The exhibition seeks to investigate the historical and social implications of the plant world in light of the ever-increasing resurgence of “green” as an agent of change in relation to current economic processes. To place a plant within a historical context means to consider not only its biological constitution, but also the social and political factors which see it already positioned at the centre of the earliest forms of economic globalisation
a video archive of global dissent which explores four decades of social disobedience: from the uprising in Italy in 1977 to the anti-globalization protests and to the insurrections in the Middle East
There were a few works i didn’t care about (mostly the ones by Jeff Koons), a couple that surprised me (and that includes one by Jeff Koons) and many more i found rather uplifting. The Murderme collection is pure entertainment. Death is made dramatic and sometimes even cheerful. The artists have names most people have heard about. I found the exhibition curious and fascinating, it’s that contemporary art world I find charming but also utterly alien to me
Since the last post about the Artissima art fair was so verbose, this one adopts the opposite strategy.
An art fair is not the best place to discover works related to science, technology or politics. And when there are indeed such works on offer, they are not easy to spot. Galleries exhibiting at art fairs don’t usually accompany the artwork with a text explaining what the piece is about. In fact, several galleries don’t even write down the name of the artists they exhibit. You have to go and ask them. Which i do when i’m desperate but most of the time, i just want to keep on walking from gallery to gallery (there were 172 of them this year at Artissima) and see the rest of the show before my head explodes.
I did however, spot a few gems at Artissima this year
Almost two months ago, i wrote a couple of measly posts (Arnold Odermatt, policeman photographer and Artissima – Valerio Carrubba) about the 19th edition of Artissima, the contemporary art fair that takes place in Turin each year in November. I’ve finally decided to catch up with my reports from the fair
Odermatt never studied photography. He was a traffic policeman in Switzerland and part of his job consisted in taking photographs of road accidents and of other members of the police at work. From 1948 till 1990, when he retired, he would make one set for the insurance or police reports and a second one for himself