The new episode of #A.I.L - artists in laboratories, the weekly radio programme about art and science i present on ResonanceFM, is aired this afternoon at 4pm (London time.)
Today we will be talking with the flamboyant Adam Zaretsky, a Doctor of Philosophy in Electronic Arts, a researcher and art theorist whose work focuses on Biology and Art Wet Lab Practice. He has been lecturing and doing research in some of the most prestigious institutes around the world. If you've been following this blog for a while you probably know that i LOVE Adam Zaretsky.
Zarestsky has co-habited during one week in a terrarium with E. Coli bacteria, worms, plant, fish, frogs, mice, flies and yeast. He has dedicated part of his research at the Massachusetts Institute of Technology to playing Engelbert Humperdinck's Greatest Hits to fermenting E.Coli continuously for 48 hours and observing the impact that the rather camp music had on the bacteria. More recently, the artist has worked with materials that include surgically manipulated pheasant embryos and a preserved turd of the deceased writer William S. Burroughs.
So that's what we are going to discuss in this episode of #A.I.L., turds from a famous writer but also eyeballs in armpits. And ethics, biotechnological materials and ''Full Breadth Genetic Alterity.
The new episode of #A.I.L - artists in laboratories, the weekly radio programme about art and science i present on ResonanceFM, is aired today at 4pm (London time.)
My guest at Resonance this afternoon is Kira O'Reilly, a performer whose work i've encountered a number of times in biotech art context. I've been particularly drawn to the works that address the ethics of human/animal interactions and more generally our complex relationships with animals. The most discussed of her work is probably inthewrongplaceness, an intimate performance that Kira developed on her return from a residency at the art science collaborative research lab SymbioticA in 2004. Realizing the similarities between the pig's skin and her own, Kira danced skin to skin with a dead pig and invited members of the audience to touch both her own and the skin of the nonhuman animal,
A few years later, Kira presented the performance, Falling Asleep With a Pig in which she cohabited with a live pig called Deliah in a specially constructed sty. Sometimes they shared the space for 36 hours and in other performances, the cohabitation lasted 72 hours.
Kira O'Reilly's work has been exhibited and discussed widely throughout the UK, Europe, Australia, China and Mexico.
Kira is currently busy working on a three year AHRC funded creative fellowship at Queen Mary University of London called Thresholds of Performance, between body, laboratory and text.
The new episode of #A.I.L - artists in laboratories, the weekly radio programme about art and science i present on ResonanceFM, is aired tonight.
My guest at Resonance will be Ulla Taipale, a curator and creative producer whose main role in the art world is to act as a bridge with the scientific community, enhancing and facilitating collaborations between artists, creators and scientists.
Ulla is one of the founders of Capsula which since 2005 has been organizing workshops, talks and events related to art, science and nature. She also initiated the Capsula Curated Expeditions which periodically invite artists to embark on artistic exploration and research linked to natural phenomena.
Today, however, we are going to talk about Ulla's latest endeavor: her work as a Project Manager of Biofilia - Base for Biological Arts. This brand new a biological art unit interweaving artistic and bio-scientific explorations opened at Aalto University, Finland in January of this year and i've been looking forward to hearing more about Biofilia ever since.
Aalto Biofilia is unique in the world as it has the only fully equipped biological lab that is operated by an art school and based in an electrical engineering building. It offers unparalled reseach capacity for the growing field of biological art. The programme consist of research projects and a series of courses, lectures and hands-on workshops in the laboratory and natural environments exploring the interfaces between biosciences and art.
Biofilia was set up as a collaboration between the University of Western Australia, Perth, and Aalto University. Oron Catts and Ionat Zurr from SymbioticA -The Centre of Excellence in Biological Arts are consulting and contributing to the development of this new learning and research environment.
The show will be aired today Thursday 28 March at 17:30. The repeat is next Tuesday at 6.30 am (yes, a.m!) If you don't live in London, you can catch the online stream or wait till we upload the episodes on soundcloud.
I should add that if you're curious about Biofilia and the projects developed there, you might want to follow the live streaming of the lecture that artist, researcher Dr. Ionat Zurr from Symbiotica will be giving about Semi Living Muscle actuators as evocative "matter"
The last episode of 2012 of #A.I.L - artists in laboratories, the weekly radio programme about art and science i present ResonanceFM, will be broadcast today Tuesday 18th December at 4:00 pm. There will be a repeat on Thursday 20th December at 10:30 pm. You can catch it online if you don't live in London.
This week i'm talking with Ollie Palmer is a designer, artist, a tutor at Bartlett but he is also the guy who's so interested in dancing insects that he's embarked on a 6 year project to choreograph and stage an Ant Ballet.
Developed with the support of scientists from University College London and the Institute of Zoology in London, the work uses a robotic arm which sprays synthesized pheromone in artificial trails that the ants will follow in preference to their own natural foraging behaviour. The project will grow over several phases and one of them involves the creation of intercontinental ant telecommunication devices.
During the interview, Ollie talks ants and more precisely Argentine ants, a particularly invasive species that the UK wants nowhere near its shores. We also learn about the best way to collect ants, to synthesize pheromones and end the show with a few words about the Godot Machine, a device built for the sole purpose of preventing a single ant to move around.
What a merry interview to end the year! The next episode of #A.I.L / artists in laboratories will be up at resonanceFM in mid-January.
Previously: An Ant Ballet at FutureEverything.
A new episode of #A.I.L - artists in laboratories, the weekly radio programme about art and science i present ResonanceFM, will be broadcast today Tuesday 4th December at 4:00 pm. There will be a repeat on Thursday 6th December at 10:30 pm. You can catch it online if you don't live in London.
The host of this episode is conceptual artist Koen Vanmechelen who has spent the past 20 years crossbreeding national species of chicken in order to create the ultimate 'Cosmopolitan Chicken Project.' You might or might not know it but each country has cultivated its own peculiar breed of chicken: the French, for example, have the Poulet the Brest. It's white and red with blue feet, the same colours as their flag. Americans like their chicken to be big and powerful. The Chinese have created a chicken covered in silky feathers.
I've been admiring Vanmechelen's work for several years but i only got to meet him a few weeks ago at Z33 House for Contemporary Art in Hasselt. That's where the interview took place. The conversation has moments of humour and moments of deeper reflection. There's something both humble and heroic about Vanmechelen's stories of the incestuous and infertile English Red Cap or of the rooster that underwent surgery to be fitted with a new golden spur. But Koen's research project is not just about chicken and egg. His work encroaches on the fields of science, philosophy and ethics to ask questions about biocultural diversity, identity, evolution and freedom of movement.
For a sneak peek of his work, check out this short video of Koen Vanmechelen summing up the Cosmopolitan Chicken:
Or this other one, showing the artist at work in Venice:
Image on the homepage: Koen Vanmechelen, Mechelse Bresse (M) x English Redcap (F), 2007
A new episode of #A.I.L - artists in laboratories, the weekly radio programme about art and science i present ResonanceFM, will be broadcast today Tuesday 13th November at 4:00 pm. There will be a repeat on Thursday 15th November 10:30 pm. You can catch it online if you don't live in London.
Pigs Bladder Football looks back at the time when football balls were made from inflated pigs bladder. But instead of using an existing organ, John O'Shea collaborated with a group of scientists at Liverpool University to bio-engineer footballs using animal cells harvested from abattoir waste, replicating the same techniques used to create artificial human organs.
The interview was recorded over the Summer, during AND (Abandon Normal Devices), a festival of new cinema, digital culture and art that takes place annually in Liverpool or Manchester.
It is the first time in the radio show that i manage to talk to both the artist and the scientist. I hope you will enjoy the conversation as much as i did.
P.S. If you happen to be in Eindhoven this month, BioArt Laboratories and MU have invited John O'Shea to give a lecture about his work on November 30.