There are stuffed toys quietly seating around a rug as if they were having a picnic. Handmade dolls have been dismembered and used to create a wall composition. There’s also a banana man, colour exercises based on asinine adult humour magazines, bird houses of various architecture styles, etc. Which sounds cheerful, except it’s not. It’s nostalgia, except that it’s a bit dirty and bedraggled
Charlotte has donated parts of her body to stem cell research. Her tissue and blood samples are now in a lab where they will be transformed into induced pluripotent stem cells and from there into a range of completely different substances. A second self of Charlotte will be created, made from a collage of in vitro body parts.
The project is called Ergo Sum and it recently received the Designers and Artist’s for Genomics Award. It will be exhibited this Summer in The Netherlands. But until then, Charlotte is in the studio to tell us more about this work.
uring my short stay in Amsterdam, i enthusiastically entered the exhibition
Yasusuke Ota: The Abandoned Animals of Fukushima. What had i imagined that i’d see? Birds flying over beautiful urban ruins? Pets sauntering gaily on car roofs and pigs fooling around empty supermarkets? I couldn’t have been more mistaken
A quick, frustrated post about an exhibition i saw while in Amsterdam for the conference Blogging the City. Quick and frustrated because the show is as charming as it is bonkers but i could only find tiny images online to illustrate it.
Guido van der Werve spent 24 hours in almost complete immobility on the axis of the world at the geographic North Pole. His only movements consisted in turning slowly clockwise as the planet under his feet turned counterclockwise.
This means that in these 24 hours, he didn’t indeed “turn with the world” but let the Earth rotate around him
Heath Bunting gives insight into the networks at play that constitute an identity, like banks, health care and education. By using these different networks Bunting creates new synthetic identities. In his ‘Identity Bureau’ one can purchase official and legal UK identities
As surprising as it may appear, Scarlett Hooft Graafland takes analogue photographs, prints them straight from the negative and never uses Photoshop. The artist is fascinated by remote, unusual and sometimes even inhospitable locations. She went to Salar de Uyunu in the Bolivian Andes, the largest salt desert, she travelled with the Inuit across the sea ice of Igloolik on the Arctic plains of northern Canada, moved around Southern China and the lava fields of Iceland