Over the past 5 years, Nick Hannes has visited twenty countries located around the Mediterranean. He witnessed an unprecedented period of turmoil for the region: southern Europe buckling under the weight of the global economic crisis, Arab countries entangled in the aftermath of the Arab Spring and tourists and migrants encountering each other on the beaches of the Mediterranean Sea
Contour 2013, the 6th Biennial of Moving Image, presents videos, installations and performances in Michelen’s prison, football stadium as well as in a church and a museum. Under the title Leisure, Discipline and Punishment, the event examines social roles and relations within society.
Koen Vanmechelen who has spent the past 20 years crossbreeding national species of chicken in order to create the ultimate ‘Cosmopolitan Chicken Project.’ You might or might not know it but each country has created its own peculiar type of chicken: the French, for example, have the Poulet the Brest. It’s white and red with blue feet, the same colours as their flag. Americans like their chicken to be big and powerful. The Chinese have a chicken covered in silky feathers
A few years ago, Z33 House for Contemporary Art invited established names and young talents to visit several sites in the region, pick up the one they’d like to work with and then submit a project that would engage with the cultural background of the area and entice passers-by to look differently at the surroundings. The result is pit – art in public space
Our society is governed by all sorts of systems and structures that organise and steer life. No system, however, whether political, judicial, economical, socio-cultural or spatial, can comprise life in its entirety. Every system has gaps, leaks and ambiguities.
The artists in the exhibition Mind the System, Find the Gap seek out these gaps. They set forth from this intermediate position to unveil, circumvent or criticise ruling systems and structures
The top floor of the crumbling art deco industrial building is filled with contemporary artworks that address de-industrialization and post-industrialization. As you can expect, many of the works come with a sense of doom similar to the one experienced by local communities when the mine closed in 1987. The artists selected for the biennial confront issues such as the dematerialisation of production, new forms of labor, the loss or transformation of social ideologies, the challenges of creating energy, counterfeit luxury goods and the parallel economy it generates, etc.
Genk is a city almost entirely devoid of any grace but it is also the site of the 9th edition of Manifesta, the European Biennial of Contemporary Art. And who needs grace and glamour when you have an exhibition as sensational as as the one that Cuauhtémoc Medina curated in a disused coal mine at the outskirt of the city?