Part 2 of my cursory review of the Artissima art fair which took place in Turin back in early November. Yesterday, i talked photos, today will be a rapid fire of paintings, drawings, installations, etc. In no particular order and with as little commentary as possible
I don’t normally write about art fairs but Artissima usually introduces me to so many new ideas, artists and way of representing the world that i can’t resist sharing some of the images of the event on the blog
Zsolt Asztalos’ country, Hungary, was bombed heavily during the final months of the war by US, British and Soviet forces, with Budapest carpet-bombed on 37 occasions.
Hungary’s Unexploded Bomb Disposal Department gave the artist access to some of the explosives that were dropped over towns and cities but didn’t explode
Final post about Artissima, Turin’s contemporary art fair. Once again, i’m merely going to format and paste as many photos as i can stomach and add sporadic comment.
I’m leaving aside the purely decorative artworks and focus on art that has bite and a story to tell
A quick and hopefully efficient post to show some of the works i’ve discovered at Artissima, Turin’s contemporary art fair which closed last weekend. As i mentioned a few days ago, Artissima is, in my view, far far more exciting than Frieze. Maybe i’ll explain why in a coming story (and get my Frieze 2014 request for a press pass refused in the process?) I didn’t exactly rack my brain to figure out how to screen the many photos i had taken or received in the press package
Tatsuki Masaru spent a decade following the Decotora (an abbreviation for “Decoration Truck”) subculture, photographing the trucks of course but also their drivers and in the long series of “Japanese do it better”, these vehicles have a panache and extravagance that never reach bad taste
Since the last post about the Artissima art fair was so verbose, this one adopts the opposite strategy.