V12 Laraki is a perfect copy of a Mercedes-Benz 6.2L V12 engine. Except that each of its 465 components was handcrafted by Moroccan artisans who used 53 materials traditional to the country. The artist bought a Mercedes engine, his team disassembled it and faithfully replicated each piece using brass, marble, bone, mother of pearl, malachite, agate, precious woods, ammonite fossils, terracotta enamel, and other local materials. Then they assembled the engine using 660 casted copper bolts and the 465 exquisitely reproduced parts

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In a bold self-experiment aimed at blurring the boundaries between species, Marion Laval-Jeantet was injected with horse blood plasma. Over the course of several months, the artist prepared her body by gradually introducing into her bloodstream horse immunoglobulins, the glycoproteins that circulate in the blood serum, and which, for example, can function as antibodies in immune response. The artist called the process “mithridatization”, after Mithridates VI of Pontus who cultivated an immunity to poisons by regularly ingesting sub-lethal doses of the same

Enter the Casino art center and you will find video consoles, a trampoline, a pin-ball machine, games of dart, a billiard table, a playground, etc. Yet, every single work is playing with you rather than the opposite. You instantly loose every single game of Mortal Kombat, the ceiling of the room where a huge trampoline lies is far too low for you to even stand on your feet, the hula hoop is monopolized by a plastic cactus, the mohair bascketball net is 130 m long, fences deny any access to the playground, etc

Tomas Saraceno’s Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web was the ultimate photo-magnet at this year’s Venice Biennale. No doubt the work he’s exhibiting at ReThink: Contemporary Art and Climate Change in Copenhagen is meeting with the same fascination from the audience. I’ve seen his pieces in numerous group exhibition. They are always striking of course but i never really took the time to sit down and watch his work with enough attention

Yes, i had already seen sk-interfaces. Exploding Borders in Art, Technology and Society at FACT in Liverpool but the Luxembourg version, i was told by friends, is bigger, bolder and even better than the first one. They were right. A couple of pieces have been added to the show. The performances are well documented and there is a corner to watch videos. The space itself is kinder to the artworks. There’s extra drama as the poor Victimless Leather garments had caught some disease and were slowly eaten by decay