Art14 is "London's global art fair." It took place a couple of weekends ago and it is my favourite art fair in London. Not that i'm a big fan of fairs but, you know, "In the country of the blind," blablabla. Art14 changes its name every year. Last year was its first edition and it was called, you guessed it, Art13. If i had to compare it to Frieze i'd say that catering is far better at Art14 (which for me means "WOW! there's a juice bar, here!"), the public is much younger and the art is more accessible and not just financially. Last but not least, there's no Jeff Koons inflated glitter in sight. I did see too many Botero though. At least one.
The reason why Art14 defines itself as "London's global art fair" is that the 180 participating galleries come from all over the world. Europe of course but also Asia, the Middle East, Africa and South America. 38 different countries in total.
What follows is a long series of images of works i discovered at the fair. Most of them are photography because that was the medium that stood out at the fair for me.
Johannesburg was founded on the wealth that came flooding in from a gold rush beginning in 1886. The mines didn't just create the fortunes, they also generated six billion tonnes of waste dumped outside the city's poorer areas. Some 400,000 people now live surrounded by these mountains of waste.
This series records some of the structures damaged by the 2011 earthquake and tsunami in Japan. Hirohito Nomoto explains: The photographs of the facade of each building were taken using techniques of architecture photography that allowed me to keep my emotions at bay, in order to depict the scene as naturally as possible. The aim of this work was to present the viewer an image of what happened there on the day. Most of the buildings in the series were pulled down and do not exist anymore.
Shen Chao-Liang photographed the extravagant stage trucks employed by cabarets and other performers to travel across Taiwan. In less than an hour, the stages turn from mundane vehicles into 50-foot sensory spectacles complete with powerful sound systems, neon lights, and splashing painted stage sets. And back into trucks again until their next destination.
Bauhaus artist Albert Renger-Patzsch looked for beauty and dignity of prosaic industrial machines.
Abdul Abdullah's Siege refers to the 'siege mentality'; a state of mind in which one feels under attack. Abdullah feels this is a condition suffered by many minorities and marginalized groups, particularly young Muslims who live in traditionally 'Western' societies. Growing up in the post 9/11 era, Abdullah has stated that he believes that if there is a 'bad guy' in the popular imagination, it would be Muslims, and as a Muslim he has felt obligated to defend his position.
Ramune Pigagaite was born in Varena, a small town in Lithuania. People of my Town is a series of forty small sized colour photographic portraits of people from Varena. Their professions seem antiquated, strange and curious: baker, beekeeper and poet.
Hugh Holland documented the early days of the skating culture in California. The young people he photographed in the 1970's became legendary names of the sport.
It would be unfair to reduce the fair to photography:
Anton's works are a cultural fusion of African/European cultural references and phenomena. Influenced by his family's history with tales of deterritorialisation, migration, displacement and assimilation his practice is multiplicitous, presenting an ongoing exploration, a type of meta-anthropology, a broad sweep of culture(s), conglomerations of many themes, histories and ideas (from natural/world/art histories, language and media).
Few people would associate the words "English heritage" with car showrooms, repair garages, filling stations, traffic lights, inner ring roads, multi-storey car parks, and drive-through restaurants. Yet, the exhibition Carscapes: How the Motor Car Reshaped England draws our attention to the country's motoring patrimony and shows that the car's impact on the physical environment needn't be reduced to ruthless out pours of concrete and "wayside eyesores".
The first motor cars entered the country in the late 19th Century. New buildings, signage, rules and systems had to be invented for dusty roads that so far had only been crisscrossed by horse traffic. It is only recently that we have started to value the infrastructures that have facilitated their construction, sale and maintenance of cars. "It took the best part of 100 years for the railway infrastructure to be appreciated," argue Kathryn Morrison and John Minnis in the book Carscapes: The Motor Car, Architecture, and Landscape in England, "now it is the turn of the car."
Many of these buildings, road signs and infrastructures have disappeared, others are under threat of being demolished or are decaying beyond repairs but English Heritage has started to list motoring heritage sites in England. The exhibition at Wellington Arch shows archives images, contemporary photos and a series of motoring memorabilia. It also explores the impact that motor car have had on the planning of cities, towns and on the countryside.
Below are some of the most spectacular buildings and road systems i discovered in the exhibition:
Bibendum aka the Michelin Man!! Michelin Building on London's Fulham Road is now a restaurant but it was built to house the first permanent UK headquarters and tyre depot for the Michelin Tyre Company Ltd. It also function as advertisement for the company with its corner domes that resemble sets of tyres and the large stained-glass windows starring the cheerful "Bibendum."
The building opened for business on 20 January 1911.
When the Lex (now NCP) car park opened in Soho in 1928, its architects were catering for the rich men who could afford the luxury of a car. The Art Deco architecture thus also housed a cafe (for car-owners) and a separate canteen for chauffeurs.
The photo above shows one of the earliest filling stations to open in London. It was built by F.D. Huntington in 1922. Each pump was manned by a uniformed attendant.
This was one of the six filling stations built by the Automobile Association in 1919-20, the first to be opened in Great Britain, and originally selling only British-made benzole.
In 2012, English Heritage granted listed status on two 1960s petrol-station canopies - one on the A6 near Leicester (photo on top of the page but check out also this night view) and the other at Markham Moor, Nottingham.
When it opened in 1931, the Ford factory on the banks of the Thames at Dagenham was the largest car factory in Europe. The nearest building in this 1939 photograph is the power station. Behind it, fuel for the power station and furnaces is unloaded from ships via a double-decked jetty.
Coventry Inner Ring Road built between 1962 and 1974 is one of the most highly developed and tightly drawn inner ring roads of any city in England.
The Wellington Arch was built in 1828 but Victorian traffic jams meant that in 1883, the Arch was dismantled and moved some 20 metres to its current location. Between 1958 and 1960, to further ease congestion - this time from motorised transport - Hyde Park Corner was altered and the Arch separated from Constitution Hill by a new roadway.
Metallurgique was a Belgian company which opened the first car showroom on Regent Street in 1913
Carscapes: How the Motor Car Reshaped England is at the Wellington Arch until 6 July 2014.
The largest private estate ever 'owned' by man in recent history was perhaps an area of Africa acquired by Leopold II King of the Belgians in 1885.
For over 20 years, he would be the de facto owner of over a million square miles of central Africa (a territory roughly 76 times larger than Belgium.) He ironically called the country Congo Free Stateand modestly named its capital Leopoldville (via.)
Hiding behind humanitarian and philanthropic promises to develop the region and insure the prosperity of native people, Leopold II acquired the territory and set out to extract its resources. In particular ivory, rubber, and minerals. Nowadays, his rule over the country is associated with the regime of violence, murder or mutilation of the Congolese people. No human right consideration could indeed stop Leopold II's agents in their efforts to meet the growing demand for rubber and maximize profits:
Failure to meet the rubber collection quotas was punishable by death and a hand of the victims had to be presented as proof of the punition, as it was believed that they would otherwise use the munitions for hunting. [...] Soldiers sometimes "cheated" by simply cutting off the hand and leaving the victim to live or die.
When Harmony Went to Hell. Congo Dialogues at Rivington Place in London brings side by side archive photos shot by Alice Seeley Harris while Leopold II was still the sole owner of the land and new work from Sammy Baloji, a Congolese artist who has been investigating the legacies of colonialism in his country.
In the early 1900s, the English missionary Alice Seeley Harris was traveling the Congo Free State with her husband and one of the world's first portable cameras, a Kodak Brownie. Shocked by the contrast between the king's claims of colonial benevolence and the oppressive regime, she carefully documented everyday life as well as the atrocities and brutality towards the inhabitants.
The result is often regarded as being the first photographic campaign in support of human rights. The couple took the images on a tour around Europe and the US. The photos of the Harris Lantern Slide Show were accompanied with powerful lectures which managed to raise the public awareness about human rights violations in Congo.
The Alice Seeley Harris archive was last shown to the public 110 years ago. Her black and white prints are exhibited in an up stair gallery at Rivington Place. The ground floor, however, hosts Sammy Baloji's stunning photos which explore the cultural and architectural 'traces' of Congo's colonial past; in particular, the Katanga province and its capital, Lubumbashi. Some of the pieces exhibited belong to a series of photomontage works that juxtapose post-industrial landscapes with ethnographic archival imagery.
The photos i found most extraordinary, however, are part of Baloji's new body of work. The photos of the Gécamines mining district and of the derelict Office of Post and Telecommunication in Kinshasa are simply jaw-dropping, even for someone who has seen her fair share of derelict buildings. I can't seem to find much images of them so you will have to take my word for it and swing my Rivington street to see them. You won't be taking much risk, the show is free.
I'm going to end this post with an anecdote i read online..
With his ZZ Top beard and his neat outfits, Leopold was also a feisty man and he particularly loved women. His last, embarrassingly younger, and most adored mistress was Caroline Lacroix. She gave him two sons, the younger was born with a deformed hand, leading a cartoon to depict Leopold holding the child surrounded by Congolese corpses with their hands sliced off. The caption said Vengeance from on high!
When Harmony Went to Hell. Congo Dialogues is at Rivington Place in London until 7 March 2014. If, like me, you're a Belgian expat who's never really been taught the whole colonial story at school, you shouldn't miss the show.
The KOSMICA: Full Moon Party took place last month as part of the Republic of the Moon exhibition programme and that means that I'm ridiculously late with these notes. Kosmica is The Arts Catalyst's evenings of performance and conversations for the 'cosmically curious.' I've attended a couple of Kosmica events in the past and this one was as exciting as ever.
Space scientist Lucie Green is an expert in the sun but she gave a wonderful presentation about the magnetic bubble that surrounds and protects the earth from the radiation of the sun and about how the moon is electrically charged, Dr Jill Stuart focused on space politics, Tomas Saraceno talked about cities that are lighter than the air, Kevin Fong asked us to reflect on how past expeditions might actually belong to the future.
Sue Corke and Hagen Betzwieser from WE COLONISED THE MOON presented the largest Moon smelling session ever done on our planet. It was hilarious and it didn't smell nice. My wool sweater is not thanking them.
London based improvisation band Orchestra Elastique live scored Georges Méliès' A trip to the Moon.
All the talks are online. I enjoyed all of them but i wanted to spend more time on the most 'political' ones so i'm writing down below some notes and links from Kevin Fong and Jill Stuart's presentations.
Kosmica Full Moon Party Part 6, Jill Stuart
Dr Jill Stuart is a Fellow in Global Politics at the London School of Economics, and reviews editor for the journal Global Policy. She researches law, politics and theory of outer space exploration and exploitation. Her interests extend to the way terrestrial politics and conceptualisations such as sovereignty are projected into outer space, and how outer space potentially plays a role in reconstituting how those politics and conceptualisations are understood in terrestrial politics. ,
Stuart talked about the long history of outer space law and more specifically about 'Who owns the Moon?' (which she calls the Muuuhn)
We all know that iconic image of Neil Armstrong planting a flag 1969. Did the gesture imply that the United States can claim any kind of ownership over the moon? Who owns the moon exactly?
The answer is a combination of 'no one' and 'everyone' owns the moon.
No One because The Outer Space Treaty of 1967 says that outer space (which obviously includes the moon) cannot be 'appropriated' by any national State for sovereign purposes.
Everyone because the same treaty states that outer space is the province of all mankind.
The treaty was widely ratified and is still today accepted as being doctoring.
Now another interesting issue Stuart raised was the number of flags on the moon. The US chose to put a US flag on the moon, rather than some sort of global flag. But it turns out that there are more than one US flag on the moon. 6 US flags were delivered by humans on the Appolo mission.
And it wasn't just the US who got 'flag happy'. Four other countries had flags delivered even though it didn't have legal significance in terms of appropriation. Russia, China, India and the European Space Agency also have flags up there. Russia and China have soft landed on the moon and delivered flags. The other delivery method is to crash something on the moon that bears a flag.
Speaking of crashing into the moon: the moon is at the center of many geopolitical interests. In the 1950s, the United States were thinking about landing on the moon to show off their technological prowess (in particular to the Soviet) but a top secret study revealed that the US also briefly considered nuking the moon, instead of landing on it. The fall off would enable scientist to study the geological make up of the moon and the flash from the nuclear explosion would create a difference on the surface of the moon that could be seen back on earth.
The first Apollo mission carried a plaque which still stays on the moon and says "Here men from the planet earth first set foot upon the moon. July 1969. We came in peace for all mankind."
The last human mission on the moon was in 1972. Since then there has only been some soft landing.
Since then, one of the big issues that have emerged is mining. Is mining the moon legal? Is it even desirable?
The moon might have helium-3 which could be a fuel to travel from the moon to other planets. But is it legal? The Outer Space Treaty is a bit ambiguous in that regard. It says that any activity should be carried out for the common heritage of our kind and benefit all people and all countries. The treaty therefore advises to redistribute anything that should be gained from mining. However, the fifth treaty (1979) sought to clarify some of these issued but mostly failed as only very few countries ratified it.
In 2002, China stated their moon intentions. They included establishing a base on the moon for the purpose of mining, they said that the resources that they extract would be for the benefit of humanity. What does that mean?
Stuart believes that mining will be a big issue in the future.
Another problem of the main Outer Space Treaty is that they are rooted in a state-centric language. Many people are curious about the companies that sell plots of land on the moon and other celestial bodies. The outer space treaty says that no nation state may lay claim on a celestial body. So does that give green light to individuals, corporations or private partnership? Stuart doesn't believe so. We are only now learning to deal with the fact that it's not just states that are planning to go into outer space. Wealthy individuals and corporations are looking at it too. Outer space law still have to catch up with that.
Kosmica Full Moon Party Part 5, Kevin Fong
Kevin Fong, a space medicine expert and the co-director of the Centre for Aviation Space and Extreme Environment Medicine (CASE Medicine), at University College London, talked more generally about exploration.
There aren't any wide space left to explore on the surface of the Earth. A hundred years ago, however, there were still many places where humans had never been (South Polar region, some of the highest mountains, etc.) Now we've explored the earth, the air, we've even been to the moon. What happens next?
We're a bit blasé about the future. Going to the moon doesn't look like a big deal anymore now.
There are some myths regarding the public attitude about moon exploration. It is said that everybody was really into it in the 1960s and then everyone lost interest. But in fact, research shows that approval for the Apollo mission never reached 50% amongst members of the U.S. until they landed on the moon and then approval reached a high point for a couple of weeks and then went back down again. So people weren't so enthusiastic about sending men to the moon.
Why did we go to the moon? We already know that it was a surrogate battlefield for a war that could not be fought in any other way. And some of the people who were the architects of Apollo had actually been around during some of the most atrocious moments of the 20th century. And if they didn't take part in it, they were certainly aware of it and did nothing to stop it. Some of them even probably were 'card-carrying nazis' until the day they died. Yet, we celebrate them in a revised history. And some of the research actually emerges from the V2 rocket. We look for vision and inspiration when actually the mission comes from some of the darkest pages of human history.
Was Apollo worth it? Someone said that Apollo was an aberration and that it was a piece of 21st century that was dragged into the 20th. Which is why we never went back. It was just too hard to do and it was too soon. And that is the way that most explorations are done.
We see romanticism behind most explorations. According to Fong, the exploration of any time doesn't make sense to the rational people of the same time. When you look back at the great explorations of the past, it's the same story. It's some imperial power leading their effort through their military, usually at great expense and great risk of human life.
An illustration of this theory is Magellan's circumnavigation of the globe between 1518 and 1522. In 1518, Ferdinand Magellan can't convince Portugal to support his expedition project so he goes to rival Spain and sails with 5 ships and about 280 sailors. The whole expedition is a real ordeal. 3 mutinies, 4 ships lost, Magellan dies before the completion of the expedition and the only ship that manages to get back to Seville is sailed by only 18 men. In fact, Magellan had not even intended to circumnavigate the world, but to find a secure way to the Spice Islands. Yet, we remember this episode as being a glorious page of history and we recognise it as an important stepping stone. But the men at the time probably thought that too high a cost had to be paid. To Fong, you can only love the exploration of a moment so that people of the future will vicariously enjoy it on your behalf later.
So is this the point when human exploration stops? When we come to realize that it is too expensive and comes at too high a human price?
The Moon is the furthest point we've ever been from the earth. How will history see project Apollo? We will either see it as we see Magellan's circumnavigation of the globe as an important step along a much longer journey or we will see it as we see the pyramids, an amazing achievement but "Why the hell did they do that?"
Image on the homepage from Moon, a 2009 British science fiction film about a man on a three-year solitary stint mining helium-3 on the far side of the Moon.
Previously: Should we colonize the Moon?
This week, Resonance 104.4FM is holding its Annual Fund-Raiser, with a series of live events, an on-line auction and special broadcasts. The reason why i'm mentioning it this year is that the radio needs your help even more than in the past : we need to secure £50,000 reserves in order to bolster our next funding application to Arts Council England, who have generously supported us for the last 11 years. The exciting bit: our programme makers and many friends have organised a variety of amazing entertainments for you - all proceeds going to Resonance. With your help we can keep our unique and exceptional broadcast service on air and advert-free!
The whole list of events is over here: Resonance104.4fm's Annual Fund-Raising Drive. I'd like to point you to a couple of evenings you might enjoy:
There are tons of music events. I know zilch about music but i do know that on Thursday 13 February, Resonance104.4fm has lined-up an impressive series of sound-art performances at Cafe Oto. There will be Janek Schaefer + Rie Nakajima + Yuri Suzuki + post-electronic research group Oscillatorial Binnage. I've no idea who curated this event but it's hard to imagine a more exciting selection. And all that for a very reasonable £8.
Also very tempting is High Tea with Max and Stacy. "Financial war reporter" Max Keiser and Stacy Herbert of The Truth About Markets will be at The Roxy for a high finance Q&A. That's on Sunday 16 February 4pm. Tickets are £15.
So please do come to any or all of these events. Do grab something in the online auction (i'll link to the page as soon as i have it) or make a donation. Today. Because we really need your help at Resonance104.4fm.
Photo on the homepage: Oscillatorial Binnage at the Merge festival.
The new episode of #A.I.L - artists in laboratories, the weekly radio programme about art and science i present on ResonanceFM, London's favourite radio art station, is aired tomorrow Wednesday afternoon at 4pm.
My guests in the studio will be Mathias Gmachl and Rachel Wingfield from Loop.pH. The work of the London-based studio speculates on near and far future scenarios as a way to probe at the social and environmental impact of emerging biological and technological futures. Some of their most renown projects include collaborating with a Nobel prize winner to communicate the functioning of molecular machines, designing a curtain made of algae that produce bio-fuel, setting up an edible DIY bio fab-lab for the video of Aussie band Architecture In Helsinki, creating an immersive sound and light performance that explores the field of neuroscience and investigating the possibilities of living architecture.