Publisher Laurence King writes: Born out of the drawingbuilding.org online archive, Architectural Inventions presents a stunning visual study of impossible or speculative structures that exist only on paper. Soliciting the work of architects, designers, and artists of renown -as well as emerging talents from all over the world -Maximilian Goldfarb and Matt Bua have gathered an array of works that convey architectural alternatives, through products, expansions, or critiques of our inhabited environments.
From abstract and conceptual visual interpretations of structures to more traditional architectural renderings, the featured work is divided into thematic chapters, ranging from ‘Adapt/Reuse’ to ‘Clandestine” ‘Mobile” ‘Radical Lifestyle’, ‘Techno-Sustainable’, and ‘Worship’. Along with arresting and awe-inspiring illustrated content, every chapter also features an essay exploring its respective themes.
Highlighting visions that exist outside of established channels of production and conventions of design, Architectural Inventions showcases a wide scope in concept and vision, fantasy and innovation.
David Jacob, Simulated dwelling for a family of five, 1970 (photo)
Architectural Inventions offers an exciting trip to a place you may or may never want to go: inside the head of architects. While a few projects are fairly well documented (for example, The House that Herman built), the majority of the drawings have never been published, not even on the websites of their authors. Which is thrilling but also frustrating when you want to know more about the memorial for the space shuttle Columbia, the extravagant Tesla coil show, the helicopter archipelago, the missile houses, the static desert viking ship, the temple for a moon cult, the artificial planet put into orbit around the sun, the robotic terrorism defense system (i thought that one was already around?!?), aerial suburbs, intricate subterranean networks of garbage disposal, etc. Sometimes the images are accompanied by a short text written in cursive (a real pain to read) and sometimes there’s just a title.
The drawings section is introduced by a series of essays by architects, visionaries, installation artists and other people who have interesting thoughts about the impact of the Alexander technique on the built space, time machines, utopia and doomsday. Yes, doomsday because the images and essays might be whimsical and compelling, they never completely lose touch with the dark reality of our time.
Views inside the book: