Session 5. The Extended Body: Biomedicine, Micromatter & the Transhuman was the most eclectic and unpredictable one. It investigated issues as diverse as the use of forensic methodologies in art, the presence of human cells outside of the body and the possible role of bacteria in creativity
This session was one of the most fascinating sessions for me. Full of weirdness and wisdom. It started with a 19th century sculptor who made a life-like statue of himself complete with his own hair and teeth, proceeded with a set of artists who work with tattoo and the latest technology and ended up with artworks, socks and other artifacts made of human hair.
Image courtesy of the artist While visiting an ex soldier training area in Maastricht turned into workshops for […]
With the arrival of 3D printing prosthesis using bio-compatible material, we might see more and more extreme body modifications reaching the mainstream. What could once only be imagined is now only a matter of time
Semen, cell cultures, urine, feaces, tears, blood, hair, skin– the human body has been used not merely as the subject of art works, but also as their substance.
Last week, the Institute of Advanced Studies at University College London held a symposium that explored the use of “biomaterial” in modern and contemporary art practices
The exhibition Hormonal at LifeSpace Gallery in Dundee brings together work by three women artists who, each in their own witty way, reflect on the hormone oestrogen and how it is understood socially, politically, technologically and environmentally.
There is a surprising similarity in the way neural networks and analogue modular synthesizers function, in that for both, voltages are passed through components to produce data or sound. The neural interface we developed juxtaposes these two networks and in a sense creates a continuum that creates one unified network. With CellF, the musician and musical instrument become one entity to create a cybernetic musician, a rock star in a petri dish.