The conference (ridiculously interesting and accompanied by an exhibition i wish i could see all over again but more about all that next week) looked at how practitioners redefine the documentary genre in the digital age. In his presentation, artist James George presented artistic projects that demonstrate how fast computational photography is evolving and how innovations are changing our relation to the image

Ivan Henriques collaborated with scientists from the Vrije Universiteit Amsterdam to develop the prototype of an autonomous bio-machine which harvests energy from photosynthetic organisms commonly found in ponds, canals, rivers and the sea

The Symbiotic Machine uses the energy collected from micro organisms to move around in search for more photosynthetic organisms which it then collects and processes again

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There are stuffed toys quietly seating around a rug as if they were having a picnic. Handmade dolls have been dismembered and used to create a wall composition. There’s also a banana man, colour exercises based on asinine adult humour magazines, bird houses of various architecture styles, etc. Which sounds cheerful, except it’s not. It’s nostalgia, except that it’s a bit dirty and bedraggled

Charlotte has donated parts of her body to stem cell research. Her tissue and blood samples are now in a lab where they will be transformed into induced pluripotent stem cells and from there into a range of completely different substances. A second self of Charlotte will be created, made from a collage of in vitro body parts.

The project is called Ergo Sum and it recently received the Designers and Artist’s for Genomics Award. It will be exhibited this Summer in The Netherlands. But until then, Charlotte is in the studio to tell us more about this work.