Fire and Forget is military jargon for a type of missile guidance that can hit its target without the launcher being in line-of-sight. The expression is symptomatic of a new type of warfare in which the people firing, killing and destroying are emancipated from the fear for one’s own life and the direct physical -or sometimes even visual- contact with the victim(s) of their shooting
James Bridle’s exhibition presents a series of works that use computer code, investigative journalism, and visualization to explore hidden spaces and classified information
With his public intervention Overexposed, artist Paolo Cirio disseminates unauthorized pictures of high-ranking U.S. intelligence officials throughout major cities. Cirio obtained snapshots of NSA, CIA, and FBI officers through social media hacks. Then, using his HD Stencils graffiti technique, he spray-paints high-resolution reproductions of the misappropriated photos onto public walls
The talks from the panel Tracking Drones, Reporting Lives zoomed out from the personal perspective and brought together a data journalist, a documentary director and an artist whose work examines the drone issue
Two of the speakers of the DNL Drone event have or used to have a direct, daily experience of drones.
Asma al-Ghul is a journalist and author from Gaza who writes about human rights, social issues and is never afraid to openly criticize Palestinian ruling authorities. She spoke about everyday life under drone surveillance and sometimes attacks.
The other speaker was Brandon Bryant, a former U.S. Air Force pilot who joined the Predator drone Program in 2006 and left in 2011 when he started questioning the ethics of the program and his own role as a soldier
The practice of targeted killing by drones raises many questions: “How many civilians have been killed as collateral damage during these strikes?” “And even if we’re talking about militants, how can the killings be justified when there has been judicial supervision? “If these drones can reach their targets anywhere, then how is the battlefield defined?” “Right now, only 3 countries use drones for targeted killings: the U.S., Israel and the UK. Where will this stop?” “And if these targeted killings are illegal, why does Europe keep silent?”
Christoph Wachter & Mathias Jud have installed WLAN / WiFi mesh network with can antennas on the roofs of the Academy of Arts and the Swiss Embassy, both located in the heart of “NSA’s Secret Spy Hub in Berlin.” The particularity of the network is that it is open and at the disposal of passersby to communicate anonymously and even send messages to operatives of the NSA and GCHQ intelligence who might lurk inside the nearby British Embassy and Embassy of the United States