Navine G. Khan-Dossos‘ painting series Expanding and Remaining is looking at the Dabiq magazine under a whole new perspective. Eschewing the indoctrinating articles and apocalyptic illustrations, the artist stripped back the pages of their content and laid bare the main graphic composition of its layout
Ellie Irons is one of those rare artists whose work opens your eyes to what is just under your nose but remains unnoticed. Some artists bring the spotlight on data collecting, others on corruption, corporate malpractice, or land grabbing. Ellie forces us to consider the wild and often reviled urban ecology that sprouts all around us. She uses galleries to provide asylum to wild and invasive plant species, extracts the pigments from local weeds to paint their map-like portraits, photographs the vigorous life growing inside vacant lots, and is actively collecting the seeds of the most humble but robust plants that mirror population growth and flux in globalized cities
In Prager’s part film noir, part fashion shoot work, heroines wear impeccable make-up, pose as if they were in a Hitchcock movie, breathe through an atmosphere worthy of David Lynch, and are submitted to ordeals inspired by the images of crime photographers Weegee and Enrique Metinides. The stories might take place in Hollywood-like settings but they promise to never end on a happy note
In the coming weeks, i’m going to cure my nostalgia for Pictoplasma with a series of posts focusing on several character designers/artists. As you will see, they are quite different from each other.
I’ll kick off the series with Joshua Ben Longo. I can’t remember having smiled so much while reading an interview i was about to post on the blog
Following in the footsteps of a Marco Polo-esque spice trade, an expedition led by artist Jon Cohrs traveled by canoe past massive cargo ships and factories in search of the numerous artificial flavoring factories of New Jersey, the flavoring capital of the U.S.
Wafaa Bilal’s latest project addresses the issue of the invisibility of Iraqi civilian deaths during the war. The artist will submit his body to a 24-hour live performance. His back will be tattooed with a borderless map of Iraq covered with one dot for each Iraqi and American casualty near the cities where they fell
New York-based Lebanese artist Walid Raad has been working as The Atlas Group for the past 14 years. His new work critically reflects on the the recent emergence of a new infrastructure for the visual arts in the Arab world