Previously: Salone del Mobile: It's lamp time, everybody!

The one exhibition not to miss at the Ventura Lambrate area is Hotel RCA. I wish i were not writing so often about RCA but why should i resist when they keep on churning out some of the best projects around.



Valentin Vodev's Biquattro and Kieren Jones' Community Commerce

Their exhibition for the Salone del Mobile is called Hotel RCA because it fulfills the functions of a hotel as an organizational structure to exhibit a broad selection of new designs. There's a reception, a bar, a breakfast room and all kinds of service areas. Hotel RCA was built inside a disused warehouse by the Design Products department, a two-year postgraduate masters course including diverse design approaches -called Platforms- that range from the quirky to the practical and innovative, from the speculative to experiments with materials and techniques. The new Head of the Department, Tord Boontje, has invited alumni to present either the projects they had exhibited at the Summer exhibition last year or the new projects they developed since they had left the College. Damn it was good!


Merel Karhof, Wind Knitting Factory, 2009

Merel Karhof's Wind Knitting Factory harnesses the power of the wind to activate a knitting machine, right from a free, natural element to a finished product. The machine visualizes directly what you can produce with the present amount of urban wind. Along the façade, the knitwear moves slowly through the window into the building as a long scarf, going faster at high wind speed. Every now and then, the wool is harvested and rounded off in individual labeled scarves. The time to knit one is related to its length, and people will protect their neck from the element that has actually conceived the scarf. Each scarf comes with a label that tells you in how much time it has been knitted and on which date.

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Shu-Chun Hsiao, Emf Chime, 2010

I probably walked by Shu-Chun Hsiao's Emf Chime without paying much attention to it. It's only now that i'm back home and clicking all over the Hotel RCA website that i'm discovering it. The suspended chimes play sound when sensing the electromagnetic field in the air. Movements are made by the invisible force and respond with a harmony sound. Any visitor making a call may trigger the chime, actually feeling the invisible existence of EM fields.


Benjamin Newland, Wearable Sound Systems, 2010

Wearable Sound Systems are part of Benjamin Newland's reseach on how mobile infrastructures of sound reproduction can open up new ways to perform, and engage with surroundings and the people within them.

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Jen-Hui Liao, How to Train a Man to be a Father, 2010

Jen-Hui Liao is not only showing his blockbuster Self-Portrait Machine but also the tongue-in-cheek How to Train a Man to be a Father. During the mother's pregnancy, a Pavlov's Dog training principle is applied to help the male partner create an instant response to the baby's crying in his mind. The machine is radio-linked with a baby doll and wired to a home entertainment system like a TV or PS3. When the doll simulates crying, the trainee must hold and cradle it correctly. Depending on the correctness and reaction time, he will receive levels of rewards as positive reinforcement (they range from one pound coin to a voucher of great sex.) If the trainee ignores the baby's crying, the machine will shut off the power to the linked TV or PS3 as a negative reinforcement..

Once the baby has been born, the father will be able to react to it correctly.

Georgi Manassiev, Washing Machine, 2009

Georgi Manassiev's washing machine doesn't just wash clothes, it also aims to bring people together outdoors, by relocating the public laundry in the park. The concept is based on the classical playground seesaw where more than one person is required for it to work. The washing machine uses rainwater and no electricity at all.


Hwang Kim, CCTV Chandelier, 2008 - Ongoing

CCTV chandelier - Virtual Doppelganger Simulator, by Hwang Kim, has a dozen CCTV cameras distributed around the viewer's face and engineering their experience to show their Virtual Doppelganger in the connected TVs. The system allows the participant to see his/her own body or the surrounding environment from a third person's perspective. Therefore, the viewer and visitor is displayed as an object in the gallery.


Sarah Colson, Fungi Furnature / Distortion, 2009/2010

Sarah Colson, Fungi Furnature / Distortion was utterly repulsive to me. Yet, fascinating: Dowel soaked in a mushroom spawn solution, usually intended in domestic cultivation, has been a catalyst for inspirations within this project. The intention is for spawned dowels to be used in furniture construction lending themselves to domestic objects. Due to the nature of cultivating mushrooms the objects will be made from green timber in order for the fungi to have the optimum conditions to grow as it would naturally. Over a period of six months the mushrooms will flourish and the wood will distort, debilitating the object's initial purpose, but regenerating a new function fit for human consumption. The final transformation will be when the nutrients that the fungi needs are absorbed and its life will cease to flourish. The object will then be given back to nature providing further nourishment for the continued life cycle of future objects.

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A few tips if you're going to the Salone del Mobile, Milan's international furniture fair, this weekend. 1. Don't leave without sunscreen an umbrella (just read the weather forecast). 2. Don't be surprised if Tortona smells a bit of a hasbeen area now that the big guys, the heavy glitter and the trashy panino con la porchetta have moved in. 3. Start with the Ventura Lambrate area because that's where the cool kids are showing their work now. More details coming up in the next post. Aside from Ventura Lambrate, here's a couple of shows i'd recommend:


Grazie mille Laurence Humier for walking me to Spazio Rossana Orlandi, a shop slash exhibition space in the Magenta District. The old buildings offers several floors of design furnishing with a gallery for exhibitions, a cafe where ladies in pearl necklace sell their homemade cakes and a space dedicated to fashion. It's a bit like Colette in Paris. Only more bourgeois and less Tokyo-NYc oriented. Still, very very fun place to visit. See by yourself:






There were rooms after rooms of tables, plates on tables, lampshades on top of tables, seats and shelves. What got my attention was Isabel Berglund's Home With Tree. Very big knitted cotton tree planted in a tiny white room and part of Danish Craft.



Frederique Morrel had some fiery tapestry human and non-human animals climbing up the walls overlooking the cafe area. The creatures are dressed in needlework with added fur touch here and there.





Far away from there, at Spazio Krizia, Ingo Maurer is presenting spectacular exploded comic lamps.



If you have the misfortune of finding yourself in Turin in this period of Holy Shroud mayhem, then i send you all my sympathy but also a suggestion to make your way to the Gallery Guido Costa Projects.


The ongoing exhibition Blessing of the Hippopotamus made me discover the magnificent Reverend Ethan Acres. The artist is first and foremost an Evangelist preacher. Just like his dad and his grand father were. Born in Alabama, jewel of the Bible Belt where the percentage of non-religious people doesn't raise higher than 6%, the Reverend performs weddings, last rites for deceased pets and he preaches on Sundays along the famous Fremont Street in Las Vegas where he moved a few years ago.


The Reverend Ethan Acres has made it his mission to "put the fun back into Fundamentalism." He has more verve than a tv preacher, more charisma than a whole drive-in chapel and far more dynamism than a gospel aerobic instructor. The Reverend uses art to accompany his sermons and spread the Word large and wide, linking it to ancient traditions of sacred art. In the '90s he even a converted camper trailer into a mobile Vegas-style church he called the "Highway Chapel".


Christian faith meets Barbarella, Teletubbies, rock and metal band Kiss and pop craft in his paintings, digital prints, installations, sculptures, videos and performances. Proceeds from his artworks provide financial support for his Church of the Holy Fool.

The Blessing of the Hippopotamus on view at the Turin art gallery is a commentary, in the form of a sermon, on The Hippopotamus, the famous 1917 poem by T. S. Eliot. T. S. Eliot's hippopotamus "is merely flesh and blood", it is weak and awkward, contrasting with the "True Church", that "need never stir to gather its dividends".



The exhibition is composed of a series of artefacts and of a documentation of the performance that The Reverend gave in Turin. On the evening of March 4, he appeared dressed as a preacher to declare his love for God and tell the tale of his first love. He was a teenager when he first fell in love. He was slim, had long hair and the woman was dying of cancer. He explains how he accompanied her during her last weeks of chemotherapy, walked the dog with her, watched as suitors kept knocking on her door and kissed her on the forehead just as she was passing away. At that moment of his sermon he tore away his clothes, kept just a tiny pink slip (adorned with a padlock) and a pair of knee protectors and put on the mask of a hippopotamus. He immersed himself into a kids' inflatable swimming pool filled with muddy water. He is the hippopotamus and immerses himself in the mud of life. After having washed up in tiny inflatable basins, he stood by the door of the gallery to bless visitors "in the name of the hippopotamus" with a muddy cross drawn on their forehead.


One of the works exhibited in the gallery hints at the Shroud of Turin which is exhibited nowadays in town. The Reverend put inside a frame an "Elvis Sweatcloth". At concert, Elvis would take one of his dozens of scarves, wear it around the neck for a few seconds, long enough to soak in a bit of sweat and then throw it into the audience. He would repeat the operation several times during the show. Why Elvis? Because it appears that the last book The King was reading before he died was The Scientific Search For The Face Of Jesus by Frank Adams. He had requested it after having heard that it demonstrated the authenticity of the Shroud of Turin, said to be Jesus' burial wrapping.


Videos of sermons by The Reverend Ethan Acres.

The Blessing of the Hippopotamus is on view at Guido Costa Projects in Turin until Mars 30, 2010.

Since 1955, the World Press Photo Foundation is awarding the most striking and representative images that illustrate the events of our times in the press. The winners of the contest are exhibited this year in 100 cities in 45 countries and is still expanding. The plethora of venues might explain why World Press Photo is so wantonly careless about the way the images are exhibited. About a year and a half ago, i visited the World Press Photo 2008 exhibition at the Museo di Roma in Trastevere during FotoGrafia, Rome's international festival of photography. There were good quality prints, the light was adequate and the space was lovely. Two weeks ago i saw the new WPP exhibition in Turin this time and it was dreadful. I'm all for financing culture but paying 6 euros to see bad prints of the original images glued on panels which were planted in a room lit like an underground parking lot is not exactly my idea of an exhibition that does justice to the work of talented photographers.


Here's some of the photos i liked the best:


Copyright Johan Bävman /MOMENT, Albino - In the shadow of the sun, 2nd prize contemporary issues stories 2009

Johan Bävman followed the lives of Tanzanian albinos, an exposed and vulnerable group in one of the world's poorest countries. Many African albinos are hunted and killed for their body parts, believed to bring luck, wealth, good health, etc. In addition to discrimination, and a recent wave of murders, the albino population face serious medical issues. Eye problems often lead to a lack of education among albino people and living under the equatorial sun exposes them to skin cancer.

Kevin Frayer, The Associated Press. 3rd prize singles and 1st prize of the public

Palestinian protestors take cover behind an olive tree as they get caught in tear gas fired by Israeli troops, in the West Bank village of Ni'lin, near Ramallah, in May. Residents of the village began staging weekly demonstrations in May against Israel's extension of a barrier which would cut off part of their farmland and therefore endanger their livelihood.

Philippe Dudouit, from The Tuareg Rebels. 2008. Contact Press Images. 3rd prize stories

A band formed by members of the Niger Movement for Justice helps spread the message of the Tuareg, a nomadic people living in an area that crosses a number of North African countries. They complain that they are excluded from local mining income, and lack political representation. Tuareg groups in both Niger and neighboring Mali attacked government facilities and took scores of prisoners, following the collapse of a 2006 ceasefire.

Henk Kruger, Cape Times. 2nd prize singles

A Zimbabwean man crawls through the border fence from Zimbabwe into South Africa, close to Beit Bridge, on May 21. Zimbabwe was experiencing spiraling hyperinflation and critical unemployment. Official figures set immigration to South Africa at an average of 96,000 per month, not taking illegal migrants into account. In May, xenophobic violence broke out in Gauteng province, around Johannesburg. Attacks against migrants accused of taking homes and jobs from locals went on for several weeks, leaving around 60 people dead.

Davide Monteleone (Contrasto), From the series Abkhazia Independent. 1st prize stories

Women bathe on Pitzunda beach, on the Black Sea coast. Abkhazia was once popular as a holiday destination for the Soviet elite. During the 2008 South Ossetia War, Russian and Abkhazian forces attacked the Georgian units located in the region and occuped Kodori Gorge. The majority of the population was forced to move to Western Georgia. The Russian Federation recognized the independence a Abkhazia in August 2008.


Carlo Gianferro, Gypsy Interiors / Roma Interiors for Postcart, 1st prize portraits stories World Press Photo 2009

Carlo Gianferro's Gypsy Interiors opens the doors of the homes of affluent Roma in Romania and Moldova. Little is allowed to disturb the flamboyant and spotless rooms. Kitchen, for example, serve primarily for display, as women prefer to cook outdoors in communal cauldrons amongst friends and neighbours.

Mashid Mohadjerin, Reporters/Redux Pictures. 1st prize singles

Italian Coastguards find a lost, overloaded migrant boat from Libya after hours of search, Mediterranean Sea, Italian waters around the island of Lampedusa, Italy, July 30, 2008. Just off the coast of Tunisia, Lampedusa forms part of a much-used route for illegal immigration from Africa into Europe. Authorities on the island struggled to cope with an increase of 75% in migrant arrivals in 2008. Detention centers were filled beyond capacity, forcing hundreds to sleep outdoors.

List and gallery of winners.

The exhibition is on view this week in Istanbul, Jakarta, Tel Aviv, Kapfenberg, and soon in Leipzig, Jena and Torun.

Photo on the homepage: Davide Monteleone, Contrasto. Men sit in a coffee bar in the Abkhaz capital Sukhumi.

Previously: FotoGrafia, Rome's international festival of photography - Part two.

Atelier van Lieshout, Course of Life, 2009 (Galerie Krinzinger)

Spain has ARCO in Madrid, France FIAC in Paris, the UK do Frieze in London, Germany has Art Cologne and art forum in Berlin, etc. But what is the main contemporary art fair in Italy? Do sit down please because the list is getting longer. There's a contemporary art fair in Bologna, one in Milan, in Bolzano, in Verona. And then there's Turin. Surely there must be one in the South of the country but i don't think i've ever been told about it. I only go to Turin, not just because i have the misfortune to live there, but because Artissima, which closed a few weeks ago, never disappoints me. It is decidedly the edgiest and most exciting contemporary art fair in the country. In fact, you'd almost think that people come here because they love art, not just because they want to buy, invest and speculate.


There were feisty gatherings of fire extinguishers in every corner


Over 45,000 visitors visited the fair and the sales went fairly well (at least that's what you tend to hear and read in times of crisis.) Not everybody was ecstatic though. There was the scandal of the catalogs (one of them compiles interviews with gallery owners some of which were not present at the fair and were therefore not contributing to the financing of the catalog printing, the gallery owners who had not been interviewed for the booklet felt they had been cheated), others lamented Turin's decision to focus many of the city's art events in November, with the effect that collectors and visitors had less time to spend at the fair than gallerists might have hoped.


As i mentioned a few weeks ago, the fair had the objective of being affordable, introducing young artists at "prices you can buy." The definition of 'affordable' being open to debate, Artissima opened THE STORE, a shop curated by Adam Carr, at the back of the exhibition space. Plebeians like you and me could snap a poster, bag, lollipop, video, postcard, mug or balloon for 0 to 450 euro (i was told you were even allowed to bargain) by artists such as Nina Beier, Stella Capes, Tomas Chaffe, Claire Fontaine, Ryan Gander, Liam Gillick, Loris Gréaud, Arunas Gudaitis, Henrik Plenge Jakobsen, Jonathan Monk, Paola Pivi, Mario Garcia Torres, etc. I got the Jonathan Monk bag with the press kit so i'm as happy as a clam (never inquired about the degree of felicity of a clam but i found the expression on google and thought it sounded adequate.)

Thorsten Kirchhoff, Ipnoinducente, 2009 at the booth of Alberto Peola

Now I'll just throw a few pictures and artworks at your face, go back to my "English Period drama tv series" viewing and come back to you tomorrow with a post focusing on the photographic works i discovered at Artissima.

Kristof Kintera, I see, I see, I see, 2009 at the Jiri Svestka booth. Photo Artissima

The entrance of the fair was particularly eye-catching thanks to the Constellation section which presents a museum-style selection of installations, sculptures, videos, and large-format works selected by Heike Munder, from the Migros Museum Für Gegenwartskunst, Zurich. I only paid attention to it at the end of my visit when i saw these alpine lads falling half-asleep during a dancing marathon on a rotating podium:


Seb Patane, Absolute Körperkontrolle, 2006. Maureen Paley, London - Fonti, Napoli

Stas Volyazlovsky's artworks are painted on bed-sheets, pillow-cases and towels dipped into a strong tea which is very popular among inmates of Russian prisons. They figure Pushkin, Hitler, "lolitas", mutant nurses and Dracula among obscene words and motives that remind criminal tattoos.

Stas Volyazlovsky, Carpet 1, at the Gallery Regina

Sandra Vásquez de la Horra, at Sprovieri's booth

Naïma Bourquin, Johan Wacquez, and Vassili Lavandier are three fictive persons. Artist Jonathan Delachaux sculpts then photographs them for the realization of his paintings. Everything in the painting is very realistic. Except the characters, they retain their eerie puppet appearance.

Jonathan Delachaux, La nouvelle chambre de J.W., at New Galerie de France

Carsten Höller reminded us that he was trained as a biologist by filling a series of vitrines with Doppelpilze (Double mushrooms). Each replica of mushroom was halved and then coupled with a different kind of mushroom.


Carsten Höller, Doppelpilzvitrinen, 2009 (Detail) at Esther Schipper

Amusingly, this slot machine which seemed to work like your usual slot machine was defined "an interactive sculpture." You'll notice an artwork featuring skulls just behind this -now that i think of it- rather uninspiring 'interactive sculpture'.

Giuseppe Stampone, Passepartout automatico, 2009

I saw an awful lot of skulls at Artissima.

Ronald Ventura, Untitled, 2009. At the Primo Marella gallery booth

Gelitin, Untitled, 2007. Gallery Massimo de Carlo

Michael Fliri, From the forbidden z, at the Raffaella Cortese gallery

See you tomorrow!

Picture on the homepage: Seb Patane, Absolute Körperkontrolle, live audio-visual mixed media installation, 200. Courtesy Maureen Paley, London and Galleria Fonti, Naples
installation shot from While Interwoven Echoes Drip into a Hybrid Body, migros museum für Gegenwartskunst, Zurich, 2006.

No matter how hard i try to keep in touch with what is going on in Turin, i always seem to do an awful job. Latest openings in London, Berlin, Eindhoven, San Diego or Venice? Easy peasy. But Turin does its best to keep me bored and uninformed. I discovered only a few days ago, as i was taking the plane to Graz (did you know Arnold Schwarzenegger comes from there?), that here was a fantastic exhibition in town. It had opened in May and i managed to visit it yesterday morning, a few hours after being back from Austria.

Georgy Tryakin Burharov, Mole Antonelliana (Turin Tower), 2009

East of Nowhere - Contemporary Art from post-Soviet Central Asia showed the work of 32 artists coming from countries i'm unable to locate precisely on a map, except when wars or Hollywood mockumentaries give me a helping hand.

Menlibayeva Almagul, Genogramma, 2008

The countries investigated are 5 ex-Soviet republics (Kazakhstan, Kirgizistan, Uzbekistan, Tadjikistan and Turkmenistan), along with Afghanistan and Mongolia. These two had been at some point under Soviet leadership and they show ethnic and cultural affinities with the republics just mentioned.

© Photo: Fondazione 107

East of Nowhere, located in the beautiful but cruelly un-heated Fondazione 107, uses photographic works, videos, installations and sculptures to document a moment of extraordinary transformation for an area that is 5 times as big as Europe. The result is bold and exciting with its mix of "globalization", acceleration, nomadic lifestyle, pre-soviet and islamic traditions.

Dugarsham Tserennadmid, A Marmot Hunter

The oldest artworks in the show are Dugarsham Tserennadmid's b&w photos. From the '60s till the '90s, she documented everyday life in the steppe as well as the key moments her country -Mongolia- was going through. In the '90s she decided to leave the art scene and go back to her roots: nomadism.


Said Atabekov, The Road to Rome (images Impronte contemporary art)

In The Way to Rome , Said Atabekov recalls Marco Polo's thirteenth century journey from Italy through Central Asia and up to China, and how he returned to Rome and became a symbol of the encounter between the East and West. Atabekov traveled through Kazakhstan to capture ordinary actions, landscapes, people, moments and objects that all look very exotic to us.

Ekaterina Nikonorova (Almaty, Kazakhstan), Self Soviet Architecture, 2008

Ekaterina Nikonorova, Self Soviet Architecture: Chairwoman Committee, Blue Stair, Poetess Fantasies. 2008

With her series titled Self Soviet Architecture, Ekaterina Nikonorova imagine there's a syntony between places and the persons who inhabits them.




Regina Shepetya, Diana Yun and Malik Zenger, World War Too, 2008

One of the most exciting works for me was a video animation by Regina Shepetya, Diana Yun and Malik Zenger. Mixing archive images, plasticine figures and playful graphics, World War Too is a super pop and concise account of WW2. A few minutes takes viewers from the rise of Hitler to the invasion of Poland, the Blitz, Operation Barbarossa, and finally to a defeated Hitler puppet fleeing a Berlin under the bombs.

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Alimjan Jorobaev, "Men Praying on the Central Square in Bishkek", 1982-2005. Courtesy of the artist

Alimjan Jorobaev's photo series Men Praying on the Central Square in Bishkek looks at the interconnection between manifestations of military and state power and the increased presence of religion in public space in his country, Kyrgyzstan. One of the photos shows people praying with their backs turned to a sculpture glorifying Lenin. A powerful image since ideas of Soviet collectivism have been replaced by identity politics and an obsession with nationhood. Besides, the sculpture has now become a tourist attraction rather than an homage to the communist leader.

I can't end the post without showing a couple of works from Kazakhstan that reflect on the Borat phenomenon with irony and humour:

Natalya Dyu. Stop Borat now, 2008

Malik Zenger, East Kazakhstan), Catching the Horse (by M. Kenbaev), 2008

More images in the Flickr set.

East of Nowhere was the inaugural show of Fondazione 107. I'm afraid it is closed by now but i'm looking forward to see what Fondazione 107 is going to program in the future.

Photo on the homepage: Almagul Menlibayeva, Kissing Totems, Still from the video - 2008.

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