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Expanding upon early 20th-century techno-utopian visions, Heba Y. Amin’s project to sink the Mediterranean and relocate it within the African continent instigates a new vision for Africa and the Middle East by pinpointing what could be attained by and for those most affected by the wars waged for oil, resources and power

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In 2007, three artists officially changed their names and adopted the one of Janez Janša, a very powerful, right-wing and generally unpleasant political figure embroiled in accusations of corruption and authoritarianism.

The administrative procedure not only turned their lives into a perpetual performance but it also altered their private, civil and artistic lives in ways they had not always foreseen