Martin Roemers’ photographs take us to abandoned army bases and bunker complexes, military training areas, technical installations, monitoring facilities and military cemeteries
Like all Pictoplasma guests, Julian Glander creates little fellows. His have been dipped in cotton candy and other similarly sugary substances. They live a merry life, star in comic strips, music videos, short films, adverts and illustrations but they particularly shine when they get to frolic in GIFs!
Bits and Pieces transforms the gallery into a space of poetic performance through the choreographic movements of ordinary objects. The organic rhythms of the sculpture allow for a new language to emerge that influences how we come to understand the functions of everyday, disregarded objects
In 2011, Mr Bingo started mailing insulting postcards to total strangers. All you had to do was ask and pay 50 pounds for the service. Probably because his hand-drawn messages had more foolishness than bile, people queued to be mocked and abused. If you’ve missed the Hate Mail brouhaha, you might have encountered his work in austere newspapers, dandy magazines, or on cans of beer, restaurant walls and skateboards
The four sculptures are derived from 3D models of popular cartoon characters that the artist found online and remixed in order to obtain a new version of these pop icons: Every Mickey, Merge Simpson, Gogogogogoku, and Spongebool are new forms of the popular cartoon characters
Next week, NOME, one of those too rare galleries exploring art, politics, and technology, is going to open Jacob Appelbaum’s first solo show in Germany. There will be stuffed pandas, portraits of political dissidents and far too many secrets
Fire and Forget is military jargon for a type of missile guidance that can hit its target without the launcher being in line-of-sight. The expression is symptomatic of a new type of warfare in which the people firing, killing and destroying are emancipated from the fear for one’s own life and the direct physical -or sometimes even visual- contact with the victim(s) of their shooting