermentation of high-end single malt whisky for export
Using their heartbeats, the musicians control a computer composition and visualization environment. The musical score is generated in real time by the heartbeats of the musicians. They read and play this score from a computer screen placed in front of them
Sitraka Rakotoniaina’s project explores a possible ‘Hyper-normal’ space on the edge of normality, whereby a distorted experience of reality is induced because of physical or psychological stress, injuries, conditioning or training
The sound exhibition ambitions to go beyond the auditory system and uses echoes, vibrations, timbres, resonances, waves to put the body of the visitor to the test
The Phantom Recorder system projects a cold and damp sensation onto the skin surface, triggering the brain to hallucinate a phantom. As the phantom movement stimulates the peripheral nerves, its activity is captured by the neural implant and external wireless machinery
Two new projects by Tuur Van Balen. The first one involves manipulating the metabolism of pigeons and turning them from urban nuisance to winged dispensers of a soap-like substance. The second one harnesses Synthetic Biology’s potential to turn us into our own doctors and pharmacists
A global overview of the ways in which contemporary artists are drawing on kinetics, biology, robotics and information technologies to explore new forms of creative expression
In the years to come, might the best employers encourage women to work longer by offering them the means to unlimited fertility in the form of a golden orb spider farm from which to harvest silk for their luxury spare womb?
In light of the latest developments in biotechnology, cybernetics and neuroscience, the mixture of medical exhibits and works of art introduces visitors to developments in bioscience and issues they entail. Can our definition of life remain unchallenged? Is the human commitment to reproduce going to remain the same? How much can medical and scientific developments impact the way we love and live?
Prosthetics, anatomical drawings by Michelangelo, ornate amputation saw from ca. 1650, disturbing videos by Patricia Piccinici, Tibetan anatomical figures, a painting by Damien Hirst. Some 150 medical artifacts from the Wellcome Collection in London and works of old Japanese and contemporary art are exhibited side by side. Without any hierarchy nor anxiety
Wafaa Bilal’s latest project addresses the issue of the invisibility of Iraqi civilian deaths during the war. The artist will submit his body to a 24-hour live performance. His back will be tattooed with a borderless map of Iraq covered with one dot for each Iraqi and American casualty near the cities where they fell
Yes, i had already seen sk-interfaces. Exploding Borders in Art, Technology and Society at FACT in Liverpool but the Luxembourg version, i was told by friends, is bigger, bolder and even better than the first one. They were right. A couple of pieces have been added to the show. The performances are well documented and there is a corner to watch videos. The space itself is kinder to the artworks. There’s extra drama as the poor Victimless Leather garments had caught some disease and were slowly eaten by decay
The VivoArts School for Transgenic Aesthetics Ltd., Adam Zaretsky and Waag Society’s temporary research and education institute on Art and Life Sciences, will be focusing this month on body art
In the 19th century, despite the best efforts of body snatchers, the demand from medical schools for fresh cadavers far outstripped the supply. One solution to this gruesome problem came in the form of lifelike wax models. These models often took the form of alluring female figures that could be stripped and split into different sections. Other models were more macabre, showing the body ravaged by ‘social diseases’ such as venereal disease, tuberculosis and alcohol and drug addiction
The exhibition is set under the aegis of Nikola Tesla and its name refers to a village in Alaska. Little more than 200 inhabitants live in Gakona. There’s a service station, a small school, a post office, a couple of diners and a scientific research base: the High-frequency Active Auroral Research Program
As humankind has developed increasingly sophisticated weaponry with which to harm its enemies, medicine has had to adapt to cope with the volume and the changing nature of resulting casualties.
Concentrating on the modern era, the exhibition ‘War and Medicine’ considered the constantly evolving relationship between warfare and medicine, beginning with the disasters of the Crimean War and continuing through to today’s conflicts in Afghanistan and Iraq
The Transgenic Pheasant Embryology Art and Science Laboratory taught by Adam Zaretsky at the University of Leiden was a hands-on perfomance art wet-lab aimed at stimulating a debate about the use of new biological methods for permanent alteration of genetic inheritance
An uncanny installation currently on view at LABoral uses the strategies of the Electronic Voice Phenomenon, voice and pattern recognition, and face tracking to generate voices, and images from apparently closed, silent and empty spaces and systems
Vertical Bed is a sort of static prostheses that allows a person to fall asleep in a standing position. By bolting into cracks between the sidewalks, subway grates, or other rigid contact points, the suit will support it’s wearer with a minimum of visible hardware or occupied space, holding the sleeper’s weight with concealed harnesses
Free ice cream made to taste like memory and spectacle, giant helium-filled balloons that makes you feel 35 kg lighter and an hypnotizing performance on ice
Philippe Rahm re-created, inside a room, the climate and exact daylight that the city of Bolzano would experience in the absence of global warming. The installation demonstrates how today, you can still obtain a ‘natural’ climate but only through artificial means
The International Symposium on Electronic Art takes place biannually in various cities throughout the world. This year, the main exhibition features 16 works developed specifically for ISEA2008 by international and local artists. Priscilla Bracks reports from Singapore
Part of the pharmaceuticals, chemicals and food we ingest eventually end up in waste water. As treatment plants haven’t been designed to filter them, the content of our medicine cabinets are eventually passed into the water supply. In London, tap water comes from surface water which implies that traces of our medicine can end up in our drinking water. This results in local differences in tap water which reveals potential local city-body ecologies or biotopes
A project presented at the Royal College of Art graduation show wonders whether a transgenic animal could function as a whole mechanism for external organ replacement and not simply supply the parts. Could humans become parasites and live off another organism’s bodily functions?
The latest installation of Dutch wonder artist Marnix de Nijs spectacularly recreates a visual and dynamic body experience of the city of Florence. Jump on the treadmill and walk through its 3D cobbled streets…
Swedish physician Gustav Zander’s institute in Stockholm, founded in the late nineteenth century and stocked with his custom-built machines, was the first “gym” in the sense that we know the word today
Medical robots and mannequins humanized into subjects by the personnel charged with their care. They name them, dress them in holiday attire and construct a narrative through their care
Barking coats, hidden messages in the tablecloth, fermented dresses, sensitive shoes and sensual switches
Kate’s quirky design, fashion, performative and space projects focus on the body, its habits, movements, and the dynamic sectional relationship to its surrounding structures
An exhibition of media art works which invites us to consider the brain as a site for interpretation, for scientific and philosophical debates, for examining our relationship to the world – and for questioning our common sense.
In Sensorium, contemporary artists and writers explore the implications of the techno-human interface
The videos of the conference which took place at FACT in Liverpool on February 8 & 9 have been made available online
Set of unofficial favorite photos of the staff of the Otis Historical Archives of the National Museum of Health and Medicine, in Washington DC.
The exhibition invited visitors to look at the relationship between the artist, the artwork and themselves, in the light of the latest discoveries in the neurological sciences about the human brain and its effects on the emotions
Prototype toys to enhance our sensory range and feel like an animal, even as tiny as an ant or as big as a giraffe