Zsolt Asztalos’ country, Hungary, was bombed heavily during the final months of the war by US, British and Soviet forces, with Budapest carpet-bombed on 37 occasions.
Hungary’s Unexploded Bomb Disposal Department gave the artist access to some of the explosives that were dropped over towns and cities but didn’t explode
Final post about Artissima, Turin’s contemporary art fair. Once again, i’m merely going to format and paste as many photos as i can stomach and add sporadic comment.
I’m leaving aside the purely decorative artworks and focus on art that has bite and a story to tell
A quick and hopefully efficient post to show some of the works i’ve discovered at Artissima, Turin’s contemporary art fair which closed last weekend. As i mentioned a few days ago, Artissima is, in my view, far far more exciting than Frieze. Maybe i’ll explain why in a coming story (and get my Frieze 2014 request for a press pass refused in the process?) I didn’t exactly rack my brain to figure out how to screen the many photos i had taken or received in the press package
Since the last post about the Artissima art fair was so verbose, this one adopts the opposite strategy.
An art fair is not the best place to discover works related to science, technology or politics. And when there are indeed such works on offer, they are not easy to spot. Galleries exhibiting at art fairs don’t usually accompany the artwork with a text explaining what the piece is about. In fact, several galleries don’t even write down the name of the artists they exhibit. You have to go and ask them. Which i do when i’m desperate but most of the time, i just want to keep on walking from gallery to gallery (there were 172 of them this year at Artissima) and see the rest of the show before my head explodes.
I did however, spot a few gems at Artissima this year